My Hong Kong Island Filmmaker

Chapter 222 Preparations for "Fear Room"

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Mottled and dirty bathrooms, seven or eight staff members began to arrange around the bathroom with paint, sandpaper and animal blood mixture.

When filming a movie, the blood pack is generally edible blood element and honey. If you like Thai sweet chili sauce or tomato sauce, you can choose it appropriately. Of course, if the movie cost is really that rich.

The blood on the wall, which is used for film production and shooting, usually chooses real animal blood.It is more realistic and easier to preserve, which is good for film shooting.

The crew of "Fear Chamber", more than 20 scenes involved in the script and story draft, are all fully prepared in the factory.

Therefore, Wu Xiaozu called this play an "indoor movie" at all.

For movie shooting, no matter indoor setting shooting or live shooting, the industrial process of movies is actually an indispensable step.Scene survey is also very important. Of course, indoor setting is undoubtedly more convenient for film shooting. The most important point is reflected in the lighting.

In later generations, Xiao Gang Pao filmed "Youth" in Haikou's own film commune, which reflected this convenience.

Wu Xiaozu very much hopes that he can build a professional film studio that is convenient for more filmmakers to shoot.When a series of film and television bases such as Hengdian have not yet become popular across the country, this kind of studio is more marketable.

In later generations, abandoned film and television bases can be seen everywhere in the mainland.On Hong Kong Island, only Shaw Brothers Studios and Song City can have this function.

At a glance, more than a dozen "scenes" are openly exposed in front of the eyes, and it feels like entering the wedding photography base of many photo studios in later generations.

Zhou Runfa adjusted the plain glasses on the bridge of his nose, while the stylist behind him was arranging his clothes.

"There's no Ka Fai show today?"

Zhou Runfa glanced at the makeup chair beside him. This temporary dressing room is exactly the dressing room of the previous "Double Heroes" movie.

"I heard from others that Brother Ka Fai seems to be delayed by something, so he will try on makeup later."

While straightening Zhou Runfa's head, the stylist looked back and forth with scissors in his hand, and asked curiously, "Brother Fa, are you playing with Brother Jiahui again this time? I saw the last scene of you two last time, it was wonderful.

The on-site staff couldn't help applauding, you two are so cool.Many people have said that Director Wu has shot a movie that is downright cool, and only the two of you can play this kind of role.

Watching the two of you act, I can't help but get goosebumps all over my body.So much fun—”

The stylist's slender fingers gently slid across Zhou Runfa's cheek.In line with his blurred eyes, Brother Fa, who was sitting on the chair, could only force a smile.

Gays in the entertainment industry in the 80s were all serious gays, saying that they liked drought and flood experience was drought and flood experience, no adulteration.For handsome guys, everyone is warm-hearted.

Unlike later generations.

Talking about being GAY, but secretly male robbers and female prostitutes, definitely not a serious GAY!

"Ms. Tony—"

The staff next to him shouted in time.Only then did the stylist who was caught in his own little obsession let go of Zhou Run's hair and turned to leave.

"..."

Zhou Runfa took a deep breath, took out the script and read it carefully.

After more than ten years of filming, Wu Xiaozu's scenes made him the most stressed.It is even more stressful than "The True Colors of Heroes" that made him turn from "poison hair".

When filming "The True Colors of a Hero", there were not so many "little horse" scenes at first.The most direct reason is that Zhang Guoyan was incapable of avatars at the time. Therefore, in this case, Zhou Runfa became more and more identifiable with the role, and continued to improve the role of "Little Horse" as the story deepened, which created the Chinese language. The most classic tragic hero in film history.

He was moved by the pony, which pushed Wu Yusen to change the script.

Wu Xiaozu is different from those sluts, different!
His stories have a unique world view and lines. The actors are allowed to have their own space to play, but they cannot affect the progress of the entire movie.At the same time, you have to complete his challenges for character setting one by one.

What sets him apart from other directors is that——

He knows acting!

He will tell you "YES" or "NO".

Then pull you to tell you the play again, and act again!No more NG, more drama...

And, as you step into the character, he will constantly adjust the height of the character.

Maybe ordinary actors don't have deep feelings, but it is very obvious to Fa Ge who is entering the peak.

In later generations, Song Dandan said that a good actor must have self-awareness of the role, which Wu Xiaozu agrees with.But—as a director, he still needs to be responsible for the rhythm of the entire movie and take the entire movie into consideration.

If an actor is really emotional because of his role and is too abrupt, then do you say he is a good actor or a bad actor?

Of course, this is a topic where the public says the public is right and the woman is right.

This is why some big actors and many directors dare not use it.Lu Xiaochuan filmed "Looking for a Gun" and was almost driven mad by a bastard surnamed Jiang.I cried up to six times a day...

A good actor, if you don't meet a great director who can make you feel at ease acting, you may only be able to use one of the most deceitful expressions in the entertainment industry - "the sky is your limit", this kind of interpretation is easy to let yourself go, It makes the whole show unbalanced.

……

"No script?"

Tsui Hark was sitting on a chair, holding a lighter in his hand, burning the thick cigar in his mouth one after another, staring at Wu Xiaozu in disbelief, "The clues of the whole drama are very clear, and your script and storyboard are also very perfect. Giving the script to the actors is more conducive to filming."

"But in this way, the actors lack creativity and sense of urgency. I hope their performances can bring fear and panic. We give them scripts every day before the performance, so that they can better reflect the emotions of the characters.

and,

I think the actors in this drama need more freshness.Only when it is fresh enough can it express the feelings of the characters in the play. "Wu Xiaozu said eloquently.

"..."

Tsui Hark frowned, and reluctantly nodded, "Then let's try the play first."

Wu Xiaozu and Tsui Hark both have their own different film concepts. While colliding with sparks, they are also easy to collide with grievances.

Both of them have their own set of shooting criteria, which is a habit inherent in their bones.Suddenly, two diametrically opposed styles and formal methods collide together, and it is easy to have conceptual differences.

At this point, the two are also mentally prepared.

As the two directors temporarily seek common ground while reserving differences, the crew of "Fear Cell" has also officially completed preparations.

In terms of actors, Liang Jiahui will play the paparazzi and Zhou Runfa will play the doctor.Liu Qingyunlai and Wu Zhenyu acted as policemen
Tsui Hark guest starred in the role of "Jigsaw".For this role, Tsui Hark needs three hours of makeup.Wear a fake headgear and paste a special cream film to dress up.

With the hastily remodeling of more than a dozen scenes in the factory, the filming officially started!
(End of this chapter)