Flying over the bubble era

Chapter 93
"Hello."

Iwahashi Shinichi sat down opposite Terada Keiko, and said in a business-like manner: "As the executive member of the planning committee this time, I have come to communicate with Terada-san as necessary. Please give me more... Advice?"

At the end of the sentence, Iwahashi Shinichi's tone became hesitant.Because the opposite Terada Keiko is looking at him seriously.

In all fairness, although Miss Keiko Terada's typhoon is as cruel as a dinosaur, she still doesn't look like a dinosaur.Although the two small buck teeth are not so regular and the nose is not delicate enough, but on her face that is not so oriental, combined with her identity as the lead singer of a heavy metal band, it is a little cute... The so-called contrast Moe?
But even so, to be stared at by a woman like she was looking at braised pork, even if the impeccable beauty like Sayuri Yoshinaga sat opposite, it was really unbearable.

Terada Keiko was aware of his discomfort, and deliberately looked at him from the bottom up without any scruples, as if to wink at him.

After the TX was over, he looked back and smiled, this time he was more serious, "Okay, please give me more advice."

The reality is completely opposite to the imaginary 30-year-old mature and prudent man... However, once the young and stable younger brother in his early 20s accepts this setting, it seems quite interesting.

After completing the strange first meeting, Iwahashi Shinichi hurriedly got to the point.

This music festival planning, although it was initially proposed by Terada Keiko, and then this series of operations, but with Terada Keiko slumped at the record company, Watanabe Productions took over the plan, and then contacted the venue. , managing media, negotiating record companies and song copyrights, these will be managed by Watanabe Productions, so it has become an activity led by Watanabe Productions.

Although Keiko Terada is the initiator of the event, her own record company is not strong and she is not interested in this project. SHOW-YA still signed a full contract, and there is no separate office behind her, so after she was slumped by the record company, Lost the opportunity to go further.

She also recognized the reality, took a step back, and expressed her opinions with reservations on the regulations set by Watanabe.

Doing whatever you want doesn't mean you don't know anything about them.

How do you sing a song?Do whatever you want in your own world.If you go out of your own world, you must also properly restrain yourself.

Although the dominance is on Watanabe Productions, Iwahashi Shinichi still maintains the necessary respect for this titular promoter.Seriously asked her opinion, and carefully recorded it in the book.

His serious treatment fell into the eyes of Terada Keiko and felt very moved.

"I heard NOKKO-chan say that it was the proposal submitted by Iwahashi-san." Terada Keiko looked at Iwahashi Shinichi, who was writing quickly, and said.

"Hey."

After Iwahashi Shinichi wrote the last sentence, he raised his head, "I personally appreciate this project very much."

"In this field, there is still a lot of blank space, and I think there is a lot of potential in it. Therefore, no matter who the initiator is and what adjustments and compromises are made, we and Terada-san are working towards the same goal after all. It's the same thing: how to carry it forward."

Unlike the time when he was talking about the things that had been decided, Iwahashi Shinichi, who was talking about these things, looked very human.

Not only that, he has a saying that won the heart of Terada Keiko, "how to carry forward it".And that's exactly why she wanted to start this project in the first place, nothing mixed in, the purest original intention.

"I don't know why, but I have a feeling." Terada Keiko said, "In this case, if I were another person, I might think that it was a social rhetoric scene and put money on the project I'm doing now."

"Haha." The elder sister spoke directly enough.

"However, Iwahashi-san said these words," Terada Keiko laughed, "It sounds extraordinarily sincere."

Iwahashi Shinichi also laughed, "Is this a kind of prejudice?" Although it was a good prejudice.

"That's right." Terada Keiko admitted, "But, Iwahashi-san said that, and I feel from my heart that Iwahashi-san really thinks so. Therefore, I feel very relieved that you are responsible."

Trust is important.

Compared with the complicated process of preparing for the entire music festival, meeting the promoter Keiko Terada can only be regarded as a small piece of the puzzle.

From the establishment of a planning committee, to communication with the promoters, to setting the theme and tone of the music festival through the meeting, and finding a suitable venue - if the venue cannot be decided, the live stage cannot be planned, and these decisions cannot be decided. , you can't win over the co-organizers, seek the support of the media, let alone contact the singers of the performance.

The whole process is interlocked, and no link can be skipped.

In the process of completing this whole big puzzle, countless human, material and financial resources need to be used, which makes the strength of the individual extremely small, and no one can surpass his own team, and must work together.

Individualism in the team is despised by others. The best strategy is to make it clear when there is something to say in a meeting. No matter whether your opinion is adopted or not, you will do it well after you decide.

The title of the music festival was finally determined to be "NAON の YAON", a name that is a bit difficult to pronounce according to Shinichi Iwahashi.

The inspiration for the title came from the initiator Terada Keiko, who decided when she was in the HIGH stage in her own mind, which means "girl's wild sound".

Although it is not very friendly to Kou Tiao, from a visual point of view, this title is very imposing, and at the same time, the homophonic stalk that never tires of playing is also a little girlish here.

Just looking at the level of the name, I can also feel how much Keiko Terada has thought about this music festival over and over again.

After the title is determined, it is about the choice of venue.

Almost all large field venues need to be applied for one year in advance. If the conditions are not so strict, they must be applied for half a year in advance. In addition, the schedule of the venue must be considered.

Considering that in the field of rock and roll, the appeal of women is not as good as that of men, this music festival is the first time it has been held.

However, if it stays at the level of the park's niche since HIGH, it will lose the meaning of "music festival".

In addition, the field venues also have high requirements for all aspects of security, logistics, and first aid. Opening this music festival makes it clear that it is going to lose money and earn shoutouts. The key question is whether the earned shoutouts are worth it.

(End of this chapter)