My Hong Kong Island Filmmaker

Chapter 1481 Civilization and Order, Barbarism and Chaos, Weave Together into a Human Elegy
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On a black screen, subtitles with white characters on a red background appeared.

Radio, Film, Television and Film Administration of the People's Republic of China.

Public Screening License.

Electric Examination Guiyou No. 091.

These days, it is not the famous Longbiao, and it will not be officially changed until 2000.

Immediately afterwards, a silhouette of a throne appeared, and the shadow of a man holding a broken sword sat on the throne. There were countless swords inserted upside down behind the throne, and a scepter was placed in front of him.

The company name of "Game of Thrones Film Distribution Company" appears in flashing characters below.This is a powerful vest after the company integrates Hollywood resources.

Immediately afterwards, the words "Gold-Digger" (Gold Digger Film Production Company) appeared, as well as Harvey's Miramax company logo, and finally the West Film Studio logo appeared.

In essence, "No Man's Land" is a co-production between Hollywood and the Mainland!
It does not belong to the category of Hong Kong films.

And it belongs to the Sino-US co-production!

The subtitles of the behind-the-scenes personnel and actors first appeared on the screen, and the soundtrack also played slowly.

The piano and clarinet are mixed with the sound of the train running on the rails.

The sound gradually became mixed.

The sound of footsteps, telephone calls, voices, sound sleep, the hawking of peanut drinks and mineral water——

Slowly becomes clear from yo-yo.

"I told you the fuck, I'll talk to you about the divorce when I get back from the mainland! Daughter, I will never give up!"

The middle-parted, wearing gold-rimmed glasses, wearing a suit and holding a briefcase in his arms, Mingming (played by Zhou Runfa) hung up the phone, took out a handkerchief to cover his mouth and nose, and looked at the chaotic environment around him in disgust.

The camera panned over, and there was a dirty guy next to the seat, with a worn-out urea bag at his feet, and when he saw the 'famous' clean suit, he carefully moved his butt to the side.

Women wearing shit-yellow headscarves are holding their babies and breastfeeding them with half-opened headscarves.

The old man carrying a shoulder pole next to him was smoking a pipe and pot, while a few chickens were tied together on the other side, cooing and clucking.

"Same...comrade, do you want to eat steamed buns?"

The fellow (played by Zhang Yimou) with dark skin and ravines and a white sheep belly handkerchief wrapped around his head grinned, and handed the towel-wrapped bun to Mingming (played by Zhou Runfa) in a simple and natural way.

"no, thanks."

Famous glanced vigilantly, covered his nose with his handkerchief, and hurriedly stood up with his bag in hand, "Excuse me, please let me go." As soon as he lifted his foot, the leather shoes lifted and touched the urea bag beside his feet.

This made him frown uncontrollably, with an annoyed expression on his face.

"Do you know that this is a public place, and your bag is in the way of everyone?"

"me……"

The honest guy (played by Zhang Jiayi) stuttered with embarrassment, his ears were red, he hurriedly stuffed the urea bag under the seat, sweating profusely.

"Blood……?"

Seeing the blood stains on the upper, Zhou Runfa was obviously taken aback, and stepped back vigilantly. At the same time, he made a nervous gesture to take out his big brother, "Don't move, I want to call the police..."

"No, no, this is the beef my old man brought me..." The boy explained nervously.

Hearing the words, Famous at first breathed a sigh of relief, then felt a little embarrassed, and then trickily began to 'belittle' the guy in front of him with his profession.

Through the window, the depth of field is far away, and the low-rise buildings are gradually reduced to villages and markets, and gradually begin to fall apart.

The picture also starts from warm tones and gradually cools down.

It seems to be starting from civilization and heading towards the wasteland.

The camera rolls out along the window——

A goshawk soars, and the camera follows the goshawk, overlooking the mountains, and the cry is bursting with sadness—as if someone of its kind has been hunted down.

There are faint gunshots and wailing of birds in the background music, but they are hidden by the sound of train whistles, as if the tragic truth will always be blatantly covered up by some people in the name of civilization.

Our proud civilization is encroaching on the homeland of the wild elves, and the order of civilization begins to deform in the barbaric wasteland.

The train represents the progress of civilization, and the billowing smoke is the burn brought by civilization to the wilderness.

The vicious goshawk with its claws upright hovers over the black smoke, and the goshawk with its claws outstretched often represents predation——

Under the flap of wings.

As if a snowflake between the sky and the earth was blown out from the gap in the sky by it, it waved its wings and brought a snow disaster that annihilated the sky and the earth.

It's tiny, compared to civilization.

It is very special because it 'flaps' its wings.

Looking down from the camera - the vast snowfield has changed the world.

The vast white land brought the audience from the urban and rural areas to the snowy desert, and the sense of snow and desolation came with the camera.

The pale steel with black edges and the cross sleepers converge on a rail, straight into the distance.

In the icy wasteland, the railway is winding.

In the auditorium, many filmmakers looked at the camera's almost "reckless" scheduling in shock.

Many people have made a 'contribution' to global warming, take a deep breath.

"Is he using the camera to show the flying sky?" Some film critics couldn't help but praise in a low voice.

You know, there are no drones at this time.

The human and material resources represented by these bird's-eye view camera cuts are often daunting and difficult.

But in Wu Xiaozu's hands, every frame of the lens changes, it seems to be showing off his skills, but he looks very calm, as if this is what it should be.

The sky was white, and snow and ice rolled up and down along the mountains.

The coldness of the ice field seems to make the audience feel the bone-chilling coldness.

Populus euphratica stands pale in the snow, and the bearded vulture with slightly yellow eyes retracted its wings, staring at the vulture, and stepped on the dead wood covered with a thick layer of loose ice and snow.

The hare ran desperately in the snow with a sharp whistle.Waking up the howl of the eagle, the goshawk swoops down—

There was a muffled sound of the flute, and billows of smoke came out, and the train whizzing thick smoke rushed past.

By the window, Mingming (played by Zhou Runfa) staring at Populus euphratica is bored and greedy.

The car body flew past, leaving a pool of blood and a few feathers in the snow.

The railway sleepers were raised, and the sound of the train braking abruptly was heard, and the entire carriage was staggering.

"what--"

Mingming (played by Zhou Runfa) went straight out and hit his head on the table.

"Are you okay?"

"Comrade..."

"Everyone pay attention to safety."

"Is anyone injured?"

The conductor wearing a big-brimmed hat whistled and hurriedly passed through the carriage, shouting something constantly.

Mingming, who was covering his forehead, could only see panic.

A word of English was cursed in his mouth.

"Azu told me that the train is civilization, and its damage actually represents the cessation of human steam civilization." Wu Tianming explained the design here to the leaders around him.

At the same time, he whispered: "Azu said that the main reason why this movie is controversial in North America is because many white people think that this movie reflects their development process of North America, and they slaughtered Indians..."

In the movie, a herd of sheep and horses passes by the train.

Primitive animal power slowly surpassed the train representing civilization.

The children on the horse kindly offered to help them.

At this time, in order to catch up with time.

The well-known 'lawyer' in this civilized world used the method of moral kidnapping and incited everyone to 'force' the herdsmen to pay for six white horses.

In it, there is a stubborn figure of a herdsman's child, who does not seem to be coerced by this kind of "persecution".

However, he was reprimanded by adults.

His kindness was exploited by famous people, and at the same time he lost his family's animal property.

All I got in return was the famous light and painless thank you.

Reluctantly hugging the horse's neck, tears rolled in the eye sockets.

At this time, the camera turned——

Famous for throwing a broken wrist watch into the air and finally turning it into a whip, as if Stanley Kubrick threw a bone into the air in "2001: A Space Odyssey", and finally turned the camera into a satellite picture.

The classic picture of the horse-drawn train appears.

It also implies that civilization has faded here, and barbarism has become the theme again.Here, the steam civilization was damaged, and animal power began to appear instead of steam, which is actually a metaphor.

The hero's itinerary also started from the so-called civilization to the so-called wildness...

Famous comes from civilization, but he used the most brutal way to deal with the immobile train, and prepared to use the loopholes in the rules of civilization to help a group of foreign poachers in a place where civilization disappeared.

at a small station.

For self-interest.

Famous lit up the station.

The light of the fire reflected his smiling face, and he perfunctory everyone with reasonable reasons.Let them be bound by the rules.

fire--

Civilization is left behind.

The music of "There Won't Be Many Coming Home" slowly sounded.

He glanced contemptuously at the abandoned trains and people.

(End of this chapter)