My Hong Kong Island Filmmaker
Chapter 1094? The extreme romantic style of violent aesthetics and the trend of Wu style in Hollywoo
Chapter 1094 The ultimate romantic style, violent aesthetics and the trend of Wu's style in Hollywood
PS: Ask for a monthly pass!Ask for a monthly pass!Ask for a recommendation ticket!
In San Francisco, the crew of "Chinatown" is filming a scene where Cheng Long and Xiao Lizi fight with the big villain in a shootout.
Quentin took the initiative to follow Wu Xiaozu with a pig's kidney face. He is 28 this year, and the film crew is standing like a minion.
On the chair, the unkempt Wu Xiaozu was sitting on the chair unruly, with a cigar in his mouth, stretching his neck to look at the picture on the monitor, while Quentin took a peek at Miss Aniston who was putting on makeup not far away, and then The patient was barefoot, with legs crossed, and was changing stockings and nurse uniforms.
In my mind, I imagined that the other party was wearing pointed high heels, viciously... Subconsciously trembled, the thighs tightened and then loosened, and the whole person seemed to be relaxed slowly exhaling a puff of smoke.
Before he could continue his lust, he was interrupted by Wu Xiaozu's voice.
"The following scene is Aniston, who plays the female nurse, comes to the hospital to assassinate Jack. Halfway through the movie, we all know that the protagonist will not be killed at the beginning of the movie. Because the hero will not be easily passed!
This kind of drama is difficult to lead. To maintain tension and interest, you need to skillfully grasp the timing and rhythm, not only have a little humor, but also create a thrilling atmosphere for the future development of the story. Wu Xiaozu turned his head and waved to Aniston who had changed his uniform.
Seeing Wu Xiaozu who scolded Aniston all the time, Quentin who was standing aside called 'good guy'.
After being in the crew for more than a week, "Chinatown" completely followed the Hollywood system, no overtime, and weekends off.Therefore, Quentin, who is good at drilling camps, led Lin Chaochen and Jiang Digui to have a great time, often playing all-night carnival on Saturdays and sleeping all day on weekends.
He even hung out with a few young people and chatted all night.What exactly did they talk about... nothing nutritious, nothing more than hot girls, rock and roll, flying leaves...
However, it was also from Lin Chaochen and the others who learned about Wu Xiaozu's "tyrant on the set" character design.
But there is no intuitive feeling.
See it today, understand it instantly.
Sure enough, dry enough!
"Director~~" Quentin held the script of the shooting scene, on which the lighting arrangement of the corridor was drawn, and reminded in a low voice: "The filming will start soon."
Wu Xiaozu, who had the same beard as 'Connor', hugged Aniston and kissed him, turned his head, glanced sharply at Quentin who was bending over, and gently stroked Aniston's straight hair, "This This is the reason why I feel sorry for you when you stepped into the entertainment circle. To become an actor, you will suffer more serious things than this. I hope you will always remember the first lesson today."
Aniston, whose face was stiff, paused for a moment, changed his face instantly, and took the initiative to kiss Wu Xiaozu on the mouth.
Quentin was dumbfounded by the side, watching Aniston twisting his waist and leaving.
"what did you just say?"
"Uh... I... said that the light has been dealt with, and it will be turned on immediately..."
Before Quentin could finish speaking, Wu Xiaozu raised his eyes, stared at it for a long time and said, "You still want to be a director with such a low voice?"
Turn around and go to the scene.
Only Quentin, who was standing on the spot, was left in deep thought. After thinking for a long time, his eyes became brighter, he wrinkled his nose, stared, turned to the staff, and suddenly shouted angrily: "Everyone, start working immediately!!! Prepare to release the pigeons! "
The whole person exudes a paradoxical spirit, which is very refreshing when paired with his pig's kidney face.
The scream made the big nose dragon who was flirting with Chen Chong next to him tremble.
Turning his head and staring, he saw Kun'er's organizers carrying baskets of iron cages, which contained a lot of white pigeons.
Since it's a Wu style movie, how could it miss the white dove scene?
In the future, when Wu Yusen comes to Hollywood, he will use white doves and church shots, which will be a blatant "tribute to the master" series.
As for the explanation... I'm sorry, Director Wu... Director Wu Xiaozu's "Twin Heroes" and "God of Gamblers", which were exported to Europe and America, have long been familiar to fans in small circles.
Wu's aesthetics of violence has also attracted much attention in the world film circle.
Serious film review publications such as France's "Cinema Handbook", England's "Sight and Sound" and the United States' "Film Review" have all recognized Wu Xiaozu's interpretation of violent aesthetics and the significance of the development of violent aesthetics. Wu Xiaozu himself can be regarded as the founder and master of the new era of violent aesthetics.
American Cinematographer, a journal of the American Society of Cinematographers, and Film Conservation Journal, a journal of the International Federation of Film Archives, have also published relevant industry reports.
At the same time, the change of light and shadow, the analysis of space, the form interpretation of film structure and lens analysis are all the personal labels left by Wu Xiaozu to professional filmmakers.
In other words, these things are recognized by professionals like Guilo.
Although these roles in Hollywood, where the market is king, are far less than the box office results of "Seven Sins", in the professional field, these are all proper signs.
As for director Wu Yusen, well, he is indeed one of the proponents of Wu's aesthetics of violence.
Remember, this Wu's violent aesthetic is 'John Wu' Wu.
As for whether Hollywood allows two John Wu...
If Wu Yusen doesn't mind, director Wu Xiaozu himself is also a figure with a broad mind and bursting out towards the master.After all, Xiao Wu can also be regarded as the inheritor and colleague of Wu's aesthetics of violence. It doesn't matter if he is an apprentice or not. Director Wu is not the kind of person who cares about fame.
As for whether it will develop into the so-called "violent aesthetic film style, everyone in the world respects Wu"...it is not impossible.
Let's encourage each other.
They are all like-minded practitioners on the film road~~~~ Xiao Wu (Wu Yusen) also has his own style...
The movie "Chinatown" is naturally an action comedy by Cheng Long, but Wu Xiaozu will never let go of his style label completely. At least, if he wants to gain a foothold in Hollywood now, he needs to give himself a label.
Let these Hollywood people know and realize that John Wu is a director with great commercial ability.
In this regard, he is very grateful for the popularity of "Seven Sins" in North America.
This feeling is like a physical and literary worker coming to the most prosperous "Qinhuai River". First of all, you must have a memorable "label".Whether it's playing, playing, singing or knowing how to be hot and cold, if you stand firm and live, you can show your talents to those "princes and nobles" and make people realize that you are the number one treasure.
then…
When your fame rises, you can sublimate and start to increase your interests: being a bitch and setting up a torii is an unavoidable development process.
Then go down step by step, and finally take advantage of the fire to loot, climb high and look far, enter the hall and enter the house, and hang the mirror high...
Not urgent.
He will gradually complete these in the 90s.
Now all he has to do is show his self-worth. In the early 90s, the North American independent film industry was particularly suitable for his development.
Harvey certainly doesn't know what Xiaozu Wu thinks, but it doesn't prevent him from maximizing his interests.
Although these Jews are unreliable, if you want to develop in Hollywood, you can't get around these guys.
Even in North America, although the influence of the Jews is not as evil as the rumors, they are indeed strong enough, otherwise Xiao Chuanchuan would not suffer so much in terms of media resources.
Do you really think he is crazy and insists on 'Twitter governing the country'?Well, he is indeed abnormal...but there are also media resource constraints in it——
The overall filming of "Chinatown" is progressing smoothly.
To be honest, Wu Xiaozu enjoyed this way of creation very much, he took five days of filming and had weekends off.There are also holidays and holidays... all kinds of benefits are very good.
During the filming period, the main creators of the crew can hand over the monthly bills to the producer, and then apply for reimbursement of the monthly bills.
(End of this chapter)
PS: Ask for a monthly pass!Ask for a monthly pass!Ask for a recommendation ticket!
In San Francisco, the crew of "Chinatown" is filming a scene where Cheng Long and Xiao Lizi fight with the big villain in a shootout.
Quentin took the initiative to follow Wu Xiaozu with a pig's kidney face. He is 28 this year, and the film crew is standing like a minion.
On the chair, the unkempt Wu Xiaozu was sitting on the chair unruly, with a cigar in his mouth, stretching his neck to look at the picture on the monitor, while Quentin took a peek at Miss Aniston who was putting on makeup not far away, and then The patient was barefoot, with legs crossed, and was changing stockings and nurse uniforms.
In my mind, I imagined that the other party was wearing pointed high heels, viciously... Subconsciously trembled, the thighs tightened and then loosened, and the whole person seemed to be relaxed slowly exhaling a puff of smoke.
Before he could continue his lust, he was interrupted by Wu Xiaozu's voice.
"The following scene is Aniston, who plays the female nurse, comes to the hospital to assassinate Jack. Halfway through the movie, we all know that the protagonist will not be killed at the beginning of the movie. Because the hero will not be easily passed!
This kind of drama is difficult to lead. To maintain tension and interest, you need to skillfully grasp the timing and rhythm, not only have a little humor, but also create a thrilling atmosphere for the future development of the story. Wu Xiaozu turned his head and waved to Aniston who had changed his uniform.
Seeing Wu Xiaozu who scolded Aniston all the time, Quentin who was standing aside called 'good guy'.
After being in the crew for more than a week, "Chinatown" completely followed the Hollywood system, no overtime, and weekends off.Therefore, Quentin, who is good at drilling camps, led Lin Chaochen and Jiang Digui to have a great time, often playing all-night carnival on Saturdays and sleeping all day on weekends.
He even hung out with a few young people and chatted all night.What exactly did they talk about... nothing nutritious, nothing more than hot girls, rock and roll, flying leaves...
However, it was also from Lin Chaochen and the others who learned about Wu Xiaozu's "tyrant on the set" character design.
But there is no intuitive feeling.
See it today, understand it instantly.
Sure enough, dry enough!
"Director~~" Quentin held the script of the shooting scene, on which the lighting arrangement of the corridor was drawn, and reminded in a low voice: "The filming will start soon."
Wu Xiaozu, who had the same beard as 'Connor', hugged Aniston and kissed him, turned his head, glanced sharply at Quentin who was bending over, and gently stroked Aniston's straight hair, "This This is the reason why I feel sorry for you when you stepped into the entertainment circle. To become an actor, you will suffer more serious things than this. I hope you will always remember the first lesson today."
Aniston, whose face was stiff, paused for a moment, changed his face instantly, and took the initiative to kiss Wu Xiaozu on the mouth.
Quentin was dumbfounded by the side, watching Aniston twisting his waist and leaving.
"what did you just say?"
"Uh... I... said that the light has been dealt with, and it will be turned on immediately..."
Before Quentin could finish speaking, Wu Xiaozu raised his eyes, stared at it for a long time and said, "You still want to be a director with such a low voice?"
Turn around and go to the scene.
Only Quentin, who was standing on the spot, was left in deep thought. After thinking for a long time, his eyes became brighter, he wrinkled his nose, stared, turned to the staff, and suddenly shouted angrily: "Everyone, start working immediately!!! Prepare to release the pigeons! "
The whole person exudes a paradoxical spirit, which is very refreshing when paired with his pig's kidney face.
The scream made the big nose dragon who was flirting with Chen Chong next to him tremble.
Turning his head and staring, he saw Kun'er's organizers carrying baskets of iron cages, which contained a lot of white pigeons.
Since it's a Wu style movie, how could it miss the white dove scene?
In the future, when Wu Yusen comes to Hollywood, he will use white doves and church shots, which will be a blatant "tribute to the master" series.
As for the explanation... I'm sorry, Director Wu... Director Wu Xiaozu's "Twin Heroes" and "God of Gamblers", which were exported to Europe and America, have long been familiar to fans in small circles.
Wu's aesthetics of violence has also attracted much attention in the world film circle.
Serious film review publications such as France's "Cinema Handbook", England's "Sight and Sound" and the United States' "Film Review" have all recognized Wu Xiaozu's interpretation of violent aesthetics and the significance of the development of violent aesthetics. Wu Xiaozu himself can be regarded as the founder and master of the new era of violent aesthetics.
American Cinematographer, a journal of the American Society of Cinematographers, and Film Conservation Journal, a journal of the International Federation of Film Archives, have also published relevant industry reports.
At the same time, the change of light and shadow, the analysis of space, the form interpretation of film structure and lens analysis are all the personal labels left by Wu Xiaozu to professional filmmakers.
In other words, these things are recognized by professionals like Guilo.
Although these roles in Hollywood, where the market is king, are far less than the box office results of "Seven Sins", in the professional field, these are all proper signs.
As for director Wu Yusen, well, he is indeed one of the proponents of Wu's aesthetics of violence.
Remember, this Wu's violent aesthetic is 'John Wu' Wu.
As for whether Hollywood allows two John Wu...
If Wu Yusen doesn't mind, director Wu Xiaozu himself is also a figure with a broad mind and bursting out towards the master.After all, Xiao Wu can also be regarded as the inheritor and colleague of Wu's aesthetics of violence. It doesn't matter if he is an apprentice or not. Director Wu is not the kind of person who cares about fame.
As for whether it will develop into the so-called "violent aesthetic film style, everyone in the world respects Wu"...it is not impossible.
Let's encourage each other.
They are all like-minded practitioners on the film road~~~~ Xiao Wu (Wu Yusen) also has his own style...
The movie "Chinatown" is naturally an action comedy by Cheng Long, but Wu Xiaozu will never let go of his style label completely. At least, if he wants to gain a foothold in Hollywood now, he needs to give himself a label.
Let these Hollywood people know and realize that John Wu is a director with great commercial ability.
In this regard, he is very grateful for the popularity of "Seven Sins" in North America.
This feeling is like a physical and literary worker coming to the most prosperous "Qinhuai River". First of all, you must have a memorable "label".Whether it's playing, playing, singing or knowing how to be hot and cold, if you stand firm and live, you can show your talents to those "princes and nobles" and make people realize that you are the number one treasure.
then…
When your fame rises, you can sublimate and start to increase your interests: being a bitch and setting up a torii is an unavoidable development process.
Then go down step by step, and finally take advantage of the fire to loot, climb high and look far, enter the hall and enter the house, and hang the mirror high...
Not urgent.
He will gradually complete these in the 90s.
Now all he has to do is show his self-worth. In the early 90s, the North American independent film industry was particularly suitable for his development.
Harvey certainly doesn't know what Xiaozu Wu thinks, but it doesn't prevent him from maximizing his interests.
Although these Jews are unreliable, if you want to develop in Hollywood, you can't get around these guys.
Even in North America, although the influence of the Jews is not as evil as the rumors, they are indeed strong enough, otherwise Xiao Chuanchuan would not suffer so much in terms of media resources.
Do you really think he is crazy and insists on 'Twitter governing the country'?Well, he is indeed abnormal...but there are also media resource constraints in it——
The overall filming of "Chinatown" is progressing smoothly.
To be honest, Wu Xiaozu enjoyed this way of creation very much, he took five days of filming and had weekends off.There are also holidays and holidays... all kinds of benefits are very good.
During the filming period, the main creators of the crew can hand over the monthly bills to the producer, and then apply for reimbursement of the monthly bills.
(End of this chapter)
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