My Hong Kong Island Filmmaker
Chapter 208 "Two Heroes" is completed, and the situation is set again
Chapter 208 "Two Heroes" is completed, and the situation is set again
PS: Ask for a recommendation ticket!Ask for a monthly pass!
Sha Tin, the filming site of "Double Heroes".
"what--"
Oily hair, long windbreaker, short legs, sloppy.
Green smoke curled up, with a cigar in his mouth.
Jiang Zhiqiang stood on the periphery of the shooting scene, staring at the shooting in the field seriously.
Totally a boss attitude.
If...he doesn't wear a trench coat.
This scene is about the last moment between Tang San and Han Li. Liang Jiahui and Zhou Runfa are both wearing black leather trench coats, standing coolly under a beam of light.
Two huge fans were blowing wind, blowing their windbreakers.
In order to create a sense of fate, Wu Xiaozu still chose to shoot out of season.
A windbreaker with a black leather texture is always more ceremonial than a camisole, right?
Wu Xiaozu needs to create more sense of ritual for this movie. Only with a sense of ritual can he better show the taste of fate.
Things like a sense of ritual can often be sensational in movies.
Six cameras surround the actors.
That's right!
When Wu Xiaozu became prodigal, he would never lose to Hou Xiaochen.
Called two days ago, Director Hou was displaying his artistic talent unscrupulously in Wanwan.
It's just that these talents are a little expensive.But money can't buy Deng Daheng's happiness.He is looking forward to the release of his enhanced version of "Young and Dangerous".
Thinking about it, Director Hou will definitely give him a big surprise.
...
Zou Lin, the lighting director, and the two art directors Yu Jia'an and Kuang Zhiliang directed the scene lighting with sweat on their foreheads.
Alternating dark and light, superimposed shadows, a combination of a little European-style stage show and Chinese-style restraint, the design of the entire scene can be said to have burned countless brain cells of the crew.
Many people think that the crew members are just executors and technical positions.However, an excellent movie, a classic movie, you can look behind the scenes, it must be very powerful.
Many people know that lighting can determine the beauty, ugliness and brilliance of characters, but they don't know that art can determine the aesthetic tone of the entire movie.
Film is business, film is industry, film is technology, and film is also art.
Therefore, every type of work behind this art requires extraordinary creativity in addition to professional and solid technology.
In later generations, Chinese-language movies or Hong Kong Island have produced many excellent action directors, which can be said to have influenced the whole world.In contrast, professionals in other types of work seem to be lacklustre.
Lao Mouzi's chromatic and boba studies are well received in the international film circle, but that is his own personal talent, not the sharpness of a professional job.
Wu Xiaozu consciously cultivates professional talents, so the configuration of his crew is much more professional than that of other Hong Kong Island film crews.
Many people know that movies pay attention to division of labor, but they don't know what division of labor is.At most one sentence: Professional things are called professional people.So, may I ask, did you fail too much as a director?
Why does it take longer for a director to succeed than other industries? At the age of 40, you can definitely be proud of calling yourself a young director.
Of course, the directors of those cross-border or money-making big movies in later generations are not included in this list.They are at best nominal directors.
Directors need talent and accumulation.A director may not be proficient in professional work, but he must not understand it.Why is it difficult for later generations of Chinese-language films to produce excellent special effects films?
Not to mention the equipment gap!
The equipment of the special effects company under China Film Group is more advanced than that of some special effects companies in Hollywood!Poor professional and technical team?This is of course one aspect.
But the most important thing is that those directors who hang on special effects movies actually don't understand special effects themselves.In the previous life, Wu Xiaozu worked as a producer and editor of the Internet University. Can you imagine that some directors don't even know how to edit TM?
Wu Xiaozu even met a director who didn't even understand the camera...Of course, that director is very good at sponsorship.This is real.
Sometimes, Wu Xiaozu still admires Lao Mouzi.At least Lao Mouzi can be regarded as a filmmaker.
He did learn these things himself in order to make movies.
Let's not talk about how well you learn... This kind of stupid attitude is still worthy of praise.
Wu Xiaozu filmed "Twin Heroes", he must not be able to capture Wu Yusen's white dove feelings, but he gave this film a rare tone of fateful confrontation.
Wu Xiaozu's violent aesthetics is destined to be different from Wu Yusen.After all, his teacher's name was not Zhang Qie.
However, under Wu Xiaozu's lens, there is a new perspective of oriental aesthetics.Poetic violence is a completely new field.
In fact, this kind of poetry exists in the bones of the Chinese.
From "Water Margin", "Three Heroes and Five Righteousness" to various martial arts, all of them are poetic violence.The oriental restrained way of displaying violence, the lens and symbolic techniques contained in it can be found in the books of the ancestors.
Even the barbaric war dances of the pre-Qin period were originally a kind of violent aesthetics.
The West treats violence with a straightforward sense of shock.The East endows violence with a more tactful sense of sharpness.
This is why Chinese-language action movies shocked Hollywood.Young people always say that Hollywood commercial action movies are wonderful.You see, the action concept of our action movies in the 70s and 80s, a Cheng Long can despise half of Hollywood.
It's just that Hollywood really develops movies as a business, and with the support of a strong economy and industry, it has completed the impact of cultural commerce.
Hong Kong island films treat films as a business, and they do so in a way of exhausting resources.Even in later generations, Bangziguo's movies are even more Hong Kong-flavored than Hong Kong movies.
The on-site staff kept moving countless mirrors. In order to film this scene well, Wu Xiaozu used more than 300 mirrors.
It's still a game!
If NG, then there is nothing wrong with a 500-yuan mirror or a 1000-yuan mirror.
The investment in airplanes, factory buildings, and sets in the whole drama of "Double Heroes" is absolutely crazy.
Even Mecca in New Art City has a feeling of being dragged into a pirate ship by Wu Xiaozu.Come to the crew to report every day.
A film with an investment of more than 300 million was definitely a big production in 1987!However, this kind of big production will intensify after 1987.
The star's salary will go up all the way to the wire, and the whole way to the lightning bolt will skyrocket.
In two to three years, the production cost of major Hong Kong film productions will even reach more than 5000 to [-] million.
Is it scary?
But, if you think about it, Xingchi has helped the unscrupulous boss earn 7 million purely in 3 years, and you will know how reasonable it is.
You know, the boss only made money from the production company, how much money is there for distribution and so on?How much did the others get?
With a return of hundreds of millions for a blockbuster movie, you can understand why Hong Kong movies are so crazy.
This scene was filmed intermittently from 3 pm until 11 pm.
When Wu Xiaozu yelled "Finish", the whole crew was really too tired to cheer.
The wrap-up banquet of "Double Heroes" was canceled by Wu Xiaozu, and a "Celebration Banquet" was reserved for it to be held together.The staff took the time to rest, because some of them had to go to the next crew when they woke up during the day.
In the 80s and 90s, the Hong Kong Island film industry was not only crazy at the box office, but also the film crew.In order to make money, many people are turning around.
The best way to rest may be to go to the casino with the salary, go crazy at the boneyard for a night, and then go to the set without washing your face the next day.
Causeway Bay, food stalls.
Wu Xiaozu looked at Jiang Ershao blowing water with a smile while holding the wine glass.
Second Young Master Jiang looked up at the three long-legged ones, snorted dissatisfied, and stood on the next step.
Uh……
Another step up.
"Azu, Brother Fa, Brother Hui, you guys don't know how sharp the ghost film market is."
Jiang Zhiqiang swept his hands in the air imitating the posture of a great man, "The Western film market is in a mess. No wonder Boss Zou has always been obsessed with Hollywood.
I was selecting films in the UK during this period, and I happened to visit the Pinewood Studios of the Ghost...
I don't know how sharp their studio is with Shaw Brothers Film City.
By the way, have you watched the "Alien"?
I just had a chance to watch them filming in the studio!
It's hard for you to imagine that people can build a space base in a studio... It's shocking.
If you have a chance, you must go to Hollywood to have a look!Hollywood is really ahead of us in filming.Compared with others, we are really a grassroots team! "
"There will be a chance. Maybe our own grassroots team will be able to win the attention of those giants in the future!"
Wu Xiaozu said something in a lie, but everyone just thought he was joking.
"Hehe..." Zhou Runfa smiled and took a sip from the beer bottle.
Hollywood?
Too far away.
This is the first time Wu Xiaozu heard people talking about Hollywood movies, in 1987.
He looked at Liang Jiahui and Zhou Runfa.
"It's really hard for me to believe that I will live with you for half a month!" Liang Jiahui glanced at Wu Xiaozu, and sneaked a glance at the street girl who was full of spring in the street.
After staring greedily for a few times, I always feel that everyone has beautiful features.
No way, in the second half of the month, he will stay in the previously remodeled fan factory to shoot a "half indoor scene."
(End of this chapter)
PS: Ask for a recommendation ticket!Ask for a monthly pass!
Sha Tin, the filming site of "Double Heroes".
"what--"
Oily hair, long windbreaker, short legs, sloppy.
Green smoke curled up, with a cigar in his mouth.
Jiang Zhiqiang stood on the periphery of the shooting scene, staring at the shooting in the field seriously.
Totally a boss attitude.
If...he doesn't wear a trench coat.
This scene is about the last moment between Tang San and Han Li. Liang Jiahui and Zhou Runfa are both wearing black leather trench coats, standing coolly under a beam of light.
Two huge fans were blowing wind, blowing their windbreakers.
In order to create a sense of fate, Wu Xiaozu still chose to shoot out of season.
A windbreaker with a black leather texture is always more ceremonial than a camisole, right?
Wu Xiaozu needs to create more sense of ritual for this movie. Only with a sense of ritual can he better show the taste of fate.
Things like a sense of ritual can often be sensational in movies.
Six cameras surround the actors.
That's right!
When Wu Xiaozu became prodigal, he would never lose to Hou Xiaochen.
Called two days ago, Director Hou was displaying his artistic talent unscrupulously in Wanwan.
It's just that these talents are a little expensive.But money can't buy Deng Daheng's happiness.He is looking forward to the release of his enhanced version of "Young and Dangerous".
Thinking about it, Director Hou will definitely give him a big surprise.
...
Zou Lin, the lighting director, and the two art directors Yu Jia'an and Kuang Zhiliang directed the scene lighting with sweat on their foreheads.
Alternating dark and light, superimposed shadows, a combination of a little European-style stage show and Chinese-style restraint, the design of the entire scene can be said to have burned countless brain cells of the crew.
Many people think that the crew members are just executors and technical positions.However, an excellent movie, a classic movie, you can look behind the scenes, it must be very powerful.
Many people know that lighting can determine the beauty, ugliness and brilliance of characters, but they don't know that art can determine the aesthetic tone of the entire movie.
Film is business, film is industry, film is technology, and film is also art.
Therefore, every type of work behind this art requires extraordinary creativity in addition to professional and solid technology.
In later generations, Chinese-language movies or Hong Kong Island have produced many excellent action directors, which can be said to have influenced the whole world.In contrast, professionals in other types of work seem to be lacklustre.
Lao Mouzi's chromatic and boba studies are well received in the international film circle, but that is his own personal talent, not the sharpness of a professional job.
Wu Xiaozu consciously cultivates professional talents, so the configuration of his crew is much more professional than that of other Hong Kong Island film crews.
Many people know that movies pay attention to division of labor, but they don't know what division of labor is.At most one sentence: Professional things are called professional people.So, may I ask, did you fail too much as a director?
Why does it take longer for a director to succeed than other industries? At the age of 40, you can definitely be proud of calling yourself a young director.
Of course, the directors of those cross-border or money-making big movies in later generations are not included in this list.They are at best nominal directors.
Directors need talent and accumulation.A director may not be proficient in professional work, but he must not understand it.Why is it difficult for later generations of Chinese-language films to produce excellent special effects films?
Not to mention the equipment gap!
The equipment of the special effects company under China Film Group is more advanced than that of some special effects companies in Hollywood!Poor professional and technical team?This is of course one aspect.
But the most important thing is that those directors who hang on special effects movies actually don't understand special effects themselves.In the previous life, Wu Xiaozu worked as a producer and editor of the Internet University. Can you imagine that some directors don't even know how to edit TM?
Wu Xiaozu even met a director who didn't even understand the camera...Of course, that director is very good at sponsorship.This is real.
Sometimes, Wu Xiaozu still admires Lao Mouzi.At least Lao Mouzi can be regarded as a filmmaker.
He did learn these things himself in order to make movies.
Let's not talk about how well you learn... This kind of stupid attitude is still worthy of praise.
Wu Xiaozu filmed "Twin Heroes", he must not be able to capture Wu Yusen's white dove feelings, but he gave this film a rare tone of fateful confrontation.
Wu Xiaozu's violent aesthetics is destined to be different from Wu Yusen.After all, his teacher's name was not Zhang Qie.
However, under Wu Xiaozu's lens, there is a new perspective of oriental aesthetics.Poetic violence is a completely new field.
In fact, this kind of poetry exists in the bones of the Chinese.
From "Water Margin", "Three Heroes and Five Righteousness" to various martial arts, all of them are poetic violence.The oriental restrained way of displaying violence, the lens and symbolic techniques contained in it can be found in the books of the ancestors.
Even the barbaric war dances of the pre-Qin period were originally a kind of violent aesthetics.
The West treats violence with a straightforward sense of shock.The East endows violence with a more tactful sense of sharpness.
This is why Chinese-language action movies shocked Hollywood.Young people always say that Hollywood commercial action movies are wonderful.You see, the action concept of our action movies in the 70s and 80s, a Cheng Long can despise half of Hollywood.
It's just that Hollywood really develops movies as a business, and with the support of a strong economy and industry, it has completed the impact of cultural commerce.
Hong Kong island films treat films as a business, and they do so in a way of exhausting resources.Even in later generations, Bangziguo's movies are even more Hong Kong-flavored than Hong Kong movies.
The on-site staff kept moving countless mirrors. In order to film this scene well, Wu Xiaozu used more than 300 mirrors.
It's still a game!
If NG, then there is nothing wrong with a 500-yuan mirror or a 1000-yuan mirror.
The investment in airplanes, factory buildings, and sets in the whole drama of "Double Heroes" is absolutely crazy.
Even Mecca in New Art City has a feeling of being dragged into a pirate ship by Wu Xiaozu.Come to the crew to report every day.
A film with an investment of more than 300 million was definitely a big production in 1987!However, this kind of big production will intensify after 1987.
The star's salary will go up all the way to the wire, and the whole way to the lightning bolt will skyrocket.
In two to three years, the production cost of major Hong Kong film productions will even reach more than 5000 to [-] million.
Is it scary?
But, if you think about it, Xingchi has helped the unscrupulous boss earn 7 million purely in 3 years, and you will know how reasonable it is.
You know, the boss only made money from the production company, how much money is there for distribution and so on?How much did the others get?
With a return of hundreds of millions for a blockbuster movie, you can understand why Hong Kong movies are so crazy.
This scene was filmed intermittently from 3 pm until 11 pm.
When Wu Xiaozu yelled "Finish", the whole crew was really too tired to cheer.
The wrap-up banquet of "Double Heroes" was canceled by Wu Xiaozu, and a "Celebration Banquet" was reserved for it to be held together.The staff took the time to rest, because some of them had to go to the next crew when they woke up during the day.
In the 80s and 90s, the Hong Kong Island film industry was not only crazy at the box office, but also the film crew.In order to make money, many people are turning around.
The best way to rest may be to go to the casino with the salary, go crazy at the boneyard for a night, and then go to the set without washing your face the next day.
Causeway Bay, food stalls.
Wu Xiaozu looked at Jiang Ershao blowing water with a smile while holding the wine glass.
Second Young Master Jiang looked up at the three long-legged ones, snorted dissatisfied, and stood on the next step.
Uh……
Another step up.
"Azu, Brother Fa, Brother Hui, you guys don't know how sharp the ghost film market is."
Jiang Zhiqiang swept his hands in the air imitating the posture of a great man, "The Western film market is in a mess. No wonder Boss Zou has always been obsessed with Hollywood.
I was selecting films in the UK during this period, and I happened to visit the Pinewood Studios of the Ghost...
I don't know how sharp their studio is with Shaw Brothers Film City.
By the way, have you watched the "Alien"?
I just had a chance to watch them filming in the studio!
It's hard for you to imagine that people can build a space base in a studio... It's shocking.
If you have a chance, you must go to Hollywood to have a look!Hollywood is really ahead of us in filming.Compared with others, we are really a grassroots team! "
"There will be a chance. Maybe our own grassroots team will be able to win the attention of those giants in the future!"
Wu Xiaozu said something in a lie, but everyone just thought he was joking.
"Hehe..." Zhou Runfa smiled and took a sip from the beer bottle.
Hollywood?
Too far away.
This is the first time Wu Xiaozu heard people talking about Hollywood movies, in 1987.
He looked at Liang Jiahui and Zhou Runfa.
"It's really hard for me to believe that I will live with you for half a month!" Liang Jiahui glanced at Wu Xiaozu, and sneaked a glance at the street girl who was full of spring in the street.
After staring greedily for a few times, I always feel that everyone has beautiful features.
No way, in the second half of the month, he will stay in the previously remodeled fan factory to shoot a "half indoor scene."
(End of this chapter)
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