My Hong Kong Island Filmmaker

Chapter 163 Sound Montage

PS: Ask for a recommendation ticket!Ask for a monthly pass!
The theater went dark and the screen lit up.

The little train bump came out again.

This title was produced by Media Asia Advertising, two well-known advertising companies in Hong Kong Island, one is Media Asia part-time rental equipment and video tapes.In the past two years, he has started to enter the film production market. In two years, he will test the water agency distribution field like Antai at this time.

This advertising company is famous for its capital, equipment and technology.Hong Kong Island Independent Company's title titles are basically outsourced to them.

The other is Huang Yulin Advertising Company, which started with 76 yuan in 85 and had a turnover of over 2000 million yuan in 85. At the end of [-], Shengshi International, the world's largest advertising company, cooperated with them, and Huang Yulin also became a branch of "Shengshi" in Hong Kong Island.

The managing director's name is Lin Yanni, yes, that's Lin Yanni, who has a bachelor's degree in genetics, a master's degree in Chinese literature, a TV director, prose writer, and novelist... She has a concubine named Huang Zhan.

At this moment, brother-in-law is wearing big brown glasses, with dumb hair, a cigarette in his mouth, sitting in the fourth row of the theater with his legs crossed, with his big buttocks next to his left hand.

On the right hand sits a hoof (commonly known as an elbow, with thick skin, many tendons, and a lot of fat in the muscles.)
"Watch a movie, watch a movie! After watching it, I'm talking about—"

The concubine brother listened to the hooves constantly looking for something to chat with, spread his hands and curled his lips, "I finally spent the money to buy a ticket to watch a movie by myself, Sanmao, didn't you?"

Hong Jinbao smiled awkwardly on his seemingly simple and honest face, and suppressed his thoughts secretly.Huang Zhan's decline is a little bit worse, but his weight in the Hong Kong Island literary and art circle is higher than him.In the eyes of many people, the literary circle is much higher than the entertainment circle.

……

The movie starts.

There was a voiceover, but the screen was still dark.

The young man shouted happily.

Young people's call for friends.

run!

cheer!

shout!

The voice is immature, but crisp and loud, full of youthful blood.

With every sound, I can't wait to shout with all my strength.But there is a clear distinction.People seem to feel the various teenagers in the movie through the sound.

There was rudeness, there was slowness, there was loudness, there was drizzle,

Before the screen unfolds, it takes the audience into the movie scene first.

Many people have heard the term "preconceived ideas", and the art of film pays special attention to this.

As the sound unfolded, a picture emerged in the minds of many in the audience.

A group of passionate youthful boys ran and competed on the court shaking their arms and sweating, and they tried their best for every goal.Beside, there are cheers, sighs, and curses...

Before the movie unfolds, it makes people preconceived.The breath of passion and youth is contagious from the voice.

"Separation of sound and picture?"

Tsui Hark was wearing a peaked cap, and the mouse thief's small eyes showed a hint of interest.

Since the first feature film with sound appeared in 1927, sound has become a job for filmmakers to relearn.

How to use sound also considers the basic skills of each director.

This is where sound montages come in.Before that, montage involved space and time, and now it has added sound.The scheduling of the three forms the movie story.

Cheng Xiaodong, Huang Yuetai, Lu Yanhua, Yu Cheng, Chen Baisheng, Xian Qiran and other film-related practitioners are all very interested in the "new stuff" that Wu Xiaozu showed.

"Sound Montage!"

Looking at the dark scene, many filmmakers who came with a "bad" mentality changed slightly.

Several pioneers and writers beside Cen Jianxun frowned slightly.

It seems that Wu Xiaozu's reputation as "the new wave new generation standard bearer" is not groundless.

It's kind of interesting to rush to the street.

Although they didn't want to admit it, they had to pinch their noses to admit it.Wu Xiaozu does have his own uniqueness in film structure and film technique.

In terms of structure, "The Birth of a Prefix" definitely belongs to the shocking waves.If it weren't for the strong commercial atmosphere in the film, I'm afraid... this film is enough to push it to the throne in some fields.

Fortunately, this is Hong Kong Island!
This group of public intellectuals who "regard money like dung" is a little fortunate at the moment that this is Hong Kong Island, not the mainland, or France.

I heard that the previous movie was well received in France.

The opening sound montage of "Young and Dangerous" is actually not difficult, but Wu Xiaozu made it clear, creating a youthful "sea breeze"-like atmosphere, which is really skillful.

Of course, compared to these public knowledge, ordinary audiences are not too surprised, but rather surprised and anxious.

Therefore, Wu Xiaozu played a trick here.

The voice who plays the role of the boy Chaopi is talking about love and telling stories with his girlfriend.

...

Hou Xiaochen sat in a corner, staring at the screen, feeling slightly relieved and regretful at the same time.

After all, this is not a deep-rooted sound montage.For him, this kind of taste is not a regret, what is it?
In fact, Wu Xiaozu can make this movie more connotative.But he chose to be popular.

Of course, in his mind, he gradually came to agree with Wu Xiaozu's theory of "great vulgarity and elegance".But that doesn't make him 100% in the same boat as Wu Xiaozu.

However, this movie is a commercial film after all, and he also understands Wu Xiaozu's thoughts.This movie can keep this scene, so he didn't pay in vain.

During his time in the crew of "Young and Dangerous", he gained a lot.Wu Xiaozu's analysis of space, light and shadow, and narrative dimensions has benefited him a lot.

After all, Hou Xiaochen is still a very pursuing filmmaker. In the words of the famous iron king in the basketball world: Er Yang Hua San Iron - Volute, "I am not anyone's successor, I am me, a different blacksmith!"

Hou Xiaochen felt that after gaining space and light and shadow, with a long lens, he would show a jaw-dropping movie.

At this moment, he is thinking that in his next new play, he can use his usual long-shot narrative to focus on expressing this kind of achievement.

Wu Xiaozu's "Hong Kong Island Kurosawa Akira" and his "Wanwan Ozu Yasujiro" had a fruitful cooperation for the first time.

Thinking of this, he cares more about the investment in Hong Kong Island.

The so-called money is a man's egg.Eggs are better than no eggs!

If you have no eggs, you can only help the wall.The wall is smashed and the protein is busy!

He doesn't want to be busy, he just wants to attract investment. The box office of the movie "Young and Dangerous" is like a highlight on his resume for him.If it sells well at the box office, he will be able to make money to make movies.

With money, Hou Xiaochen will have more hope for life.

...

"Show off!"

A man with the appearance of a fat tutuo pushed his glasses, and confided a faint sentence of disdain.

"He is the last wave of the new wave!" Yu Yun looked at Yan Hao teasingly, "I forgot, but you are the first wave of the new wave."

Yan Hao ignored Yu Yungan.The group of people within the New Wave is not monolithic either.

Yan Hao, Fang Yuping, Tan Jiming and the others look down on Yu Yun who likes to make horror movies and take the lead.

Yu Yunchai, Zhang Guoming, and Yu Rentai also looked down on Tsui Hark, a "wave rape" who abandoned "author's films" and bowed his knees towards commercial films, and was raped by capital.

Then Yan Hao and Yu Yunchai were mixed with some rascals, and together they looked down on Wu Xiaozu, who was a late wave and a front wave, and the actual box office was very good.

Hong Kong Island literary and film industry, before the emergence of Wu Xiaozu, a different kind, has long been dog-eat-dog.

The "author's films" of the New Wave and the "Left Bank" writers and filmmakers did not like each other.Then the two parties looked down on the commercial director together.Commercial directors are divided into factions such as Shaw Brothers, Jiahe, Wuzhi, and Keban...

In short, the Hong Kong Island film circle is a typical "water is shallow and there are many kings, and Jia Baofan is everywhere"!
Yan Hao has always been hailed as the first wave of the new wave. If you look up your ass, you will know how much good impression he can have on Wu Xiaozu, the last wave of the new wave?

What about Yu Yun?Before Wu Xiaozu's "The Butcher on a Rainy Night", when people mentioned horror movies, most of them would think of him... Then, there is no harm without comparison!
In order to win the last wave of the new wave, Lu Yanhua and her group stomped Yu Yun over and over again.

Directly came up with a trend: the butcher was fighting for the limelight.

Wu Xiaozu didn't want to offend people, but he couldn't help being too good!I'm afraid he would never have imagined that when his blockbuster film "Young and Dangerous" was released, a group of bastards would come to criticize him.

If he had known this earlier, Wu Xiaozu would not mind learning from Uncle Benshan to fish out these bastards and let them bleed one by one.

Director Wu is very good at doing things like this.

Back to the movies.

"Brother Nan—" With a shout, the screen gradually lit up, but there was still no picture.

Suddenly, a little light appeared at the bottom of the screen, and then scrolled up.A lewd face suddenly "gets into" the screen.

That's right!Just drill!

As the picture unfolded, the audience was stunned.The film critic's eyes lit up, excited.

In order to smoothly connect the "separation of sound and picture", Wu Xiaozu used the subjective lens to interpret.

The whole process of lighting up the picture is actually the shot of the young pheasant slowly lifting the skirt of the female student and poking his head in.As he lifted his skirt, the picture slowly lit up from below, and finally focused on his obscene face.

"Hey..." All of a sudden, the male audience let out a wretched laugh.

In the movie, the lewd round-inch pheasant is lying on the ground, with its neck stuck into the skirt, and then——

Putting both palms together, showing the posture of worshiping Buddha and courting the emperor, he suddenly slapped a girl with "Rocket wears farts!"

This trick is definitely a childhood shadow of many people.The taste of ecstasy has been revisited by many audiences at the scene and still has an unforgettable aftertaste.

"what!!"

A loud scream resounded through the theater, and in an instant, the whole scene changed from a subjective shot to an observant one.A medium shot appeared on the screen, seeing the female student leaping high with her buttocks...

While the girl was chasing, she bumped into a man suddenly, and she hurriedly said sorry.

"I'm sorry? If it's useful to say I'm sorry, what do you need to do?"

Liang Jiahui's complexion was fierce, and he sneered hoarsely, unable to respond, he grabbed the girl's hair, pulled it hard, and cursed, "Stinky, I wake up in the morning and pee so yellow, you like kicking so much, I'll teach you how to kick it." Well done."

While pulling the girl's hair, enjoying the other party's howling in pain, while biting the straw and drinking Coke, staring at the other party's chest unscrupulously.

As soon as he appeared on the stage, Liang Kun played by Liang Jiahui dominated the audience.

The character of Liangkun is different from Lin Guoyun's calm and extremely abnormal, this character is neurotic.

In order to play this role well, Liang Jiahui has to make facial expressions and straighten his eyes in the mirror every day.Exercise your facial muscles and eyes.

It is very important for an actor to control facial expressions.For so many years, the only person with facial paralysis who has not been ridiculed for his poor acting skills is Takeshi Kitano.But Kitano Takeshi's eyes are very playful.

Wang Sunglasses said, "Liang Chaowei can act with his eyes."

The expression is the most exposed, the most common, and the one that best embodies Liang Chaowei's eyes is the one in "Infernal Affairs" when he witnessed Huang Qiusheng falling from the building.

There are no lines, no movements, no expressions, but his eyes can read a lot for the audience, and the inner panic, sadness, and helplessness are all revealed.Of course, the exercise of eyes is actually inseparable from the cooperation of facial muscles.

At this moment, Liang Jiahui fully expresses Liang Kun's unscrupulousness and rebellion through the control of facial expressions through muscles.

The nostrils are slightly retracted, the brows are lowered and raised, and the eyes are contemptuous, hostile and crazy.With this appearance and one look, the audience understood the role of Liang Kun.

The audience knew that Liang Jiahui's performance was good, but they didn't know what was so good about it.

In comparison, film critics like Lu Yanhua and Fang Baoluo are still somewhat useful.Liang Jiahui's excellence can be analyzed through his mouth, hands, body, eyes, and steps.

Needless to say, the lines, for the sake of Liang Kun, Liang Jiahui deliberately learned the Shanwei accent, because in "Young and Dangerous", Liang Kun is from Shanwei.

The eyes are the eyes, and the body is the figure.Liang Kun's loose standing posture is very suitable for the identity of young and Dangerous.Hands are movements, and there is a word called "hand dancing".The upper body movements with extended hands account for a high proportion of the performance.

Because most of the actors' shots will be medium shots or close shots.Needless to say, the steps of an actor's appearance and departure can be said to test the actor's basic skills the most.

The movie is alright, it's masked by editing.If it is a drama stage, the few steps of exiting the stage can be said to be more important than "sky"!

Leung Ga-fai's role as Liang Kun has paid a lot, but also gained a lot.He portrayed Liang Kun's unruly, nonsensical, and neurotic very well.

With the end of the "novice dungeon" story, the three characters "Young and Dangerous" appeared on the screen.

Director Wu Xiaozu's work stays on the screen for a while, scattered in the screen.

"vanity!"

Writer-filmmakers despise Wu Xiaozu along with New Wave filmmakers.It's not that they haven't done the four words of director's work, but have you ever seen a font that takes up the entire screen?

"Wow! Lin Qingxia's rumored boyfriend!"

"Wu Xiaozu, 30 years in Hedong, 30 years in Hexi!"

Listening to the voices of the audience in the theater, they had no choice but to admit that since Wu Xiaozu tied up Lin Qingxia for publicity, his name has really increased a lot.

Jealousy has no distinction between high and low.

If this group of self-proclaimed elite writers and artists were really open-minded, they would not be able to make those sensitive and emotional movies.

Li Hanxiang, who was sitting in the back seat, was wearing a gold chain, listening to a group of colleagues scolding Wu Xiaozu, he felt extremely beautiful.

After so many years, there is finally another filmmaker who can be abused by his peers!this feeling...

　The 4000-word chapters are combined into one.Let me see if I can write another chapter, no, don't wait.If I can code it, I will upload it, if not, I will upload it tomorrow.

　　
　
(End of this chapter)