My Hong Kong Island Filmmaker

Chapter 165 Expressionism, passion
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"It's better to kill one of them than to throw them all on the street!"

The Chaopi played by Gu Tianle fell into the machete and pool of blood, the light and shadow hit his face, close-up shot, the blue veins on his neck shouted at Chen Haonan, Baopi, and Da Tianer, who were crying bitterly, "When I am a brother, let's go! !"

"Go!!!"

With a howl of pain, the nest skin played by Gu Tianle was printed on the screen dripping with blood.A montage of flashbacks flashed across the screen.The picture is very light, blending with the real time of the film.

Brothers are laughing and playing.

The loving daily life of him and his girlfriend.

Everyone took off their pants and peed into the sea to see who could shoot farther.

The brothers let themselves go, shouting "30 years in Hedong, 30 years in Hexi".

In the end, it all dissipated in the picture.The camera slows down, and the nest skin is slowly falling towards the ground.The medium shot is turned into a close-up.

A pair of eyes looked at the road ahead, and then the camera slowly pulled back, there was no resentment on the face, only smiles and joy.

The Chaopi played by Gu Tianle is more existential and tragic than in the previous life.The person slowly fell into a pool of blood, falling straight backwards.

Long shot plus slow motion, the picture becomes a silent cry.The change from sound to silence is to let this kind of emotion gather in people's voices. The lower and more depressed, the more touching people's hearts.

The image of Luo Dong and Fei Cheng screaming in pain slowly emerged, but there was no sound.

Whether it is Luo Dong or Fei Cheng, they all interpreted the grief of losing their brothers very well.

Chen Haonan's veins were exposed, his eyes were painful and he blamed himself.The foreskin had runny nose, and was so sad that the audience was sobbing.

Looking at the screen in front of them, many filmmakers were very moved.

"What do you call the two actors? They acted so sharply! There are pain in their eyes. It's as empathetic as if a brother really died."

Huang Zhan babbled, "Young and Dangerous has a good casting, it's very vulgar, but it's very flavorful."

Not to mention Liang Jiahui's beautiful Kun, the previous scene where he was crying for his good brother Bhagwan, the evil spirit and awe-inspiring look made people get goosebumps.But thinking about Liang Jiahui's interpretation of Lin Guoyun, it can only be said that it should be taken for granted.

But the performance of two unknown actors can make people feel heartbroken, which is a surprise!

Huang Zhan was pleasantly surprised.Filmmakers such as Li Hanxiang, Tsui Hark, and Mecca were equally shocked.

They also know how to film brotherhood. The last scene in "The True Colors of Heroes" where Brother Ma and Brother Hao die generously is just as wonderful.

But the scene in front of me is more real and more life-like.It's really heartbreaking as if a brother fell in a pool of blood.

Surprise?
Sitting in the theater, Luo Dong and Su Liyao were silent, and even Fei Cheng, who was always talkative, was quite deep.

In this scene, what others read is the story.What they look at is their own memories.

In reality, they really experienced life and death.

In 77, Ah Biao was broken into dross and fed to sharks in the high seas.

In 78, Xiao Xiao, Ah Jin, and Fei Zai took a firework rocket, and their flesh and blood were bloody, and their intestines could not be stuffed back.

In 79, Ming Tsai was chased and hacked more than [-] times.He staggered and fled, bleeding all the way, but in the end he didn't persist until they came, and he died with regret.

The rivers and lakes are like pot porridge, and there are ditches after passing the hurdles.

They're not acting, they're playing themselves.

Having a life is the foundation of a good actor.Luo Dong and Fei Cheng may not be considered good actors.But in "Young and Dangerous", they are just pretending to be their young selves.

That's why their performances are so touching.

"boom--"

Chaopi finally fell into a pool of blood, his eyes looking up at the sky.Under the subjective lens, the sky is dark, seagulls are flying in the air, the vibration frequency of flapping wings breaks the silent picture, the sound of waves hitting the reef on both sides, the camera is getting farther and farther, countless young and Dangerous boys are chasing them with knives, the nest Pi died without resting his eyes.

The sad and deep cello plays with the piano, and the camera keeps zooming out and rising...

In the end, a large bird's-eye view of the freeze-frame and long-range shot was presented in front of the audience, and Gu Tianle, who was lying in a pool of blood, stood out among the crowd of young and Dangerous people who were fighting and chasing.

The composition of the whole picture has a flawed beauty.

"The Birth of a Prefix" also has a death prologue, and Wu Xiaozu adopted the inspiration from "Night Watch".

In this picture, Wu Xiaozu also borrowed from the "expressionism" of the oil painting school.Expressionism emphasizes the subjective emotion and self-feeling of paintings.Putting it into the film in this way is more suitable for the theme at the moment.

"Grief" and "brotherhood" were instantly sublimated.

The lens here is not a 35MM film, but a 24MM film, which makes this lens slightly flawed.

This slightly distorted picture image can undoubtedly mobilize people's inner negative emotions and give people the most authentic inner feelings.

Among Chinese-language filmmakers, Wang Jiawei and Lao Mouzi like to interpret films in a style similar to symbolism and expressionism.

On Hong Kong Island in the 80s, the previous director who liked to adopt this method was Hu Jinquan.

Wu Xiaozu sublimated this interpretation.

In the scene before him, the brotherhood is very vulgar, but it is also the most heart-breaking.

The vulgar things are actually the content that is really close to the audience.This kind of brotherhood is often more visually impactful than the seemingly high-end postmodernism.

Wu Xiaozu liked the words of the later Han Er very much.

A filmmaker with good aesthetics will not make bad movies.

To put it narrowly, aesthetics is a correct understanding of colors, characters, and stories. To put it in a big way... that is not something that filmmakers should consider.

The remnants of the New Wave stared blankly at the group of "paintings" in front of them.

Several people swallowed their saliva.

This picture is so romantic to the extreme.Aesthetics of violence?They think that praising Wu Yusen is equivalent to spanking Wu Xiaozu's ass.

"The Birth of a Prefix" at that time, the images of blood atomization, colorful colors, and birds in the sunset had already made Wu Yusen's so-called "violent aesthetics" directly in his stomach and continued to brew.

Who knew that now, this casually sensational story of "Dongshi imitation" was shot so brilliantly.

"Deliberately provocative..."

After holding back for a long time, Yan Hao spat out a sentence of criticism.Immediately afterwards, Yu Yunzai and others found the topic and began to lash out collectively.

They can't admit that Wu Xiaozu surpassed them.At least in terms of the application of aesthetics and images, most of the cars they drive go to kindergarten, while Wu Xiaozu drives to go to college.

Wang Zuzhen put his arms around Wu Xiaozu's waist, leaning against Director Wu's arms, with tears in his eyes.Slightly raised her head, looking at that handsome face that made her tongue tremble, she felt tired of sweetness in her heart.

Lin Qingxia?Gao Lihong?Which other Zhou Huimin was tied up?
I, Wang Xianxian, have a woman's crotch poured, and ten thousand women are not allowed to open it!

Who can stand like a horse, but I, Wang Daxian, are the only ones.

"..." In order to match the evening dress, she went into battle in a vacuum.

...

"The story of this play is really vulgar."

Tsui Hark stared at the screen seriously, and without waiting for Shi Nansheng next to him to make a sound, he said, "But the rhythm, camera, and color of the movie are really sharp. This movie also talks about clubs and the underworld, but it is different from "A Prefix" The Birth of The Birth is quite different.

That play has fate, choice, and responsibility.But there is no blood and friendship.This drama is just the opposite, there is not much connotation at all, neither the story nor the plot, there is no trace of the previous film.The exploration of the author's film is missing. "

"Not so new wave?" Shi Nansheng asked with a low laugh, "You mean it's vulgar?"

"Vulgar? Vulgar! It's purely commercial. It's even more vulgar than me."

Tsui Hark laughed at himself, and said sternly, "But look, these young people and these students are really excited to see it. It's a very vulgar subject, but Wu Xiaozu is able to shoot blood."

Glancing at Shi Nansheng who was slightly surprised, Tsui Hark's mouth twitched, "But being able to film a vulgar story with such enthusiasm, Wu Xiaozu can be regarded as a self-breakthrough." Said, raised his eyes and looked not far away Wu Xiaozu.

His eyes froze.

Wang Xianxian rubbed beside Wu Xiaozu softly and alluringly, turning into a thousand fingers.With two legs on Wu Xiaozu's lap, the whole person looks like a stalking fairy.

"Huh? Is that Xiaoxian?" Tsui Hark asked.

"Hmm..." Shi Nansheng's best friend flashed through his mind.

"Look at her enchanting and contrived charm, does she look like Nie Xiaoqian?"

Xu Har looked at the "sexy" Wang Zuchen with great interest, "It turns out that Xiaoxian can still be so enchanting..."

In the previous life, Wang Xianxian took the initiative to invite Ying, changing clothes and begging for mercy, almost saw her legs cut off!
This life is much luckier!Just as he was making a fuss at his man, Tsui Hark fell in love with him.

Therefore, it is not a bad thing for a woman to flirt.It just depends on whether you insist on going out to get your hair done—if you don’t get your hair done late at night and flirt with your man, is that considered flirtatious?

This is clearly called love!

……

Halfway through the movie, the story of "Young and Dangerous" is linked together, attracting the attention of young people on the scene.Everyone wished they could turn into Chen Haonan and Pheasant.

Seeing the excitement of countless students staring at the movie screen with their buttocks raised, Jiang Zhiqiang, Zhang Jiazhen and the others breathed a sigh of relief.

The drama clearly touches the hearts of young people.Their publicity strategy will then focus on bombing the young group, not afraid that they will not be able to hit a good box office.

Such a scene also made countless filmmakers with a dirty mind breathe a sigh of relief.

This story is really vulgar!
Seeing that this story is not another "The Birth of a Prefix", they let go of their worries!

Then let Wu Xiaozu come up with a pioneering "The Birth of a Prefix", then the "prefix" in the film industry will really be born!

Who wants to meet a 22-year-old young director who created his own film style?How will these remnants of the new wave face Wu Xiaozu in the future?

A glass heart is the most typical state in the entertainment industry.Not being nice to others is also the most common gesture.

There is often a saying in the entertainment circle, "When I see you are having a bad time, I can't help but give a thumbs up!"

Wu Xiaozu doesn't care what these people think, what he cares about is his new force.As long as this drama arouses the upsurge of young people, then "Young and Dangerous" will set off a bloody storm just around the corner.

(End of this chapter)