my stealth fighter

Some people are happy and some are sad about being deified by ape-man children. Generally speaking, everyone cares about it but not that much. If they are not apes, who would care about the meaning of a few children's graffiti? It is precisely because they are apes that they regard them as gods. If they are also apes, or they are also humans, they will only regard each other as apes or humans who are more powerful than themselves, if and only if they are similar to them. But different aliens will be regarded as gods and demons.

Jiang Chanji often takes advantage of the children's sleep to go to the wall and examine their graffiti one by one to see if any details have been added. In fact, almost their childish mythology has progressed almost every week. After reading for a long time, He could even almost recognize the brushwork of different children, and they began to gradually transform from simple static portraits into narratives. In other words, these "gods" were no longer independent individuals, but formed each other. Interaction, which is even more interesting, because the children have not seen much interaction between them. They spend most of the time looking after them alone. The children's descriptions of the interaction between them are almost purely based on their wild imagination, often It was extremely outrageous. The images brought back by Jiang Chanji either made everyone look at each other speechless, or made everyone burst into laughter.

Basically, children's narrative paintings are based on those gods with distinctive characteristics, such as the giant god and Hercules, Granite Major, Ala Bodhisattva, Yiyi Zhitian Bodhisattva, Yuna, the god of beasts, and Jiang, the god of thunder and fire. Zen Machine, Hunting Goddess Rafi, Medicine God Eve, there are interactive narratives between these gods, or they are extended to other gods with less distinctive characteristics, such as the Dean of the Academy, Aurora, and others. To make up for and fill up the thin image of the latter, and to give the latter different abilities through imagination...or divine power, but there is an obvious rule, that is, the former must be "more powerful" than the latter.

Once the narrative is generated, there will be more disputes between these children. Except for Allah Bodhisattva, which everyone prefers, it is inevitable to have disagreements about who is more powerful and whose status is higher among other gods. This is quite different from There is no difference between human children. Even if they are watching fighting animations, they still have to fight over the ranking of the character's force value. However, for young ape-men, frequent arguments are a good thing and can greatly promote the development of their language. These young children could only speak a very limited number of ape languages ​​at first, but now they have developed and created more. Ape language is probably very different from the language used by apes before.

A very common routine in their narrative paintings is that, for example, the god of thunder and fire and the giant spirit god are in conflict, and when they are fighting, Allah Bodhisattva comes to mediate and make the two parties make peace. This is not necessarily because they all like to paint like this. Rather, this way of painting can be accepted by everyone, which eliminates disputes to a certain extent.

Another routine uses Mio as the theme and extends it to other gods. She seems to be defined as a god of mischief. She is a playful and playful person. She can transform into various animals and wants to tease other gods all day long. She was always slightly successful at first, and then she was very proud, and was soon discovered and punished by other gods. This was very similar to the real Mio, and it should not be groundless. They must have seen Mio being scolded or beaten by others from a distance. Beaten look.

The children Mio reached a consensus - she is the weakest god, not only weaker than the gods with distinctive images, but also weaker than the remaining gods. Although this made Mio extremely angry, it also gave her high After the combination of these two routines, Mio's prank caused conflicts between other gods. Ala Bodhisattva mediated, everyone made peace and punished Mio, and then Mio returned the favor next time. dare.

Children's narrative paintings are initially short independent stories, but it goes without saying that when they begin to narrate, sooner or later one or more long narrative epics will be produced to establish the system and context of their myths. This is just It's a matter of time. When they grow up and become more skilled in painting, someone will definitely try it.

Jiang Chanji witnessed their wooden walls being painted and scratched. As they grew taller, the height that their arms could reach became higher and higher. He watched their graffiti gradually extend upwards, and they would look like this in the future. The interior of the church will also have paintings all over the dome, and newborn babies and young children will see the magnificent narrative myth on the dome as soon as they open their eyes. The myth will be deeply imprinted in their minds for a lifetime, passed on and developed by them.

Compared with the myth line, the dean and Aurora are more concerned about the development of their science line, but if you want to see the clues of this thing, it will take at least a thousand years, and there will be no hope in a short time.

What is more realistic is when they invented writing. These young children obviously knew that their elders had writing. Although they had not had time to learn it, they knew that writing was a useful thing, and they lived in this base. In the past few months, I have seen Guo Jiang Chanji and the others reading and using words more than once. For example, when Eve brought medicines to them, the medicine packaging boxes were densely packed with words, and even the pills themselves were engraved with sporadic words or letters. This makes them realize the importance of words even more.

Jiang Chanji stopped and saw the latest graffiti on the wall. He suddenly felt something was wrong. When he took a closer look again, he was shocked to realize that they had invented words - snake-shaped thunder and lightning, flowers The shape of the flame is no longer only bound to his image, but has begun to appear frequently in mythological narrative graffiti that has nothing to do with him.

This is the text! The most primitive hieroglyphics!

Realizing this, he went back and read the latest graffiti from the past two weeks. After careful examination as if "everyone is looking for fault", he indeed found the same elements in more than one graffiti. Aren’t these recurring fixed elements just words?

Hieroglyphics are originally derived from primitive paintings!

Even Mio also contributed a word - smile. In a pocket-like wedge-shaped round frame, there are two small triangles connected to the top, which are very similar to the tiger teeth exposed on Mio's upper jaw when he smiles. When several such symbols When surrounding a certain god, it means that other gods are laughing. It may be a kind smile, or it may be laughing at this god. He cannot tell such details for the time being, but this symbol represents "laughing" absolutely. That's right, Miao is the only one among them who smiles all day long. By using a few simple symbols like this, there is no need to draw all the other gods who are laughing, which saves trouble and space.

Jiang Chanji was surprised by their intelligence. How did they think of it? Who thought of it first?

The need for complex narratives gave rise to the invention of writing.