My Hong Kong Island Filmmaker

Chapter 111 The movie won the award, digging holes at will (seeking subscription)
PS: Ask for a recommendation ticket, ask for a monthly ticket!
Wu Xiaozu didn't worry about the affairs of Hong Kong Island.

The extra version of Boss Deng's movie on "Success News" is at most just Wu Xiaozu's random graffiti.But I don't know that this casualness has caused a salty and wet "revolution" in the cultural world of Hong Kong Island...!
There are actually people in the cultural circles who study this thing and call out the concept of "doujin".Colleagues, this word is not imported. If you don't mention the Spring and Autumn Period, the Eastern Zhou Dynasty and the Western Zhou Dynasty, you can't count it as bullying a little devil.

In the Republic of China, Mr. Zhou Shuren has extended his interpretation of the concept of Tongren.

However, the "fan culture" does come from Dongying, the hometown of Mao Zedong.Artists represented by *** have made outstanding contributions to the "cultural exchange" between the two sides of the strait.

Sister Cang created characters, which allowed us to learn vocabulary such as "Yamaidie" and "Yiku".

Among them, there are also Dongying doujin, fanwai, lolicon, royal sister, mature woman, mother and daughter, uniform, sister control... and a lot of dross.

Wu Xiaozu, adhering to the critical vision of literature and art, once devoted himself to studying these imported dross on behalf of the masses.After researching, he found that it was indeed dross!Immediately and decisively locked the research materials of several T hard drives in the cabinet, and discarded the dross and took the essence after waiting.

The fanfare infantry novels on "Sheng Bao" had a huge impact like a tornado on the entire salty and wet world.Wu Xiaozu took this small step, and the entire salty and wet world of Hong Kong Island turned upside down and took a big step forward.

this step...

The spring breeze is proud to meet a bosom friend, and the peach blossoms are also smiling...the tough chicken lifts...

There is a great market for salty and wet culture on Hong Kong Island.Wu Xiaozu's crooked extra genre of movies can be said to be like a fish in water in this kind of salty and wet society that yells for Mutian.Don't be surprised if there are such things as "The True Colors of the Heroes: The Love Triangle of Horses and Heroes", "Police Story: A Journey with Characteristic Legs and Big Noses", and "The Cough and Cough Incident of the Lucky Star Series".

Under the background of such an epic incident, Mr. Deng Guangrong's reputation will be like the water of the Yellow River, and if he wants to act in movies such as "Photography of Miss Hong Kong" in the future, he will really only become the generation of Charlie Cao.

Of course, if he is not afraid of losing money, he can play a heroic hero like "Jianghu Dragon and Tiger Fight" again.At that time, no one would dare to act casually with him, and whoever plays will be pregnant.

There are more than 40 short stories in Wu Xiaozu's study, if you don't believe in evil, come here!

...

Time flies like someone's waist. On the afternoon of November 11th, the Asia-Pacific Film Festival officially opened at the National Theater in Seoul.

The blanket star group will be suffocated here.

The Asia-Pacific Film Festival is so low that there are no red carpets, green carpets, or cashmere carpets.

Sometimes when I think about it, a creature like Carpet Star is a wonderful existence.So powerful that a group of people trampled the three major film festivals of Cannes, Venice, and Berlin into vegetable markets.In an instant, these three major film festivals, which were once high in the eyes of mainland audiences, plummeted like a diabetes collapse.

It also played a role in killing the enemy's army to the development of the domestic film festival.

The 31st Asia Pacific Film Festival was recorded and broadcast by KBS.Bay Bay, Japan and Hong Kong Island also sent reporters to follow up.Smecta, Sawadeeka, Yamaidie and Pujie have all kinds of tones throughout the scene, and it is indeed worthy of the title of the most influential international film festival in Asia.

Wu Xiaozu, the award-winning film of the previous life, is not clear. "The Birth of a Prefix" itself is an alternative spoiler.

"The Birth of a Prefix" can be said to be the most eye-catching film at the No.30 Asia-Pacific Film Festival with its superb viewing effects and creative shots.

The six nominations for Best Picture, Best Director, Best Screenplay, Best Editing, Best Cinematography, and Best Music prove the strength of this film.It is also regarded by many people as the biggest winner of this year.

……

A group of people walked into the theater and saw Li Hanxiang's figure from a distance.

He is still dressed as a local tyrant with big sunglasses and a gold necklace, more like a club boss than a movie master.After "Burning the Old Summer Palace", "Listening to the Government Behind the Curtain", and "Fire Dragon", his title of film master can be regarded as recognized by the entire industry.

Master, this title does not only refer to your artistic achievements.No matter how high the artistic achievements are, such as Wang Jiawei and Xu Anhua of later generations.Wu Xiaozu recognized their artistic achievements, but the title of "master" seems to be a little far away for them.

Li Hanxiang can.

He can be said to have played a role in promoting and connecting with the Chinese film industry.Therefore, it is not an exaggeration to call him a movie master.Today, there are two internationally recognized masters of Chinese films: Li Hanxiang and Hu Jinquan.In comparison, Zhang Tuo may be a bit inferior in the international arena at this time.

Of course, Zhang Tuo's reputation in later generations is much greater than these two.This is inseparable from Zhang Qi's 36 rooms and twelve disciples.

Population prosperity and physical health are indeed very important to artists.

"Uncle Xiang—" Wu Xiaozu laughed.

"What's the matter?"

Li Hanxiang looked at Wu Xiaozu with a little vigilance, and saw that he was wearing a white shirt and black suit, and he was showing off his sleeves. With a hand wearing a gold watch, he touched the gold necklace on his neck, "I don't think I'm not pretty enough, Come rescue me in the rivers and lakes?"

"Hehe, Uncle Xiang, you are joking. I have a bad cervical spine..." Wu Xiaozu smiled and waved his hands.Don't look at Li Hanxiang's darkened face.

"@#￥%Smecta——"

As soon as Wu Xiaozu took his seat, a Korean filmmaker with small eyes and parted eyes smiled and bowed to him.

"?"

"He said he was very happy to meet you. He thought you were very pretty, so he invited you to have barbecue together at night." Li Hanxiang said with squinted eyes.

"..."

Wu Xiaozu glared at the old and unscrupulous Li Hanxiang with a black face.Can people express these meanings in one sentence?
"Hello, Director Wu. My name is Guo Zairong. Nice to meet you."

Seeing Wu Xiaozu's bewildered expression, the small-eyed filmmaker quickly switched to English.

Looking at the weird English pronunciation of the Korean director in front of him, Wu Xiaozu directly said "i'm fine thank you!"

"Director Wu, I watched your "Life and Death, Wealth and Fortune". It is simply too classic."

Guo Zairong flattered, "The whole movie uses different visions to interpret choices. This movie is so attractive. I am looking forward to this movie being released here in our Bangzi."

"Life and death are fate, wealth and honor are in the sky" is the title of the foreign translation of "The Birth of a Prefix".For this exhibition, I applied this title.Otherwise, the title "Birth of a Triad" seems a bit LOW!

During the conversation between the two, the Asia-Pacific Film Festival officially started.The setting structure of the Asia-Pacific Film Festival is very simple. After the opening poem is recited, the main competition unit officially begins.

The most important aspect of the Asia-Pacific Film Festival is the sustainable scientific development concept of each country.This strategy is doomed to the film festival's pursuit of "balance".

Sure enough, at the beginning, this situation was seen from several innocuous awards.

Child Star Special Award: Koryo Bangzi won.

Special Jury Award: Wan Wan.

Best Documentary: The Country of Filipinos.

Special Award for Journalists: Hong Kong Island.

Best Supporting Actor: Australia.

Best Supporting Actress: Hong Kong Island
Wu Xiaozu's smile didn't change from the fact that the fruit was divided into rows.Every film festival has its own "style".Later generations, even Cannes, Berlin, and Venice are as particular about "cronyism", and Hong Kong Island's self-proclaimed Hong Kong Film Awards are even more unscrupulous.

Director Wu is still afraid of this?
I'm afraid this is not less... cough cough.Li Hanxiang has a good saying: winning an award depends on God.God can't starve a blind house sparrow to death.

After a few appetizers, "The Birth of a Prefix" also missed the three weighty awards of best music, best screenplay, and best editing.

...

"The winner of the No.30 Best Director at the Asia-Pacific Film Festival is—"

On the stage, a director from Bangziguo held an envelope and called out Wu Xiaozu's name in a corny retroflex.

"Wu Xiaozu!"

Nobody, Wu Xiaozu!
"yeah!"

Jiang Zhiqiang and Liang Jiahui, who were originally drowsy, jumped up immediately and embraced happily.

"Congratulations, Azu!" Liang Jiahui opened his arms excitedly——

"..."

Wu Xiaozu coldly pushed back Liang Jiahui's outstretched arms, turned around and hugged Jiang Jiahua and Li Dianxin one by one.

"..." Li Hanxiang and Liang Jiahui were very unhappy with the master and apprentice.

Not far away, Yang Dechang and Hou Xiaochen also sent encouragement of "Come on" to Wu Xiaozu.The award this time is inseparable from their praise.Both of them are also members of the judging committee this time.

Looking around, Wu Xiaozu tidied up his black suit and walked onto the stage with long legs.

The hairstyle is sideways, and the facial features are handsome.His eyes were as black as a heart.With broad shoulders, waist and long legs, Wu Xiaozu explained what is called the walking hormone!After receiving the trophy in the shape of a "ribbon", he smiled and faced the auditorium.

"Thank you to the judges and filmmakers from all over the world for giving such a heavy trophy to a newcomer like me! I never thought that "The Birth of a Prefix" could get such a high evaluation! This kind of affirmation is of great significance to my film career. Significant..." He said, holding up this ugly trophy.

"I still remember that when I was young, my elders often took me to the theater to watch movies. At that time, I felt that movies were a very magical world. Today, I am very lucky to be able to make a movie that the audience likes. I will continue to I will work harder to shoot more excellent works...Thank you!"

Wu Xiaozu took the trophy and bowed in shame, and left without delay.

Next, "The Birth of a Prefix" won the technical award for best photography.Huang Yuetai did not come, Liang Jiahui accepted the award instead.

Liang Jiahui's participation in the film festival this time is to increase exposure.This is also part of Wu Xiaozu's "unblocking" plan.

Low-key life, high-profile work.This is very good for Liang Jiahui's unblocking.

With the awarding of heavyweight lectures such as Best Actor and Best Actress one by one, it was finally the turn of the most important award in the show.

"The No.30 winner of the best film at the Asia-Pacific Film Festival is—"

""Life and death are fate, wealth is in the sky", congratulations!!"

As soon as the voice of the award presenter fell, there was a round of applause from the audience.

"Ahhhhh!!"

As soon as Jiang Zhiqiang and Liang Jiahui yelled, Wu Xiaozu turned around and hugged Li Dianxin and Jiang Jiahua again.

Accepting the award this time, Wu Xiaozu still did not choose to go on stage.Instead, the stage was handed over to Jiang Zhiqiang and Liang Jiahui.

Jiang Zhiqiang is the producer and publisher of "The Birth of a Prefix".Especially when it comes to film distribution, letting him show off is more conducive to the distribution in foreign markets.

Will Liang Jiahui be on stage again?
Both he and Jiang Jiahua are known as producers, at least the later stages of the film cannot be separated from their support.

"The Birth of a Prefix" received six nominations and won three awards for Best Picture, Best Director and Best Cinematography.

No.30 Asia Pacific Film Festival, they won a big victory!

So?

What about Hong Kong Island?
...

"Director Wu, congratulations!"

"Congratulations! "The Birth of a Prefix" deserves its title!"

As soon as the film festival ended, Jiang Zhiqiang, Wu Xiaozu and Liang Jiahui were surrounded by filmmakers from all over the world.Korean filmmakers are close to the water, and started chatting with Wu Xiaozu.

Oh Hyo-jo Goryeo was an active filmmaker in the 80s.What impressed him most was the group of directors born in the 60s.

Directors like Kim Ki-duk, Park Chan-wook, Bong Joon-ho, etc.In later generations, Korean films have embarked on a path of imitating Hong Kong films, and they have gone very well.At this time, Goryeo's movies competed with the football of the later generations of Huaxia, the voice was quite loud, but the strength... bumpy! !

They held this Asia-Pacific Film Festival is actually a bit of a misnomer.

However, Korean filmmakers have never given up.This year, the most authoritative film award in China - the Film Bell Award is officially organized by the Filmmakers Association and the Film Promotion Commune.

Both the Filmmakers Association and the Film Promotion Commune are non-governmental film industry organizations spontaneously organized by Korean filmmakers.Every year, it seeks investment to support new star directors.

Later Kim Ki-duk, Park Chan-wook, including Kuo Jae-yong who greeted Wu Xiaozu today, they are the backbone of later generations of Korean films, and they all received investment and help from the Filmmakers Association and the Film Promotion Commune in the early days.

This kind of support for newcomers can be said to have played a decisive role in the development of local films.

In the 90s, these two organizations forced the Koryo government to complete the establishment of "cultural barriers".Since then, Hong Kong Island films have lost an important ticket base.

In the 90s and [-]s, Hong Kong movies on the top [-] box office list could be seen everywhere.It can be said that it is crazy to make money!

But in just a few years, the number of people watching Hong Kong movies in Korea has continued to decline.In later generations, if the number of box office audiences can enter the top [-], it will be regarded as an excellent performance.

In later generations, Liu Dehua, Zhou Runfa, Liang Chaowei, Cheng Long and other old faces can still enter the top [-] in Korea every year.

How sad?

My hero, his enemy.

Hong Kong films have various problems, but it cannot be denied that they have indeed played a decisive role in the spread of Chinese culture.Don't talk about culture, just talk about interests, Korea is also a very suitable ticket warehouse.

"The development of Hong Kong Island films is worth learning from our stick Smecta."

Shin Sang-ok, a Korean filmmaker from the Film Support Commune, smiled at Wu Xiaozu, "Seeing Director Wu, you can shoot such wonderful scenes at such a young age, I am very envious, I wonder what advice you have for us young filmmakers ? I think as a young director, your experience is more helpful to them."

Guo Zairong and a group of young filmmakers looked at Wu Xiaozu curiously.In any case, the shock brought by "The Birth of a Prefix" was enough to make them face up to the filmmaker who was younger than them.

"I think that the development of Goryeo movies should have its own artistic pursuit. If you look at the movies that are truly engraved in the history of movies, each has its own unique artistic taste. As a young person, you should not be eager for quick success and quick profit. , only by adhering to one's own philosophy can it play a role in promoting the country's film industry..."

Wu Xiaozu solemnly instilled the concept of "art first" to filmmakers from several countries in front of him.How many companies can be pitted.

France takes the route of art supremacy, but how much do you think it has in the spread of culture?
These people regard Wu Xiaozu as a crowd of art films, while Wu Xiaozu regards all the people in front of him as competitors.

Wu Xiaozu did it very smoothly when he cheated people casually.

(End of this chapter)