Flying over the bubble era
1432 Chapter 1433
Of the three newcomers selected within GENZO, Komuro Tetsuya is obviously the most favorite of Hitomi Furutani.Beautiful fashion, high-pitched voice.Most importantly, he has a docile personality and has no edge in front of the producer.
On the other hand, Shinichi Iwahashi is particularly fond of Kanda Uno, a princess who does her own way. Although she has a bright and revealing charm, she is quite in tune with the new trend created by Tetsuya Komuro. His gaze, however, seemed a bit incapable of dealing with such an overly strong woman.
In the matter of choosing a newcomer, Iwahashi Shinichi prefers people with individuality, while Komuro Tetsuya prefers people who can be used freely by him.
This preference for picking newcomers allows Iwahashi Shinichi to see another side of Komuro Tetsuya that is different from his strong appearance.
As the producer for Ryoko Shinohara, Tetsuya Komuro used the name "Ryoko Shinohara with Tetsuya Komuro".But when planning Hitomi Furutani's debut, she will debut as a single.The name Hitomi Furutani lacks memory. At that time, she will use "Hitomi" written in Roman characters of her real name "Hitomi" as her stage name.
They only use their common name in the cooperation with Ryoko Shinohara. From this point of view, Tetsuya Komuro wants more than just "showing the limelight".
After all, this flamboyant talent has already been recognized as a composer and singer as early as the period of TM NETWORK.An ordinary level of success and fame is nothing to him.
Ryoko Shinohara, as the Cinderella chosen by Tetsuya Komuro, is completely imprinted with him.It can be said that without Tetsuya Komuro, the "prince" who chose Cinderella, then Ryoko Shinohara, the "Cinderella", would not exist.
When Shinichi Iwahashi realized how Tetsuya Komuro looked at Ryoko Shinohara, he admired his determination to create fashion, but also felt that Tetsuya Komuro's extreme narcissism was also a kind of narcissism. An extreme instability.
……
In this March, the sales volume of "Love, Heartache, and Strongness", a collaboration between Shinohara Ryoko and Komuro Tetsuya, exceeded 150 million copies, and the momentum is still not weak. From this point of view, it is very possible that it will eventually break through 200 million copies.
An unpopular little idol, in less than two months, has become a supernova with a million singles, most likely a million singles, and participating in the creation of history.
Of course, the industry and the public will subconsciously want to guess whether the glory that happened to fall on Cinderella will always be with her, or will it be fleeting like a shooting star, but for a while, they don't know the answer how question.
The only thing that is really clear is that Tetsuya Komuro who bestowed such honor on Ryoko Shinohara is already an undoubted "god".
After the selection meeting within GENZO was finalized, Hitomi Furutani, who was scheduled to make a rapid debut this summer, was brought by the record company to meet with relevant figures in the industry, asking for their care at that time.
With the golden signboard of "Produced by Tetsuya Komuro", whether it is a TV station or a broadcasting station, they have shown considerable generosity and enthusiasm for this rookie singer who came out of nowhere.
After all, as long as Tetsuya Komuro makes a move, he will definitely become popular-this is already the current consensus.
GENZO's "Komuro Class" is fully powered. On the other hand, Shinichi Iwahashi, who firmly believes in "don't put eggs in one basket", has increased his support for Tetsuya Komuro, and also increased his efforts to discover new bands and solo singers .In the spring of last year, Shinichi Iwahashi and Mineshima, who was rooted in the underground music industry, proposed to start a support plan for underground bands, providing opportunities for potential underground bands to release independent records, as well as stage performances and TV appearances.
The scale of the company has expanded, and this spring, GENZO has vigorously recruited new people.I still remember that in the past two years, every time we recruited new students, we had to wait for the students to select them one by one before getting an independent record company.
This year, the situation finally reversed, and it was replaced by GENZO to pick and choose.
Newcomers who have stepped into the society with one foot, after experiencing the gap from imagination to reality, the winners are more proud, and the losers are even more depressed.
The sudden change of the times has encouraged the atmosphere of "the winner is the strong, and the loser is the weak".
……
In today's era, Shinichi Iwahashi is undoubtedly the winner, and Tetsuya Komuro is also the winner.These two people are strong.
So what about yourself?
Entering the new year, Katsuto Matsuura has not changed much compared to the previous year.Still running an inconspicuous small record company, and still not getting his own winning card.
His Abex DD, the biggest change is that he invited his college friend, who is now working as an independent musician Mitsuru Igarashi, to join.
Mitsuru Igarashi was a regular customer of Katsuto Matsuura's home when he was still running an imported record store. He was good at using keyboard instruments, and he could also write lyrics and compose music. He tried to form a band, but nothing happened.
Tetsuya Komuro created the pop of electronic dance music, and before that, Shinichi Iwahashi made the pop of the band flourish. On the side of VERMILLION records, the band B'z, which combines the two, is calling the wind and rain in this era.
Katsuto Matsuura thought that if he could make a band with an electronic feel, he might be able to play a good card.He also considered, suggesting that Igarashi should learn from the experiences of Shinichi Iwahashi and Tetsuya Komuro to form another band.
However, this idea appeared in his mind and was quickly put down by him.
With such a suggestion, if Mitsuru Igarashi is tempted, it would be better to return to the underground music world, or simply go to Shinichi Iwahashi instead of staying here.That producer, who was born in the underground music industry, still hasn't taken his eyes off the underground music industry, and has absorbed many young songwriters.Even at this time, every year, GENZO recruits new employees, and he will also specially recruit non-university graduates.
...Of course, after all, the legendary Iwahashi-san has never even studied in university.
Thinking of this incident, Matsuura Katsuto could understand why Iwahashi Shinichi had some sort of vague expectations for non-university graduate staff.
However, the more important reason why Matsuura Katsuto let go of the idea of making a band is that at this stage, he does not intend to do things that are not sure.
Even if Igarashi is able to find a suitable teammate, select a perfect lead singer, and release a single smoothly-just to achieve this step, I don’t know how long it has passed. A matter of fate.
The band was successfully formed and debuted, and Abex DD did not have its own distribution and promotion channels. Perhaps, this band did not even have a splash.In today's era, it is not an era in which standing on a cardboard box and performing street performances can be popular all over the country.Even if there is still such a miracle, Matsuura Katsuto can't afford to wait.
Compared with this idea full of uncertainty and how long it will take to pay off, right now, there is an opportunity that can succeed quickly and become equal to Tetsuya Komuro—that guy.
The recording industry has entered an era of unprecedented expansion, with million-level records one after another, in stark contrast to the slump of the 80s.Just like the contrast between the prosperity of the 80s and the depression of today.
Today's public has only so much to enjoy from a record.
However, the door to enter the recording industry has been closed to Katsuto Matsuura.The best opportunity has been missed. In the recording industry at this time, there will no longer be an independent record company that has created a sales miracle in just a few years.
Once, Matsuura Katsuto and Komuro Tetsuya, both saw the possibility of electronic dance music in the future.However, as Taiko Nagato's BEING was annexed by the BURNING department, Komuro Tetsuya fell to Iwahashi Shinichi, and Matsuura Katsuto became an abandoned child and missed the biggest opportunity to turn around.
Tetsuya Komuro became popular, but Katsuto Matsuura was unknown.
At the beginning of the new year, the newcomer produced by Komuro Tetsuya sold 150 million hit singles, and the band promoted by Shinichi Iwahashi released a masterpiece that is enough to leave a name in the history of pop music.
When "Love, Heartache, Strong" broke through 150 million copies, "Don't Give Up", which was released a few weeks later, also broke through 100 million copies beautifully.Not only that, but its follow-up sales momentum has even somewhat surpassed Ryoko Shinohara's popular work.At the beginning of this year, GENZO ordered two 200 million singles.
Katsuto Matsuura is not interested in support songs like "Don't Give Up", although the world is moved by this single, and even the critics are out in force, giving this song various meanings.But for Katsuto Matsuura, this kind of song is just a trick to calm people's hearts. The general public panicked and fled into this fake comfort.
What really has the significance of the times is Tetsuya Komuro's electronic dance music that makes people forget their troubles.
The song of support will not really bring strength to people. For most people, they still have to bear the pain caused by the drastic changes of the times.
Katsuto Matsuura considers himself a strong man, and he doesn't bother with hypocritical cheering songs, and he doesn't think that ordinary people can change anything because of a little power they get from other places.
Since I am a strong person, then I should also join in. In this era, under the banner of making the public forget their troubles and bringing entertainment to the public, in order to realize their ambitions——
To realize his ambition, the best partner is still Tetsuya Komuro.
In other words, it was Shinichi Iwahashi behind him.
Last year, this idea took root in Katsuto Matsuura's heart.He wanted to discuss it with Iwahashi Shinichi, but the famous producer was busy with his wedding trip and subsequent year-end entertainment, so he didn't have the time to meet Matsuura Katsuto.
This year, Tetsuya Komuro set off a popular whirlwind. The basis for the realization of this idea has been created by Tetsuya Komuro himself.
Katsuto Matsuura is determined to do it, so he must meet and persuade Shinichi Iwahashi.
On the other hand, Shinichi Iwahashi is particularly fond of Kanda Uno, a princess who does her own way. Although she has a bright and revealing charm, she is quite in tune with the new trend created by Tetsuya Komuro. His gaze, however, seemed a bit incapable of dealing with such an overly strong woman.
In the matter of choosing a newcomer, Iwahashi Shinichi prefers people with individuality, while Komuro Tetsuya prefers people who can be used freely by him.
This preference for picking newcomers allows Iwahashi Shinichi to see another side of Komuro Tetsuya that is different from his strong appearance.
As the producer for Ryoko Shinohara, Tetsuya Komuro used the name "Ryoko Shinohara with Tetsuya Komuro".But when planning Hitomi Furutani's debut, she will debut as a single.The name Hitomi Furutani lacks memory. At that time, she will use "Hitomi" written in Roman characters of her real name "Hitomi" as her stage name.
They only use their common name in the cooperation with Ryoko Shinohara. From this point of view, Tetsuya Komuro wants more than just "showing the limelight".
After all, this flamboyant talent has already been recognized as a composer and singer as early as the period of TM NETWORK.An ordinary level of success and fame is nothing to him.
Ryoko Shinohara, as the Cinderella chosen by Tetsuya Komuro, is completely imprinted with him.It can be said that without Tetsuya Komuro, the "prince" who chose Cinderella, then Ryoko Shinohara, the "Cinderella", would not exist.
When Shinichi Iwahashi realized how Tetsuya Komuro looked at Ryoko Shinohara, he admired his determination to create fashion, but also felt that Tetsuya Komuro's extreme narcissism was also a kind of narcissism. An extreme instability.
……
In this March, the sales volume of "Love, Heartache, and Strongness", a collaboration between Shinohara Ryoko and Komuro Tetsuya, exceeded 150 million copies, and the momentum is still not weak. From this point of view, it is very possible that it will eventually break through 200 million copies.
An unpopular little idol, in less than two months, has become a supernova with a million singles, most likely a million singles, and participating in the creation of history.
Of course, the industry and the public will subconsciously want to guess whether the glory that happened to fall on Cinderella will always be with her, or will it be fleeting like a shooting star, but for a while, they don't know the answer how question.
The only thing that is really clear is that Tetsuya Komuro who bestowed such honor on Ryoko Shinohara is already an undoubted "god".
After the selection meeting within GENZO was finalized, Hitomi Furutani, who was scheduled to make a rapid debut this summer, was brought by the record company to meet with relevant figures in the industry, asking for their care at that time.
With the golden signboard of "Produced by Tetsuya Komuro", whether it is a TV station or a broadcasting station, they have shown considerable generosity and enthusiasm for this rookie singer who came out of nowhere.
After all, as long as Tetsuya Komuro makes a move, he will definitely become popular-this is already the current consensus.
GENZO's "Komuro Class" is fully powered. On the other hand, Shinichi Iwahashi, who firmly believes in "don't put eggs in one basket", has increased his support for Tetsuya Komuro, and also increased his efforts to discover new bands and solo singers .In the spring of last year, Shinichi Iwahashi and Mineshima, who was rooted in the underground music industry, proposed to start a support plan for underground bands, providing opportunities for potential underground bands to release independent records, as well as stage performances and TV appearances.
The scale of the company has expanded, and this spring, GENZO has vigorously recruited new people.I still remember that in the past two years, every time we recruited new students, we had to wait for the students to select them one by one before getting an independent record company.
This year, the situation finally reversed, and it was replaced by GENZO to pick and choose.
Newcomers who have stepped into the society with one foot, after experiencing the gap from imagination to reality, the winners are more proud, and the losers are even more depressed.
The sudden change of the times has encouraged the atmosphere of "the winner is the strong, and the loser is the weak".
……
In today's era, Shinichi Iwahashi is undoubtedly the winner, and Tetsuya Komuro is also the winner.These two people are strong.
So what about yourself?
Entering the new year, Katsuto Matsuura has not changed much compared to the previous year.Still running an inconspicuous small record company, and still not getting his own winning card.
His Abex DD, the biggest change is that he invited his college friend, who is now working as an independent musician Mitsuru Igarashi, to join.
Mitsuru Igarashi was a regular customer of Katsuto Matsuura's home when he was still running an imported record store. He was good at using keyboard instruments, and he could also write lyrics and compose music. He tried to form a band, but nothing happened.
Tetsuya Komuro created the pop of electronic dance music, and before that, Shinichi Iwahashi made the pop of the band flourish. On the side of VERMILLION records, the band B'z, which combines the two, is calling the wind and rain in this era.
Katsuto Matsuura thought that if he could make a band with an electronic feel, he might be able to play a good card.He also considered, suggesting that Igarashi should learn from the experiences of Shinichi Iwahashi and Tetsuya Komuro to form another band.
However, this idea appeared in his mind and was quickly put down by him.
With such a suggestion, if Mitsuru Igarashi is tempted, it would be better to return to the underground music world, or simply go to Shinichi Iwahashi instead of staying here.That producer, who was born in the underground music industry, still hasn't taken his eyes off the underground music industry, and has absorbed many young songwriters.Even at this time, every year, GENZO recruits new employees, and he will also specially recruit non-university graduates.
...Of course, after all, the legendary Iwahashi-san has never even studied in university.
Thinking of this incident, Matsuura Katsuto could understand why Iwahashi Shinichi had some sort of vague expectations for non-university graduate staff.
However, the more important reason why Matsuura Katsuto let go of the idea of making a band is that at this stage, he does not intend to do things that are not sure.
Even if Igarashi is able to find a suitable teammate, select a perfect lead singer, and release a single smoothly-just to achieve this step, I don’t know how long it has passed. A matter of fate.
The band was successfully formed and debuted, and Abex DD did not have its own distribution and promotion channels. Perhaps, this band did not even have a splash.In today's era, it is not an era in which standing on a cardboard box and performing street performances can be popular all over the country.Even if there is still such a miracle, Matsuura Katsuto can't afford to wait.
Compared with this idea full of uncertainty and how long it will take to pay off, right now, there is an opportunity that can succeed quickly and become equal to Tetsuya Komuro—that guy.
The recording industry has entered an era of unprecedented expansion, with million-level records one after another, in stark contrast to the slump of the 80s.Just like the contrast between the prosperity of the 80s and the depression of today.
Today's public has only so much to enjoy from a record.
However, the door to enter the recording industry has been closed to Katsuto Matsuura.The best opportunity has been missed. In the recording industry at this time, there will no longer be an independent record company that has created a sales miracle in just a few years.
Once, Matsuura Katsuto and Komuro Tetsuya, both saw the possibility of electronic dance music in the future.However, as Taiko Nagato's BEING was annexed by the BURNING department, Komuro Tetsuya fell to Iwahashi Shinichi, and Matsuura Katsuto became an abandoned child and missed the biggest opportunity to turn around.
Tetsuya Komuro became popular, but Katsuto Matsuura was unknown.
At the beginning of the new year, the newcomer produced by Komuro Tetsuya sold 150 million hit singles, and the band promoted by Shinichi Iwahashi released a masterpiece that is enough to leave a name in the history of pop music.
When "Love, Heartache, Strong" broke through 150 million copies, "Don't Give Up", which was released a few weeks later, also broke through 100 million copies beautifully.Not only that, but its follow-up sales momentum has even somewhat surpassed Ryoko Shinohara's popular work.At the beginning of this year, GENZO ordered two 200 million singles.
Katsuto Matsuura is not interested in support songs like "Don't Give Up", although the world is moved by this single, and even the critics are out in force, giving this song various meanings.But for Katsuto Matsuura, this kind of song is just a trick to calm people's hearts. The general public panicked and fled into this fake comfort.
What really has the significance of the times is Tetsuya Komuro's electronic dance music that makes people forget their troubles.
The song of support will not really bring strength to people. For most people, they still have to bear the pain caused by the drastic changes of the times.
Katsuto Matsuura considers himself a strong man, and he doesn't bother with hypocritical cheering songs, and he doesn't think that ordinary people can change anything because of a little power they get from other places.
Since I am a strong person, then I should also join in. In this era, under the banner of making the public forget their troubles and bringing entertainment to the public, in order to realize their ambitions——
To realize his ambition, the best partner is still Tetsuya Komuro.
In other words, it was Shinichi Iwahashi behind him.
Last year, this idea took root in Katsuto Matsuura's heart.He wanted to discuss it with Iwahashi Shinichi, but the famous producer was busy with his wedding trip and subsequent year-end entertainment, so he didn't have the time to meet Matsuura Katsuto.
This year, Tetsuya Komuro set off a popular whirlwind. The basis for the realization of this idea has been created by Tetsuya Komuro himself.
Katsuto Matsuura is determined to do it, so he must meet and persuade Shinichi Iwahashi.
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