My Hong Kong Island Filmmaker

Chapter 1548 "My Sassy Girlfriend" Released
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"Eat a cigarette first—"

"Tsk, have you changed your food to Hongwan?"

Outside the door of the Wanchai Convention and Exhibition Center, the man took the cigarette handed by the other party, slapped his mouth lightly, and joked, "Aren't you guys supposed to eat cigars? Back then, all the cigars in Hong Kong were fried by you, the theater owners. Three percent higher."

"At this time and another, now do not do any business and do not make movies, and there is no one in the cinema on Sundays."

With a wry smile, the theater owner took out a Dupont lighter and lit it on the other side first. He put the cigarette between his fingers and waved it, laughing at himself, "All theaters in Hong Kong are struggling, and even many theaters have opened skylights these days. I lost hundreds of projects in an instant, and I can't wait to pull out the previous videos to make up the count. It's not bad that I can eat red.

Besides, the big guys also like to be popular, and those of us who follow the food will naturally have to go up and down. "The fat boss pointed his finger upwards," and now he is pointing at the big boss.

I have to say that the big box office stimulus plan is a boost to our theaters. "

"Recently, the locomotive took the lead in contacting a number of production companies to discuss the box office share with us, and renegotiated a new share ratio. Now we guys have to look at other people's faces to eat... Now we talked about this number in the first week." Said , the finger gestures a 'six'.

"Why only sixty percent?"

"[-]% belongs to others, and [-]% depends on their faces."

"Whose face?"

"No ↑!"

"Isn't that a kneeling begging?"

"You have to say that, we open a theater now to beg on our knees."

The fat boss smiled bitterly and added: "But the good news is that after negotiation between the industry and the Hong Kong government, the 17.5% entertainment tax for the film industry has been completely abolished. If we can really make the cake bigger, then everyone will have meat to eat."

As the film industry came to a standstill.

Producers, distributors, theaters, and even theaters have all had to 'negotiate' anew.

Represented by the locomotive, they sign four major box office schedules with theaters every year (Spring Festival, Easter, Summer, and Christmas).

第一周票房分成6:4，每天最少安排5场，但拷贝及宣传费由片方或者发行方负担。不过下午场和午夜场会到5:5，第二周5.5:4.5，第3周4:6，之后延期的话片方只会拿2。

In addition, it can also be divided according to the box office performance, basically it is one file.

At the same time, the two sides have also made corresponding regulations on box office fraud such as 'cheating the box office' and 'stealing the box office'. The purpose is very simple to make the local market more standardized, and then give confidence to the foreign market.

If the industry really died, then everyone would naturally have no meat to eat.

The entire regulations were all clarified in the "Drafting of New Regulations for the Hong Kong Island Film Industry", and representatives of major producers, filmmakers, distributors, theater chains and theaters all signed to complete the industry regulations.

Such behavior also made entertainment stocks recover a little bit of anger.

Of course, all parties also look at specific measures.

Obviously, this time, "My Sassy Girl" is regarded by many people as a weather vane.

If it is said that before this, even with Wu Xiaozu's power and prestige, it is absolutely impossible to promote the reform of the entire industry - now it is different.

In the years of sorrow and grief, it is a great kindness for local tyrants and squires to open a porridge shed to show kindness.

They sold the land in their hands to the master, and they also worked for the master at the same time, and then they had to appreciate it.

Wu Xiaozu took this opportunity to directly promote change.

Just as Mr. Zhou said: "If you want to open a window in a room, no one agrees, but if you want to lift the roof, they will naturally agree with you to open the window."

For example, if you directly increase the oil price, everyone is generally not happy.But after announcing production cuts, if you raise oil prices again after a few days of interruption, everyone will readily accept the price increases and be careful.

The same is probably true of stocks and industries. You let them stop their losses and cut their meat, and he disagrees.You have to say that this stock and industry will be 'ST' soon, and they will listen to you.

The same is true in the entertainment industry today.

In this way, the threshold of the entire industry has been raised, and the market has been regulated, which will definitely reduce the number of people who fish in troubled waters, so the development of Hong Kong films will definitely slow down, but it will undoubtedly keep a little 'remainder' in Hong Kong films.

Good filmmakers and studios don't starve to death.

The model of local box office + overseas box office will become more and more standardized under this regulation, and large-scale film sales will basically become a thing of the past.

The entry of Hollywood movies is not a good thing for the industry, but it is not necessarily a bad thing for the cultivation of the market.

There is competition and development, it is not a lie.

If Chinese-language films want to develop, improving their competitiveness may be the only way.

Wu Xiaozu has left a little breathing space for future Hong Kong films, especially promoting industry norms, and has established industry management associations and completely formalized institutions similar to the North American MPAA to avoid 'malignant infighting'.

Hong Kong film companies will also go out under the promotion of the market and their guidance - Korea, Wanwan, and Southeast Asia will be the most important regions.

Then, this will form a unique development model driven by human beings-first through traffic first.

Use talent shows, variety shows, idol dramas and all kinds of hype to package the real 'traffic little fresh meat' and let them compete for the young people's market everywhere.

Then, through them, TV dramas, variety shows, and idol dramas can be sold at good prices.

The continuation of TV programs drives the popularity of songs. Once again, movies make money, and finally comics, fashion, beauty and other peripheral products are harvested.

It is quite a complete entertainment industry chain.

In future generations, Korea can develop its own way. In this life, although the support of Hong Kong Island has become smaller, there are many consortiums behind the support. Although the strength may be small, but under the circumstance of planning ahead and planning ahead, I believe that Chinese entertainment will enrich things. It should be no problem to silently enter different markets.

Even this reduces the area protection for these areas.

They can protect the film industry, but they can't stop young people from chasing stars, right?
Don't worry, as long as the interests are big enough, their young people will also pour milk...

Of course, the premise of various arrangements is that they can really mobilize the integration of the entire resource.

This invisibly made "My Sassy Girl" also a 'target of public criticism'.

Since you Wu Xiaozu 'helping farmers', everyone wants to see if Wu Xiaozu can lead the 'folks' to get rich.

You can sell corn or sweet potatoes.

It really does have an effect...

"The princess is here!!"

"Wow! F4 is here too!!"

"Girls' troupe!"

"The boy who collapsed (T) room (F) also pulled it!!"

Many paparazzi were also excited and pressed the shutter in their hands.

Different from these preoccupied theater owners and many industry-related practitioners, the crowd of 'fans' in the periphery is quite simple. The cheering cards, light strips and various peripheral products are raised one after another, and the screams also make many people around. People fall into 'deafness' in general.

In terms of 'metabolism', [-] is really a cross-generational existence, and newcomers are constantly emerging.

TF Boys is a new group, and all the members are underage. This is also the company's attempt to build a brand new idol boy group.

Members include Wanwan, Korea and Southeast Asia.

Wanwan's 14-year-old trainee Xu Junhao, Gaoli's 13-year-old trainee Zheng Zhisun (Xun Wukong's smoke), and Malaysia's 15-year-old trainee Cao Baihao, they released the EP album "Youth Memorial Album" some time ago, which contains three songs The songs "Youth Memorial Book", "Red Dragonfly" and "Slow Motion Training Manual for Left and Right Hands" all entered the list.

In addition to the new generation of small fresh meat, many friends in the circle also came to help.

However, the moment Wang Zushen appeared, the whole audience was filled with the voice of 'Xianxian'.

What is the card face of the first sister of Hong Kong film! ?
　The community has been silent for 3 days. I didn't expect that I was in the finals of the finals, with a capital 'high'!
　　
　
(End of this chapter)