National Tide 1980.

Chapter 52

Don't say, Concord's prediction was really right.

Those two scrolls are really not ordinary things.

A piece of Shen Zhou's "Book of Poetry in Running Script" and a piece of Shi Tao's "Goldfish" are all treasures.

It's just a pity that it's too old, or it's not well kept.

Both paintings and calligraphy are broken, and the texture is also a little "wounded".

Not only is the calligraphy and painting texture crispy, but the outermost layer is also a bit "frosted" in some places.

The old man watched it for half an hour after unfolding it, and then took it back with great distress, for fear of further damage.

However, although these two paintings are precious, they have to be the most valuable things that were obtained on this day.

Ning Weimin never imagined that the real leader was actually the most inconspicuous white porcelain bowl among the three pieces of porcelain.

The bowl looked so white and stained that it did not reveal much detail and preciousness.

Neither the classical beauty of the blue-and-white plum vase, nor the smooth beauty of another Ming Dynasty Longquan celadon plate.

The only special thing is that there are uneven patterns in the bowl that are not clearly visible, and the word "shufu" is also inconspicuous.

And these two inscriptions are also printed under the edge of the inner wall of the bowl.

If Kang Shude had not pointed it out, Ning Weimin would have missed it.

No wonder the seller didn't take it seriously from the beginning.

In fact, Ning Weimin is also the same. With his eyes at this time, he really thinks that this bowl is more suitable as a vessel to cover the mouth of the pickle jar, and he can't see it well.

But it is precisely this bowl that fits the word "introverted" that Kang Shude once said.

Even Ning Weimin couldn't help but admit it.

When Kang Shude placed this bowl in the middle of a pile of china, it looked more dignified and more secure.

Obviously nothing, but there is a deep temperament that can overwhelm everything.

Naturally, it will become the visual center of the viewer and attract attention.

At first, he also thought that this feeling was caused by the solid color of the bowl.

Because other utensils have patterns and colors, this bowl is white, which naturally stands out.

Unexpectedly, the old man found a bunch of daily cups, dishes and chopsticks at home.

All kinds of white household items are placed next to the bowl, but it still gives people such a feeling.

This undoubtedly proves that Ning Weimin's idea is terribly wrong.

The only explanation can only say that this bowl is particularly endearing.

It was also at this stage that Kang Shude explained to Ning Weimin what was going on with this bowl.

He dared to look at the bowl, which is characterized by small feet, thick tires, lack of clarity in the plain glaze, and blue and white color.

It is reminiscent of Cao Zhao's "Ge Gu Yao Lun" in the Ming Dynasty, in the "Gu Rao Qi" article, there is a sentence "The person who burned the small foot print in the Yuan Dynasty has the word Shufu in it".

Plus he found sunken patterns and inscriptions.

Therefore, it is inferred that this bowl should be a fixed-burning vessel made by Kublai Khan, the ancestor of the Yuan Dynasty, who set up the Fuliang Porcelain Bureau in Jingdezhen for the "Privy Council".

The old man also told Ning Weimin that the Shufu porcelain in the Yuan Dynasty was two hundred years later than the Tuding in the Song Dynasty.

But in terms of quality and historical value, Shufu porcelain far exceeds Tuding, and the two are incomparable.

Because the "shufu" was originally the first-level administrative agency of the Tang Dynasty.

After the Song Dynasty, the Shufu was changed to the Privy Council, the highest military organ of the central government.

And since the Yuan focuses on force, the power of the "shufu" is naturally higher.

Considering that the Yuan Dynasty was only a hundred years old, the number of firings was extremely limited, and even fewer had inscriptions. '

Similar bowls have been fired in later generations, but the style has been changed and the glaze is not moisturised.

There is no doubt that there are many Yuan Dynasty "shufu porcelain", which has become a masterpiece.

Moreover, the texture of this bowl is not an ordinary lotus, but a dragon pattern.

This further shows that it is a special utensil for the prominent officials in the Shufu, and it is the best of the best.

Its value is not only no worse than that of the bronze jue turned over to the country.

From the point of view of rareness being precious, it is even worse.

It can really top everything that I got back today.

Finally figured out the ins and outs of Xiaowan, Ning Weimin felt like the blue sky in June.

Clear, thorough, and even a feeling of waking up from a big dream.

When he looked at the bowl again, his eyes had become very dignified, and he felt the complexity of history from it.

Don't even mention him, even Kang Shude can't put it down.

In the words of the old man, how many collectors may not be able to find such rare treasures in a lifetime.

This thing is no more taboo than bronze.

As long as he understands the Lord, no one will be able to let go of it if he has it.

He also set a rule for Ning Weimin, saying that from now on Ning Weimin is only allowed to look, not to touch.

Look, what's this all about?

But that's not all of today's harvest.

Don't forget the background of the times, these days, there are no modern imitations.

Even if it is still in the mouth of Kang Shude, there are those "rotten" things, things that are "not things".

That was also a "fake name" for the nouveau riche in order to meet the needs of the warlords in the period of the Republic of China.

After 20 years, it must be worth hundreds of thousands.

So starting from the idea of ​​​​valuing money and preserving its value, Ning Weimin put away these objects in a serious manner, just like storing gold.

But the reason he gave Kang Shude was that he had to observe and study carefully and find mistakes.

Opening a lie, not only concealed his greedy temperament, but also made him more teachable.

The old man was naturally coaxed very happily, went to work happily, and let him watch it at home alone.

As for how to deal with these things in the end?

This was the topic that the master and the apprentice were sitting at a table with good wine and good food that night to discuss.

Speaking of which, Kang Shude's original intention to take Ning Weimin to the ghost city.

Originally, it was to get two valuable things, and then quickly sell them back and exchange some funds for Ning Weimin's tuition.

From now on, the old man planned to let Ning Weimin go to the ghost market every day.

He said that he wanted Ning Weimin to feel that he understood it, or he could buy it if he was interested.

It's a good thing to buy the right one.

Even if you buy the wrong one and lose money, it doesn't matter.

Because the main purpose is to let Ning Weimin open his eyes and learn more.

From the old man's point of view, the real ability has to be practiced like this.

No matter how much you say, your ears will be empty.

I have never seen it with my own eyes, I have touched it with my own hands.

Only when people have suffered losses and pains, will they remember the lessons for a lifetime.

People only love to ponder what they are interested in.

So the old man expressed his willingness to let Ning Weimin go to find the categories he was interested in, so as to lead him in.

Even if the old man accompanies him again, he will not give Ning Weimin on-the-spot guidance.

But when he turned around, he would definitely face something and tell Ning Weimin what was wrong and why.

As an apprentice, Ning Weimin was very moved by Master's idea.

At the same time, I also found it very interesting and challenging, and I was really eager and excited.

No matter what this is, both prospects and Qian Jing are indeed much better than his upside-down tropical fish.

But he was the only one who couldn't bear those things for a while.

I feel that even if it is not Shufu porcelain, the other two porcelains and paintings and calligraphy are also good treasures that are hard to come by.

The future value is at least calculated in ten million, and it would be a loss to sell it now.

No matter what he chooses, his heart hurts.

Fortunately, the master is the master, and Kang Shude is a man of success, so he told him directly.

The calligraphy and painting must be sold, there is no need to choose or discuss at all.

The reason is because the preservation of calligraphy and painting requires preservation conditions, and their residences do not have such a foundation now.

Like that big family, they almost ruined these two things.

These two paintings, in fact, have reached a precarious point.

It is better to sell them to the state than to squeeze them into their own hands and make the painting and calligraphy moldy and crippled.

This allows both of these things to be kept safe, and by the way, serves their own purpose.

This is the method that is more suitable for both the country and the private person and complements each other.

After hearing these words, Ning Weimin understood Master's thoughts.

He couldn't help but admit that the old man's words were reasonable, and he couldn't help but admire his profound strategy.

In the end, he is a real expert, an old man who does big business, and his thinking is better than his little boss.

And his own greed and reluctance, on the contrary, it is really possible to delay the two treasures in his hands and completely turn them into waste.

What if you don't sell it?

Sell!

Interestingly, thanks to this sale, he discovered another vast world.

Not only did I not feel that I was selling at a loss, but I also felt that the selling was worthwhile.

Because unintentionally, this proves what the old man warned him.

One must be diligent!

Don't look at it just to sell the paintings, he took a few more steps, but let him see the infinite scenery.

(Note 1: Injury, in calligraphy and painting jargon, refers to the damage to the texture of calligraphy and painting due to insects, water or external friction. If the ground is missing, it is called "crippled" and "missing".

(Note 2: Frost, calligraphy and painting jargon, refers to mold due to humidity)

(End of this chapter)