The rise of the poor

Chapter 846 Heartbroken, old iron
Ping An puzzled, please enlighten me!
Zhu Ping'an's voice resounded in the lecture hall, echoed in Yang Guoliang's mind, and echoed in the minds of everyone in the lecture hall.

Road to simplicity!

Zhu Ping's question is very simple, but it directly points to the root of Yang Guoliang's theory of "the style of the king and the virtue of the concubine".

If there is no skin, there will be no hair!
If you can't answer Zhu Ping'an's question, then Yang Guoliang's theory, no matter how lofty and politically correct it is, is nothing but a bubble.

While Yang Guoliang was struggling to think about Zhu Ping'an's question, other people in the lecture room were also racking their brains to think about Zhu Ping'an's question. Why did the gentleman refer to King Wen of Zhou, and the lady referred to the Queen of Zhou? !

Bells and drums, qin and se, are these musical instruments only the King of Zhou is entitled to enjoy? !

Obviously not, the king of Zhou could use bells, drums, zithers and zithers, nobles also used these instruments in banquets, and ordinary people could also use these instruments in sacrifices and marriages.It's just that the levels are different, and the pomp that can be used is different.According to the level of the ritual and music system of the Western Zhou Dynasty, the king of Zhou can use four sides and eight qi ("佾" means "column", eight people in each row, 64 people in eight yi), princes can use three sides (missing the north) and six yi, and officials can Use two sides (missing north and east) and four qi, and scholars can use one side (only the south) for two qi.Common people can also use musical instruments at weddings, funerals, and sacrifices, but the number of people can't exceed that of "scholars".Rich people, when they are happy, can ask two people to play the piano or drums by themselves, or something.

So how to explain that gentleman and lady refer to Zhou Wenwang and Zhou Queen?
Everyone racked their brains and couldn't figure it out.

"Dr. Yang, please enlighten me." Zhu Pingan stood on the stage and cupped his hands again.

"lady and gentleman"

Yang Guoliang stood blankly under the stage, his face was ashen, his forehead was dripping with sweat, and his palms were full of sweat. His brain seemed to be pressed down by an invisible boulder, and he couldn't function anymore. His lips were a little pale, and he muttered Soliloquy.

A gust of wind blew outside the window, carrying the scorching heat outside, into the lecture hall, and onto Yang Guoliang's face.

The wind was weak, and only one page of the book was turned, but when it blew on Yang Guoliang's face, Yang Guoliang staggered.

Is it too windy?
Or is this hall too hot?

Why do I feel a little unsteady? Yang Guoliang, who seemed to be going dizzy, tried his best to maintain his balance.

"Ha ha."

At this time, a chuckle suddenly came from the lecture room, full of air and calm, full of confidence.

Accompanied by laughter, the person under the podium stood up.

With his hands behind his back, he stared down at Zhu Ping'an. He was tall and straight, like a hero standing on the cusp of a storm and trying to turn the tide.

His figure is so majestic.

It's him!

Ma Huating, a Bachelor of Attendance at King Jing's Mansion.

When Yang Guoliang's mind was blank and he didn't know how to answer, Ma Huating, Master Ma stepped forward.

Ma Huating's chuckle attracted everyone's attention. He got up and looked at Zhu Ping'an with a sarcasm on his face, and asked loudly: "Hasn't Zhuangyuan Lang heard of the Chunqiu brushwork? What is the Chunqiu brushwork? It's concise. This method is often used. What is meant by simplification is that the article does not refer to names and surnames. In the article "Guan Ju", there is no need to use this method to omit the name of King Wen of Zhou, which is also to avoid tabooing the name of the monarch."

Ma Huating responded to Zhu Pingan with two points of view.One is the Chunqiu brushwork. Although the Chunqiu brushwork is famous because of Confucius, some people used it before Confucius, and it got its name only because Confucius often wrote "Spring and Autumn" with this technique.Chunqiu's brushwork is simplification. It can simplify the name, and can also simplify the views and opinions. "Guanju" may use the Spring and Autumn strokes, simplifying the names of Zhou Wenwang and Zhou Queen, and referring to them as gentlemen and ladies.

The other is to avoid the name of the monarch.In the feudal period, in order to show majesty, the king or relatives stipulated that people should avoid calling their names directly or writing their names directly in writing, and use other words instead. This is the case in "Guanju", which avoids the names of Zhou Wenwang and Zhou Queen, and replaces them with gentlemen and ladies.

Spring and Autumn brushwork avoids the monarch.

Ha ha
For good reason.

After Ma Huating finished speaking, he looked at Zhu Pingan triumphantly, as if he was a king of lore.

"That's right. Master Ma is right."

"Master Ma has a good opinion. Isn't the Spring and Autumn writing style just simplification? It is normal to omit the names of Zhou Wenwang and Zhou Queen. In addition, avoiding the taboo of the monarch is the same now, and it was the same in ancient times. That's why "Guanju" didn't write about the Zhou Wenwang concubine. Chang, the name of Queen Zhou's Tai Si."

"Yes, yes, that's it. Mr. Ma has sharp eyesight, and he immediately discovered the problem."

Ma Huating's words were like seeing the moon through the clouds and giving enlightenment. After he finished speaking, the others suddenly realized, as if waking up from a dream, they all agreed with emotion.

"Guo Liang is ashamed. Fortunately, Mr. Ma has a good opinion. After today's class, if Mr. Ma has time, please make tea and discuss "Guan Ju" together."

Yang Guoliang bowed to Ma Huating earnestly, and invited Ma Huating to make tea and discuss "Guan Ju" after class.

"Your Excellency Yang is concerned, and you are in chaos. Ma is on the outside, and you are a bystander." Ma Huating smiled modestly.

After exchanging pleasantries with Ma Huating, Yang Guoliang turned his head and said to Zhu Pingan, "The words of Mr. Ma are the words of Yang."

At this moment, Yang Guoliang felt his whole body cleared up, as if he had recovered from a serious illness. The cold sweat on his head, palms, and dizziness were all wiped away.

"What do you think, Lord Zhu? Are you satisfied with my answer?" Ma Huating looked at Zhu Pingan confidently.

"No."

Zhu Pingan curled his lips slightly, and shook his head slowly.

"What? No?"

Both Yang Guoliang and Ma Huating were shocked.

"The number one scholar should respect basic common sense, and don't make excuses." Then, Ma Huating looked at Zhu Ping'an, slowly shook his head and said sarcastically.

"Ping An speaks wrong because he respects basic common sense." Zhu Pingan replied flatly.

"Please enlighten me." Ma Huating's face darkened.

"It's not about teaching, it's just for learning." Zhu Pingan smiled slightly, arched his hands towards Ma Huating and Yang Guoliang, and continued, "The "Guanju" that Mr. Ma just said used the Spring and Autumn brushwork to omit the names of Zhou Wenwang and Zhou Queen. Please forgive Ping An for disagreeing. The Chunqiu style of writing is subtle and meaningful. Who, where, and what is happening can be covered in one word, but the subject will not be omitted. Confucius wrote "Spring and Autumn" with the Chunqiu style of writing, and never omitted the subject, such as "March , Gong and Zhu Yifu allied with Yu Mie', 'Chun, Guild Rong Yuqian' and so on."

"What about the taboo monarch? How do you explain it?" Ma Huating asked coldly.

""Guan Ju" taboos the monarch? This is even more nonsense. To avoid the monarch is to avoid calling the monarch by his name. If Zhou Wenwang is taboo, the word 'Jichang' is taboo, not the word 'Zhou Wenwang'. And In the "Book of Songs", there are two blunt words "Wen Wang", one is "Daya Daming", and the other is "Daya Siqi". This sentence, written in black and white, does refer to King Wen of Zhou. Oh, by the way, these two poems are also about the marriage of King Wen of Zhou and Queen Zhou. Dr. Yang’s two poems, Gewu, may be more in line with the theory of "the style of the king, the virtue of the concubine" .”

Zhu Pingan twitched the corners of his mouth, shook his head slowly, and hit Ma Huating's face with hammers one by one, and finally suggested Yang Guoliang Gewu's "Daya·Daming" and "Daya·Siqi" in a serious manner.

Heartbroken, old iron!

"Cough cough."

Yang Guoliang coughed, and there was a fishy sweetness in his throat.

Zhu Pingan's serious appearance, in Yang Guoliang's view, is not only dazzling, but also very heart-wrenching
(End of this chapter)