Daddy Academy

Chapter 1249 Little Red Horse Growth Plan

Pujiang Film Studio wanted to hold a year-end party, and invited Zhang Tan to attend as a guest.

This year-end party was held by Pujiang Film Studio for internal employees. When Zhang Tan was a screenwriter at the factory, he also participated once and won the Best Screenplay Award.

Because Pujiang Film Studio has a long history and high strength and status, although it is an internal party, some popular stars will still be invited to help out.

For example, the year Zhang Tan participated, the studio invited Su Lan, Chen Feiya and others.

Zhang Tan hasn't participated since leaving Pujiang Film Studio.For this year's party, although the other party sent invitations, Zhang Tan declined in the end.

From this, Zhang Tan thought that Little Red Horse Film and Television would also hold an annual meeting. Although there were few people, it should also be like a comic studio, summarizing the work of the year, and at the same time everyone took the opportunity to get together.

Little Red Horse Film and Television is different from Little Red Horse Comics Studio. The staff of the comic studio work together every day, while the screenwriters of Little Red Horse Film and Television seldom get together throughout the year.Everyone is often stationed in different crews, and usually does not need to work in Little Red Horse.

Currently, Little Red Horse Film and Television has six screenwriters and two actors.

The actors are Zhang Yuyan and Chen Feiya, and the screenwriters are Jiang Rong, Wu Zhensheng, Xu Shufei, Zhao Lin, Zhang Ling, and Xu Jian.

Just do what you think, this morning, under the contact of Zhang Tan, everyone got together.

The second floor of Building 2 of Little Red Horse Academy is currently a joint office of Little Red Horse Film and Television and Little Red Horse Music Studio.There are not many people in both, so it seems that there is more than enough space.

Everyone talked and laughed and got together to chat.

There is a big difference between Little Red Horse Film and Television and Little Red Horse Comic Studio.Because of the large number of people in the comic studio, the management is more standardized and rigorous. However, there are few personnel in Little Red Horse Film and Television, and everyone does not usually work together. They are all on their own, so Zhang Tan is more casual. This so-called year-end summary The meeting is actually more like a tea party. Everyone sits together to chat and meet each other. Usually, everyone can't get together. This opportunity is rare.

Among the six screenwriters, Zhang Ling had the longest time with Zhang Tan.Zhang Ling is also the first screenwriter to follow Zhang Tan.He is 27 years old and was a well-known screenwriter before, not from Pujiang Film Studio.Zhang Tan and him met on the crew of the movie "The Wind".

The film "The Wind" was a collaboration between Little Red Horse Film and Television and Pujiang Zhongcheng Film Company, and Zhang Ling was the screenwriter hired by Pujiang Zhongcheng Film Company at that time.At that time, Zhang Tan was the first screenwriter of the film, the second screenwriter was a man in his 30s named Sun Yadong, the third screenwriter was Zhang Ling, and the fourth and fifth screenwriters were just graduated from university at that time. Xu Shufei and Zhao Lin.

Sun Yadong was kicked out of the crew by Zhang Tan not long after he was not doing his job properly and intrigues, and then Zhang Ling was promoted to be the second screenwriter and entrusted with a heavy responsibility.After the crew was on the right track, Zhang Tan was no longer resident, so the daily work was handed over to Zhang Ling. He took Xu Shufei and Zhao Lin with him until the filming of "The Wind" was over.

Zhang Ling won Zhang Tan's approval with his work performance, so before the filming of "The Wind" was finished, he received Zhang Tan's invitation, and he readily accepted, becoming the number one member of the Little Red Horse Film and Television Studio. screenwriter.

Zhang Ling was later appointed by Zhang Tan to the TV series "In the Name of the People" and worked as the first screenwriter.

He is also the main screenwriter of the "Black Blood Storm" TV series that was just finished not long ago.

Currently, Zhang Ling is working on the "Kung Fu Panda" series of stories in cooperation with the comic studio.

After the filming of "The Sound of the Wind", Zhang Tan invited Zhao Lin and Xu Shufei to join the studio.The two of them later joined the crew of "I Am Zhan Er" and studied with Zhang Tan.

Among them, Zhao Lin is also the screenwriter of the animation "The Twelve Hours of Chang'an".

As for Wu Zhensheng and Xu Jian, both of them are from Pujiang Film Studio. They used to be a screenwriter in the studio, and they were in competition with Zhang Tan at first.

Among them, Xu Jian once wrote a story called "Qiqi is Wonderful", which competed for the animation project of the studio, but lost to Zhang Tan's "Unlucky Bear".

As for Wu Zhensheng, he lost to Zhang Tan's "Women Thirty".

Although these two people had never competed with Zhang Tan, they were very strong. Later, Zhang Tan left Pujiang Film Studio and was short of manpower, so he invited them, and the two of them were very straightforward and readily accepted.

After joining the studio, they were not disappointed, Zhang Tan delegated a heavy responsibility.Wu Zhensheng has participated in the movie "Kung Fu" and the TV series "The Silent Truth". One is a hit movie and the other is a hit TV series.

Xu Jian participated in two hit movies, "I'm Not the God of Medicine" and "Latent".

Both of them are talented, capable, and ambitious people. When they were in Pujiang Film Studio, they had no place to use their talents. After working with Zhang Tan, they had a stage to display their talents and became well-known in the circle. screenwriter.

In addition to their five male screenwriters, the last female screenwriter, Jiang Rong.

Jiang Rong entered Pujiang Film Studio a little earlier than Zhang Tan. She was about the same age as Zhang Tan. She didn't come from a major, but she persevered with her love for screenwriting.

When she was in the review team, several deputy team leaders commented on her, saying that although Jiang Rong is not from a major and has limited professional knowledge about screenwriting, she has a flexible mind, a lot of ghost ideas, and an aura, which is very rare. .Reiki is innate and difficult to cultivate, but professional knowledge can be learned to make up for it, so they believe that Jiang Rong has great potential for development.

Later facts proved their judgment. Jiang Rong continued to accumulate and grow in the process of practice, and her progress was very obvious.

After she joined Little Red Horse Film and Television, she has participated in a lot of projects. Although she is not the editor-in-chief of these projects, she is only the second, third or even fourth screenwriter, but being able to participate in these big productions is very special for a newcomer like her. rare.

She has participated in the screenwriting work of two animations, "Coco" and "Qin Shi Mingyue", and later participated in the screenwriting work of "Kung Fu" with Wu Zhensheng, and then participated in the TV series "Black Blood Storm" and "You Who Came from the Stars" ".

Even though Jiang Rong is young, she already has a lot of screenwriting experience.

After several years of training, all six of them have been able to stand alone. There are not many people in Little Red Horse Film and Television, but that is expensive and not expensive.

Everyone was chatting, Jiang Rong and Zhang Tan were the closest, so they spoke more directly.She said: "The scale of our Little Red Horse Film and Television is already very large. Do we need to build a personnel framework? We can't just fight alone. If we want to have a longer development, we must standardize our operations."

Wu Zhensheng echoed: "Our company is now well-known in the industry. Last year, we released so many excellent works. This year, we are confident that we will reach a higher level. But Jiang Rong is right. For the company to make great progress, the business must have a solid foundation." For long-term planning, the company can no longer be just a few of us.”

Zhang Tan quite approved of their words.Last year, Little Red Horse Film and Television produced a number of blockbuster works. In terms of TV series, there are "Black Blood Storm", "In the Name of the People", "You Who Came from the Star", and in terms of movies, there are "I'm Not the God of Medicine", The cumulative box office of "Kung Fu", "The Wind", and "I am James II" has exceeded 50 billion, which is comparable to a medium-sized film company.

Zhang Tan said: "You are all right. In fact, I have been thinking about this issue. I have some ideas. Now that you have mentioned it today, I will throw out these ideas and discuss them with everyone."

"I also think that our company's personnel strength is too weak. There are only six of you, plus me, Zhang Yuyan, and Chen Feiya, it is far from enough. We plan to make more good movies and TV series this year, so we must be alone. If it’s not enough, we need to recruit troops.”

Zhang Tan first talked about the company's development plan.

"I am going to release two plans to the outside world, one is called Little Red Horse Growth Plan."

Jiang Rong asked with interest: "Little Red Horse's growth plan? What are you talking about?"

Others also looked at Zhang Tan curiously.

Zhang Tan said: "This plan is aimed at everyone in the society. To put it simply, it is to attract talented screenwriters to join us. One way I think of is to launch a long-term screenwriting competition for the society, and spend 1000 million a year. Set up multiple awards and make it a film award for screenwriters. On the one hand, we can discover and purchase some excellent scripts from them, and on the other hand, we can recruit some screenwriters with potential and strength..."

Everyone was very interested in this plan, and kept asking about the key points. At the same time, you added and perfected the details, and the "Little Red Horse Growth Plan" gradually took shape and filled.

"What about the second plan?" Jiang Rong asked impatiently.

(End of this chapter)