Flying over the bubble era

Chapter 1228 1228. Selection strategy

Chapter 1228 1228. Selection strategy
There have never been many talented composers, and they have created best-selling works continuously, ensuring that every year new songs will become famous songs sung on the streets and alleys.

However, only a composer like Komuro Tetsuya who has jumped out of the so-called creative truths and can write best-selling songs can create a new era of popularity.

Because of this, after cooperating with Tetsuya Komuro, every step he took and every success he achieved was of great significance to Iwahashi Shin.

That is not only Tetsuya Komuro's success as a composer and producer, but also, perhaps, the prelude to a new era.

Shinichi Iwahashi never thinks that TRF's success is a "chance".

With such thoughts and expectations in his heart, Shinichi Iwahashi decided to fully support Tetsuya Komuro.However, in order to achieve a win-win situation, there must be interests that are satisfactory to all parties.Similarly, in order to be able to feel free to do one and let go to support the other, there must be a contract that can be accepted by all parties.

Before the new label is formally established, the most important thing is to draw up this contract. GENZO is related to the interests of several parties, and with the participation of Kenyin and Tetsuya Komuro, the "center" of the new label, it is so intricate that the contract must be more cautious.

Since Komuro Tetsuya pursues the selection strategy of "singing skills are not that important", then, on the one hand, the range of options for the next newcomer selection has expanded.On the other hand, the conditions for selecting candidates have become more stringent to a certain extent.

After all, a good singer can be known as soon as he hears it, just as a dignified beauty can be known as a beauty at first sight.It was the real difficulty to choose an attractive ugly monster.

TRF debuted through an audition, and then selects newcomers. According to the usual operation method, an internal audition should be held to select suitable candidates.

However, with Komuro Tetsuya's talent selection strategy ahead of him, Iwahashi Shinichi thinks that it is not impossible to choose the next production object from the artists who have already debuted, in addition to the newcomers with a blank sheet of paper.

The era of idols is over, and there are still a large number of people who enter the industry with idol dreams.These little idols are either looking for transformation, or continue to soak in the icy water waiting for the end of their careers, or choose to return to their hometowns.In addition, there are also those who slip to become photo models, and then go down to the next level to take full-fruit photo shoots, and even enter the world starting with the word A.

The era of idols has passed, but this passing era has ignited too many imaginations and dreams about "idols".These unfulfilled dreams push those who believe in it to another realm.

Now if you look through photo magazines, you will find that the quality of photo idols has increased significantly.

After the bubble burst, it is conceivable how "developed" these industries will be.

Since the photo industry can choose newcomers among these people, so can the record industry.

No longer putting singing skills first, it doesn't matter whether these idols can sing like professional singers, perhaps, an idol who is a little out of tune, by accident, becomes the voice appreciated by Tetsuya Komuro.

Besides, for those who are qualified to be idols, at least they have decent looks, and they can reach the passing line for their debut in all aspects.Selecting newcomers from here is equivalent to having their office help them do a preliminary test.

And this strategy of selecting people has another use.

The newcomers who have already debuted have an agency behind them.To take over the newcomer, the firm must agree.To get an artist who has already debuted to sing, it is not a deal between the record company and the individual, but a deal between two forces.

As long as you start dealing with each other, there are all kinds of opportunities hidden in it.

In the past, Yanqiao Shinichi would still be regarded as the target of big forces because of his concerns, and he would try not to pay attention to artists from other forces.However, today, GENZO has come to a time when it needs to grow stronger.

Since Komuro Tetsuya wants to be the one-shoulder producer, then, naturally, he is also qualified to discover newcomers.Because of this, it is necessary for Iwahashi Shinichi and him to reach some consensus in advance on the matter of discovering newcomers, and to explain to each other.

……

"so,"

After talking about the business, Komuro Tetsuya did not forget to ask the bottom line, asking Shinichi Yanqiao, "What did that Mitsuko-san say?"

He looked like he didn't think it was a big deal to watch the excitement.

Yanqiao Shinichi didn't bother to talk to him.Tetsuya Komuro's frivolity is tinged with cruelty, he seems to enjoy admiring the performance of a mad woman, and is quite interested in the way acquaintances are involved.

Realizing this, if he responded to Tetsuya Komuro, it would be the same as offering himself as a joke.

In fact, since Iwahashi Shin first participated in the TV industry, this kind of thing happened from time to time.

In the front there was Hitomi Kuroki who asked him to take care of him, in the back there was Mitsuko Miyazawa who offered to be courteous, and in the middle were all kinds of unknown newcomers who met by chance on social occasions and seized the opportunity to express themselves.

In the recording industry, if you want to debut and sing, there are various restrictions on the one hand. If you don't meet certain conditions, you will have no chance.On the other hand, even if you start from an underground label and release a single, as long as you have talent, you may not be able to turn around.Only the TV industry must get opportunities from TV stations in order to have the opportunity to express themselves.

The recording industry is a place where a sparrow can turn into a phoenix, and an inch-and-a-half inch worm has a chance to defeat a snake.But in the TV industry, if you don't get support, you can't move an inch.

Not only actors and entertainers need to fight for opportunities for themselves, even GENZO is not qualified to participate in the sponsorship of TV programs until it has the scale it is today. After cooperating with Yanyin to establish a TV production company, it can be considered that it has truly set its sights on the TV industry .

"Speaking of which, Miyazawa Rie-chan, Makise Rie-chan, Moonwatching Arisa-chan..."

Tetsuya Komuro doesn't care if Shinichi Iwahashi picks up his words, and happily makes a joke-like plan, "Among 3M, since I wrote a song for Miyazawa Rie-chan, the next production object, I will fight for another two How about bit M?"

This seemingly whimsical words may not be a kind of temptation to Yanqiao Shinichi.

To what extent has Yanqiao-san's promise of independence reached?

……

As long as Tetsuya Komuro does not violate the taboo of cooperation in the industry, Iwahashi Shinichi doesn't care about the freedom in music production, he will do it freely, and he will do it to realize his plan.

The future of cooperation with Tetsuya Komuro is limitless.

However, Shinichi Iwahashi knows that all eggs cannot be put in one basket.

This spring, on the one hand, he was working hard to promote Tetsuya Komuro, and on the other hand, Shinichi Iwahashi followed the original plan to discover new bands and solo singers, with himself as the producer.

(End of this chapter)

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