Flying over the bubble era

For TV series broadcast in winter, a production team will be established in summer.The album, which is planned to be released next year, is now ready for production.Concert venues should be booked at least half a year in advance, and advertiser contracts should be finalized in advance.In this year's preparation for next year, in the middle of this year, the entire industry is in a state of overdrive.

The various work plans pressing on Iwahashi Shinichi's head are full of schedules, and within a week, large and small meetings are waiting for him.But at such a time, he was able to separate himself and proposed to make a polar film.

After reading the three scripts, the next day, Iwahashi Shinichi called the person in charge of the production company and praised the young screenwriter Mitani Koki.

Since Iwahashi Shinichi called the person in charge and proposed to find a rookie screenwriter to write a story about the background of the pole for him, the production company regarded this as Iwahashi Shinichi's narcissistic interest.When acting according to his requirements, it is more or less like playing games with the big boss.After a while, Iwahashi Shin finished reading the script and gave a high evaluation to one of them. The person in charge of the production company was also relieved, feeling that this matter could be smoothly delivered.

As a result, just after Iwahashi Shinichi's compliment call was received, Immediately, Iwahashi Shinichi proposed to make such a pole movie.

When Iwahashi Shinichi had a whim, when he was looking for a screenwriter to satisfy his personal interests, inside the production company, he had quietly complained about his old-fashioned interest.However, although Shinichi Iwahashi does not directly participate in the work of the production company, he is one of the three corners. His words and deeds can make people complain that he is whimsical in their hearts, but they cannot really be regarded as such. He said it casually.

If Iwahashi Shinichi wants to make such a movie, the production company will hold a meeting to put the three scripts and the story that Iwahashi Shinichi wants to make on the table for discussion.

……

Previously, Shinichi Iwahashi watched almost the entire film adaptation of "The Kitchen" produced by Watanabe Manyumi's office. This experience gave him a more or less basic understanding of the Japanese film market, so that he would not be too concerned about himself. When I wanted to make a movie, I had unrealistic, arrogant and naive thoughts in my mind.

Movies are highly commercialized things. In this film market, which lacks scale, the movies produced are often slapstick, and the threshold is so low that it seems that everyone can realize a movie dream.Also because there is no real movie market, directors lack investment and can only play the Japanese style of buttonholes and flowers, and they will never return to the small cost of emphasizing the atmosphere.Of course, because there is no investment, and there is no external influence, the director can express what he wants to express.

After all, the Japanese film market has been dead for many years, and it is doomed that there will be no "recovery". This is an ending that has been planted since it was still in its golden age. A born genius can change it.

Every year, the film market occasionally has a few films that perform well at the box office, but they are nothing but the residual warmth of a corpse that has long since fallen.It is because of the film recession that practitioners have switched to the TV industry since a few years ago in order not to starve, supplying many talents to the TV industry. …

Today, when the movie market is dead, what is going to be produced is still extreme movies, and the audience who will buy tickets to go to the cinema to watch extreme movies, that is, fans of certain types of movies, there are not many ordinary audiences for a long time.

If you make such an extreme movie, if you shoot it with new ideas, it may be able to hit some awards and send it to the film festival.

But whether it is good or not, in terms of box office, it is best not to have any unrealistic imagination.Anyone who wants to create box office myths and save Japanese movies in Japan in this era is a naive person who has no understanding of the Japanese film industry.

Iwahashi Shinichi is certainly not that naive.

To make a pole film, the first is to realize your own plan.However, if you invest in a game, it is impossible not to think about the return.Even if the box office hits the streets, it is worthwhile to create a chance for actors to perform if they can come up with something new and win an award.Even if there are no actors who are suitable for acting in extreme movies in an office related to the production company, they can still use it to exchange resources with other offices.

Things in the industry are like flowing water, exchange with each other and flow, and opportunities will continue to flow.

The advantage of a pole movie is that the cost is not high, and this script written by Koki Mitani is fresh and may have a chance to win an award.

In fact, after the promulgation of the "Violent Organization Countermeasures Law", the living environment of the pole is very different from the past. Therefore, the pole film to be produced now presents something different from the old-fashioned pole film.From this point of view, a film that is different from traditional pole films is inherently fresh.

Iwahashi Shinichi is confident that the production of this film is imperative.Therefore, after communicating with the production company and putting the project on the table, he directly began to prepare for the production of the film.

It's not that he acts in a hurry, but that there is not much time left for him to operate.

To make a Jidao movie, of course, you have to go to a Jidao organization to learn from it, so as not to make a joke because you don't understand it - or to invite Jidao's revenge.When necessary, please ask the Ji Dao organization to assist, and let their younger brother help to make a cameo. The above are all things that naturally happen when making Ji Dao movies.

For the jidao organization, all jidao movies that appear on the market will be affected by them, and if the entertainment industry wants to shoot movies related to jidao, to find them, most of them will also get their assistance.However, if the script is too outrageous, of course it will be rejected.If Ji Dao feels offended, there is also the risk of retaliation.

After all, there are really directors who have been attacked by Ji Dao's younger brother because of the content of the movie they made.

However, at that time it was still the era of extremes calling for wind and rain.Today, will the Jidao organization take action against the producer just because of a movie...

This kind of thing, Iwahashi Shinichi didn't want to try it himself.

The Inagawa Society has always advertised the image of "abiding by the extreme morality, benevolence and righteousness" to the outside world, no matter how it acts in private, but on the surface, it still looks like a traditional extreme morality, and it also maintains a distance from ordinary people.

If you ask for assistance from such an organization, you must be able to speak well.And this ladder is handed over, and the next thing will unfold naturally.

As for Tachikawa Kosan, it doesn't matter at all.Although Akina Nakamori is worried that the content of the movie is too realistic, it will attract dissatisfaction from the real estate company, but in fact, Tachikawa Kosan's side is the least important from beginning to end.