Flying over the bubble era
Chapter 620 620. Between mother and daughter
Chapter 620 620. Between mother and daughter
"I'm going to take the cable car over there—!!"
Eriko announced excitedly before the train arrived.
The special train to Yomiuriland is quite crowded.Manami Fujimura reached out and pressed her daughter's restless shoulder, "I know~"
Eriko, who couldn't escape her mother's grasp, nodded perfunctorily, and went to talk to another person in the same group, "Fuyumi-chan, we're going to rush down to the Ferris wheel later."
Sakamoto Fuyumi laughed at her high fighting spirit, and made a cheering gesture, "Okay, then we will rush over."
Compared with her mother who always forbids her to do this and not allow her to do that, Eriko thinks her mother's friend Fuyumi Sakamoto is more kind and lovely.
On Saturday afternoon, when the school was closed, Manami Fujimura promised her daughter to play in Yomiuriland.When making the promise, Fuyumi Sakamoto was also there, and Eriko invited Fuyumi Sakamoto as a matter of course, and asked her if she could go with her.
Eriko, who is seven years old this year, is only in the first grade of elementary school.
The year before last, when Manami Fujimura signed with an agency and a record company and came to Tokyo, she left Akita with Eriko.Although she failed in her first debut as an enka singer, Eriko was not affected. When she reached the age, she entered elementary school on time.
Enka singers who failed to make their debut are ordinary people. However, Fuyumi Sakamoto, who became popular right after her debut, took off her stage makeup and dressed like an ordinary office worker, but no one would recognize her.
Enka singers look different on and off stage.
"Only when you are away from home and you need to sign, can you be asked." Fuyumi Sakamoto and Manami Fujimura said.
Unlike Manami Fujimura, who debuted under her stage name, Fuyumi Sakamoto is her real name.
However, this name is perfect for an enka singer.He was given such a name at birth, as if he was destined to become an enka singer.
"I'm different. The name 'Manami' is quite common."
Whether it's real name or stage name, "Manami" is also an unremarkable name.
Fujimura Manami and Sakamoto Fuyumi were accepted as disciples by Inomata Kosho at about the same time, and were sent to learn singing from the wave master Yuriko Erye at about the same time. The relationship between the two is very good.
Manami Fujimura is six years older than Fuyumi Sakamoto. She takes care of her like a younger sister and often invites her to eat at home.
Probably because the treatment was different and the starting point was different when she was accepted as a disciple at the beginning. Fujimura Manami quite calmly accepted the reality that her friend became popular and her own future was unknown, and interacted with her calmly.
When the tram arrived, Manami Fujimura was worried that Eriko would be lost, so she pressed her shoulders and walked out.Stuck in her mother's hand, Eriko twisted and twisted like a wild child.
When she was young, she went to kindergarten in Akita. The parents of the children in the class knew that she was the daughter of Manami Fujimura, and told the children not to play with her.Unknowingly, she developed the character of a wild child.
"However, this time I will change to a new stage name, and I will completely separate life and work from now on." Manami Fujimura laughed at herself casually, "Like a waitress in a nightclub."
"Ah!" Fuyumi Sakamoto was startled when she called her, and smiled wryly.
Sometimes, her older friend would suddenly say something unintentional that made people sweat.If such words spread to the ears of people in the industry, they would definitely offend a large number of people.
However, being so unscrupulous in front of Fuyumi Sakamoto, this kind of frankness is both sincere trust and unintentional temptation.
"Ikuta-san went to meet with producer Sakai today, otherwise, he would definitely send us here." Manami Fujimura thought of it while queuing up and casually mentioned it.
Ikuta is the agent assigned to her by Sony.
"I don't like Ikuta-san!" Eriko heard, turned her head and shouted.
Manami Fujimura straightened her daughter's shoulders without changing her face, "Line up well, Eriko."
……
Fujimura Manami's re-debut plan has been formulated for a while, but it has not yet been officially decided.
The new stage name is determined to be Fuji Ayako. When Sakai Masatoshi and BURNING held a meeting to negotiate, they wanted her to follow Fuji Keiko's route and change to sing songs of complaint.
However, Manami Fujimura has a sweet voice, neither the aura of resentment nor the gloom of resentment.If you really want to sing songs of complaint, you can't just copy the ways of your predecessors.
Although Sakai Masatoshi has a direction in his heart, he is still not sure how to go.
The first debut failed, and the second debut has no way out.Over the years, Masato Sakai has dealt with too many singers to become popular, and he didn't feel such a heavy responsibility.
In contrast, the more caring person is Manami Fujimura's manager Ikuta Masaru.
Ikuta Katsura has been following Manami Fujimura since she signed with Sony, and he is more considerate than her agency's agent for this street-swinging singer who came to Beijing from the countryside.
After failing to debut for the first time, Masaru Ikuta felt that Manami Fujimura's situation was urgent, and communicated with Masatoshi Sakai from time to time, wanting to help formulate a debut plan that could change the situation, so he cared so much.
This Saturday, Sakai Masatoshi suddenly called Ikuta Katsura and asked him to discuss Fujimura Manami.Naturally, without saying a word, he spared the afternoon and went to Sakai Masatoshi's personal office.
As a result, when he arrived, Masatoshi Sakai told him that the producer Shinichi Iwahashi wanted to invite Manami Fujimura to participate in his project album.
"Iwahashi Shinichi-san?"
Sakai Masatoshi reminded him, "Ikuta-kun met him once, when you and Fujimura went to the rehearsal room."
Ikuta Katsura suddenly realized, and remembered the young face he had seen at that time.
but……
"Project album?"
Sakai Masatoshi said it in a joking tone, "I still want Fujimura to cooperate with the band. I can't imagine why Fujimura fell in love with him." However, he was joking, but his heart was actually a little moved.
It is the sentence mentioned by Shinichi Iwahashi that "make the cooperation with the band a part of Manami Fujimura's re-debut".
"A band?"
Hearing these words, Masaru Ikuta matched the identity of Shinichi Iwahashi's producer with the producer Iwahashi who focuses on idols and bands in the industry.
I've seen that one time, and invited Manami Fujimura to participate in his project by name?
"I can't imagine either."
Ikuta Katsura slowly organized his words, "So, I am very curious about the content of Iwahashi-san's project, and it would be great to listen to him talk about it."
His curiosity was genuine, he wanted to know Shinichi Iwahashi's plan, and wanted to know if participating in this project would bring immediate benefits to Manami Fujimura.
"Call Iwahashi-kun and ask him out for a drink," Sakai Masatoshi said.
Ikuta Katsuki watched Masatoshi Sakai pick up the phone, flipped through the address book, and dialed a page.
(End of this chapter)
"I'm going to take the cable car over there—!!"
Eriko announced excitedly before the train arrived.
The special train to Yomiuriland is quite crowded.Manami Fujimura reached out and pressed her daughter's restless shoulder, "I know~"
Eriko, who couldn't escape her mother's grasp, nodded perfunctorily, and went to talk to another person in the same group, "Fuyumi-chan, we're going to rush down to the Ferris wheel later."
Sakamoto Fuyumi laughed at her high fighting spirit, and made a cheering gesture, "Okay, then we will rush over."
Compared with her mother who always forbids her to do this and not allow her to do that, Eriko thinks her mother's friend Fuyumi Sakamoto is more kind and lovely.
On Saturday afternoon, when the school was closed, Manami Fujimura promised her daughter to play in Yomiuriland.When making the promise, Fuyumi Sakamoto was also there, and Eriko invited Fuyumi Sakamoto as a matter of course, and asked her if she could go with her.
Eriko, who is seven years old this year, is only in the first grade of elementary school.
The year before last, when Manami Fujimura signed with an agency and a record company and came to Tokyo, she left Akita with Eriko.Although she failed in her first debut as an enka singer, Eriko was not affected. When she reached the age, she entered elementary school on time.
Enka singers who failed to make their debut are ordinary people. However, Fuyumi Sakamoto, who became popular right after her debut, took off her stage makeup and dressed like an ordinary office worker, but no one would recognize her.
Enka singers look different on and off stage.
"Only when you are away from home and you need to sign, can you be asked." Fuyumi Sakamoto and Manami Fujimura said.
Unlike Manami Fujimura, who debuted under her stage name, Fuyumi Sakamoto is her real name.
However, this name is perfect for an enka singer.He was given such a name at birth, as if he was destined to become an enka singer.
"I'm different. The name 'Manami' is quite common."
Whether it's real name or stage name, "Manami" is also an unremarkable name.
Fujimura Manami and Sakamoto Fuyumi were accepted as disciples by Inomata Kosho at about the same time, and were sent to learn singing from the wave master Yuriko Erye at about the same time. The relationship between the two is very good.
Manami Fujimura is six years older than Fuyumi Sakamoto. She takes care of her like a younger sister and often invites her to eat at home.
Probably because the treatment was different and the starting point was different when she was accepted as a disciple at the beginning. Fujimura Manami quite calmly accepted the reality that her friend became popular and her own future was unknown, and interacted with her calmly.
When the tram arrived, Manami Fujimura was worried that Eriko would be lost, so she pressed her shoulders and walked out.Stuck in her mother's hand, Eriko twisted and twisted like a wild child.
When she was young, she went to kindergarten in Akita. The parents of the children in the class knew that she was the daughter of Manami Fujimura, and told the children not to play with her.Unknowingly, she developed the character of a wild child.
"However, this time I will change to a new stage name, and I will completely separate life and work from now on." Manami Fujimura laughed at herself casually, "Like a waitress in a nightclub."
"Ah!" Fuyumi Sakamoto was startled when she called her, and smiled wryly.
Sometimes, her older friend would suddenly say something unintentional that made people sweat.If such words spread to the ears of people in the industry, they would definitely offend a large number of people.
However, being so unscrupulous in front of Fuyumi Sakamoto, this kind of frankness is both sincere trust and unintentional temptation.
"Ikuta-san went to meet with producer Sakai today, otherwise, he would definitely send us here." Manami Fujimura thought of it while queuing up and casually mentioned it.
Ikuta is the agent assigned to her by Sony.
"I don't like Ikuta-san!" Eriko heard, turned her head and shouted.
Manami Fujimura straightened her daughter's shoulders without changing her face, "Line up well, Eriko."
……
Fujimura Manami's re-debut plan has been formulated for a while, but it has not yet been officially decided.
The new stage name is determined to be Fuji Ayako. When Sakai Masatoshi and BURNING held a meeting to negotiate, they wanted her to follow Fuji Keiko's route and change to sing songs of complaint.
However, Manami Fujimura has a sweet voice, neither the aura of resentment nor the gloom of resentment.If you really want to sing songs of complaint, you can't just copy the ways of your predecessors.
Although Sakai Masatoshi has a direction in his heart, he is still not sure how to go.
The first debut failed, and the second debut has no way out.Over the years, Masato Sakai has dealt with too many singers to become popular, and he didn't feel such a heavy responsibility.
In contrast, the more caring person is Manami Fujimura's manager Ikuta Masaru.
Ikuta Katsura has been following Manami Fujimura since she signed with Sony, and he is more considerate than her agency's agent for this street-swinging singer who came to Beijing from the countryside.
After failing to debut for the first time, Masaru Ikuta felt that Manami Fujimura's situation was urgent, and communicated with Masatoshi Sakai from time to time, wanting to help formulate a debut plan that could change the situation, so he cared so much.
This Saturday, Sakai Masatoshi suddenly called Ikuta Katsura and asked him to discuss Fujimura Manami.Naturally, without saying a word, he spared the afternoon and went to Sakai Masatoshi's personal office.
As a result, when he arrived, Masatoshi Sakai told him that the producer Shinichi Iwahashi wanted to invite Manami Fujimura to participate in his project album.
"Iwahashi Shinichi-san?"
Sakai Masatoshi reminded him, "Ikuta-kun met him once, when you and Fujimura went to the rehearsal room."
Ikuta Katsura suddenly realized, and remembered the young face he had seen at that time.
but……
"Project album?"
Sakai Masatoshi said it in a joking tone, "I still want Fujimura to cooperate with the band. I can't imagine why Fujimura fell in love with him." However, he was joking, but his heart was actually a little moved.
It is the sentence mentioned by Shinichi Iwahashi that "make the cooperation with the band a part of Manami Fujimura's re-debut".
"A band?"
Hearing these words, Masaru Ikuta matched the identity of Shinichi Iwahashi's producer with the producer Iwahashi who focuses on idols and bands in the industry.
I've seen that one time, and invited Manami Fujimura to participate in his project by name?
"I can't imagine either."
Ikuta Katsura slowly organized his words, "So, I am very curious about the content of Iwahashi-san's project, and it would be great to listen to him talk about it."
His curiosity was genuine, he wanted to know Shinichi Iwahashi's plan, and wanted to know if participating in this project would bring immediate benefits to Manami Fujimura.
"Call Iwahashi-kun and ask him out for a drink," Sakai Masatoshi said.
Ikuta Katsuki watched Masatoshi Sakai pick up the phone, flipped through the address book, and dialed a page.
(End of this chapter)
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