National Tide 1980.

Everything in the event has inertia. Once a new general trend is formed, everything will intensify according to the new trend.

In the days that followed, reporters from various media outlets seemed to have been beaten to death, and all kinds of reports were added to add fuel and vinegar.

It vividly writes the various grievances Matsumoto Keiko encountered some time ago, and deeply analyzes it for the Japanese people.

She also succeeded in dragging an innocent into the vortex of scandals, but she had no intention of refuting, but wholeheartedly pursued progress in her acting career. The image of an actress has been established in the minds of the Japanese people.

Especially in order to obtain insider information about how Matsumoto Keiko negotiated an advertising endorsement contract with Pierre Carton, how she bought Fog Studios, and how she negotiated terms with several Huaxia studios.

These reporters even racked their brains and tried their best to get close to everyone related to Keiko Matsumoto.

So much so that apart from Matsumoto Keiko herself, even Akira Okamoto and Mitsuru Watanabe have become favorites in the eyes of reporters who need to track and interview every day.As for Keiko Matsumoto's personal office and the office of the Fog Studio, the phone can ring from seven o'clock in the morning to ten o'clock in the evening.

However, because many situations are not suitable for publication, Ning Weimin and Matsumoto Keiko have already issued orders to strictly guard against death, and none of these media can get what they want.

In the end, some reporters were forced to go out of their way, so they had no choice but to focus their interviews on Matsumoto Seicho, the original owner of the Fog Studio, director Nomura Yoshitaro, and the president of Shochiku Films.

In order to dig out something slightly related, so as to add something to the cake, to deal with my editor-in-chief and curious readers.

Some people even asked the Japanese Pilkardon Co., Ltd., which was out of reach, which caused a fire at the city gate and affected the fish in the pond.

As a result, the Pierkardon branch in Japan was harassed a lot, and even affected the normal operation of the company.

The Japanese side inevitably complained a lot about this, and contacted Ning Weimin to complain.

No way, Keiko Matsumoto is on fire now, reporters don't write about who she writes about!
Needless to say, Matsumoto Keiko and Ning Weimin were completely at ease at this time.

Apart from being careful to avoid being followed by reporters, their lives are basically normal, and their mentality has returned to a relaxed and peaceful state of mind.

Because of this increase in exposure, it is quite different from the "fire" that attacked the group before and made things worse.

That is the complete opposite of ice and fire.

But the two of them were not the happiest yet.

The happiest people are actually those who regard Matsumoto Keiko as the leader of the rice team and depend on her for food.

Like the fog studio they bought, the former employees are very happy.

No one is dissatisfied with the change of owner.

After all, it is not a matter of a day or two for the studio to become like this.

Those who can stay have their own difficulties and cannot find another job.

Although they have great respect and affection for Matsumoto Seicho, they have long given up hope that the studio can be revived under the hands of Matsumoto Seicho.

Now that Matsumoto Keiko has taken over, the salary that Matsumoto Seicho owed in the past has been settled, everyone's jobs have been kept, and new jobs have been opened, and it is a big production with an investment of one billion yen!
Isn't this a good thing?

Regardless of the final box office, as long as you participate in the shooting of this kind of big-budget movie, it is a qualification that you can get in the industry.

Even if you need to change jobs in the future, the road you can go is wide.

What's more, the director Yoshitaro Nomura hired by Keiko Matsumoto is still their old boss.

There will be no discomfort when working, so what is there to be picky about?
Everyone knows that Keiko Matsumoto avoided the closure of the studio.

She is not only the savior of Fog Studio, but also the savior of all of them, she must be supported.

Compared with these people, the employees in Keiko Matsumoto's office are even more bubblingly beautiful.

Because their interests and emotions belong to the same camp as Keiko Matsumoto, almost in common.

If Keiko Matsumoto's stardom is bleak, they will have no hope of future.

But in turn, they can protect and soar together.

It's a matter of both prosperity and loss.

So seeing Matsumoto Keiko finally escaped from the quagmire, their mood also went from hell to heaven.

Especially the fact that the wages can be raised by [-]% makes them feel that they are with the right person.

I feel that Matsumoto Keiko is really a nostalgic boss, and there is a clear difference between them and outsiders.

Otherwise, how could they have raised everyone's salaries before the firm merged with Fog Studio!

This is great, not only the half-year bonus that will arrive soon will be much more, it is enough for them to face their family and friends with dignity.

And as soon as they thought that they were the boss's cronies, they felt a kind of pride in their hearts as a direct army.

Even if the firm was to be merged with the studio, they would have nothing to be afraid of when facing the employees of the official studio, instead they would have a sense of superiority.

Who is not nepotism?
In the future, we talents will be the main force of the studio. If we work hard, we will definitely be promoted to management positions.

Grassroots employees have the pursuit of grassroots employees, and their minds are inevitably simpler.

But for Akira Okamoto and Mitsuru Watanabe, who have already benefited substantially, it is another kind of complicated and inexplicable ecstasy.

As they took over the management of the fog studio, both of them felt exactly what it was like to "go to heaven with one person".

Among other things, if you show up in front of strangers now and show your new business card, no matter who you are, you have to pay a little respect.

What is the identity of a project manager and financial supervisor of a studio?
No matter how small a studio is, it is still a senior manager of a regular company.

Not to mention those actors, models and their agents who seem to have sneaked into the entertainment industry are rushing to curry favor at the meeting.

Even the reporters of the sports tabloids changed from their previous contempt, and asked them for news in a good manner.

Even when they returned to the big shipyard of Shochiku Films, they were no longer inferior to others, but rather felt relieved.

You know, not many of their past colleagues have been in management positions.

Today they are already different, and they need to be looked at with admiration.

After all, he is also a senior executive of the studio, and his income is more than double that of his original colleagues.

This is enough to prove that it was wise for them to choose to follow Keiko Matsumoto to leave, and inadvertently completed a leap in the industry level.

Isn't that enough for them to pull?

Of course, this also proves that the man Keiko Matsumoto fancy is indeed a super invincible golden thigh.

For Ning Weimin, he must also obey his words, hug him tightly, and never let go even if he dies.

They have to admire that their proprietor is really blessed and discerning.

In the sea of ​​thousands of people, one can find such a diamond king who is talented, good-looking, rich, and devoted.

Who else can do such a thing besides "the most beautiful woman in Japan"?
Of course, in addition to this, some people also got a lot of benefits from this matter.

For example, Nomura Yoshitaro, who thought he was responsible for the near bankruptcy of the fog studio, and his career as a director had almost come to an end.

It never occurred to him that at the persistent request of his friend Seicho Matsumoto, the two people who bought the Fog Studio with a lot of money would still give him the chance to direct the film.

And it's not perfunctory, it's giving great trust.

Let him direct a movie with such a large investment and such social influence.

So he was really grateful, and he used all his abilities and connections, determined to make this movie well, so that he could make a comeback.

And his mentality of defending his reputation also made him empathize with Matsumoto Keiko's experience some time ago.

Although the 67-year-old director doesn't know what's going on with the public opinion turmoil about Keiko Matsumoto.

But empathy and gratitude, as well as personal interests, were enough for him to decide to stand by Keiko Matsumoto without reservation.

Similarly, Ning Weimin and Matsumoto Keiko's mutual friend Ishida Ryoko.

Ishida Ryoko, who has always been ashamed for not being able to stand up to support Matsumoto Keiko and tell the truth, never thought that Ning Weimin and Matsumoto Keiko would be the first actors to invite for the film "Li Xianglan" she.

Not only did they give her a catalog of all the important female roles for her to choose from, but they also offered a super-remuneration of 500 million yen.

For this reason, her agent was extremely excited, dancing and dancing to congratulate her for having gained a firm foothold in the Japanese film industry.

He also said that if this movie is really a big success, her social status can be raised to another level in the future, and she will become a real first-line actress in the Japanese film industry.

As for Ryoko Ishida herself, she was deeply moved and conflicted.

On the one hand, I am happy that I have found a true bosom friend in the entertainment industry, and feel that the fate of the three of them is really wonderful.

On the other hand, I regretted that I couldn't help Matsumoto Keiko more and blamed myself, feeling that I was really cowardly and failed to fulfill my duty as a friend.

And in the end, all of these emotions turned into work motivation.

Let her decide to go all out to study Yoshiko Yamaguchi's autobiography, and carefully figure out the needs of the characters, so as to help the two friends complete the film.

Also full of contradictions is the president of Shochiku Pictures, Junichi Hakumoto.

As the one who single-handedly cultivated Matsumoto Keiko into the top actress of Shochiku Films, he has a certain father complex for Matsumoto Keiko.

Seeing Keiko Matsumoto's success in Japan, he is very happy for Keiko Matsumoto's career achievements, and he is quite happy that "my family has a girl who has just grown up".

At the same time, it is also a headache for Keiko Matsumoto who is becoming more and more full-fledged, eager for freedom, and more and more obvious stubbornness and stubbornness.

Some time ago, he supported Kinji Fukasaku and beat Keiko Matsumoto.

In addition to the reasons for profit, it is inevitable that the "father" does not want to teach the "daughter" a lesson, hoping that the "daughter" will become obedient and obedient again.

However, the extent of the follow-up development was somewhat beyond his expectation, and it was indeed not what he really wanted to suppress Keiko Matsumoto to that extent.

To be honest, through this incident, he took excessive measures against Kinji Fukasaku's self-assertion.

I am very dissatisfied with this guy who is proud of his talent and has been using the movie box office to kidnap himself for his own interests.

I also feel more and more that Fukasaku Kinji is like a wolf who has not been fed well-he is obviously a director who was trained by Shochiku Films, but he has no gratitude for Shochiku's cultivation, and he only recognizes benefits and does not recognize people.

For this reason, he will inevitably feel regret and doubt whether he has done something wrong.

Originally, he was not a firm-willed and decisive person, and he had self-knowledge.

When he was able to take over the position of president, he resigned forcefully, but because he was popular and the only candidate who could be accepted by the interests of all parties within Shochiku, he reluctantly did so.

At this time, I couldn't help but sighed again, feeling that I really shouldn't have taken over at the beginning, because I owed the great trust of the old president Shiro Kido.

Today's Shochiku has too many problems, and it is no longer his ability to maintain.

However, when he felt sorry for himself.

But he was surprised to find that Keiko Matsumoto turned the tide of public opinion on his own.

Moreover, he also put a lucrative but risk-free cooperation contract in front of him.

Then what else could he think?How to choose?
In addition to feeling that Matsumoto Keiko has great powers and is becoming more and more capable, it is indeed difficult to force him to control him.

He also felt ironic and relieved by the magnanimity of this "daughter" regardless of previous suspicions.

This is an obvious attempt to ease the relationship and deliberately send money to him.

At this time, if he doesn't learn his lesson and doesn't cherish Keiko Matsumoto's initiative, he will be a fool who doesn't know what to do.

So he wasn't going to get into trouble with Matsumoto Keiko any more.

He decided to let her go completely from now on and let Keiko Matsumoto live according to her own wishes.

However, regarding Keiko Matsumoto's emotional affiliation, he still has some reservations that it is inconvenient to say.

That young man is handsome, rich, capable, and polite, and everything is fine!

But the question is... why is he a Chinese?
Hey, forget it, he is not a real father, so it is not his turn to worry about this kind of problem.

Leave it to Qingzi's real parents to worry about it. (end of this chapter)