My Hong Kong Island Filmmaker

Chapter 244 Looking at the moon and protecting each other

PS: Ask for a recommendation ticket, ask for a monthly ticket!

"Wow!"

Yan Chixia, played by Wu Ma, made a dazzling appearance, and the mummified skeletons were posed very realistically.While laughing and cursing, Yan Chixia's unrestrained expression was vividly expressed.

In the ancient temple, the weak scholar played by the elder brother raised his head, and the little fans immediately held Xizi's heart.Zhang Guoyi was responsible for the traffic in the 80s. Before the movie was released, one of the reasons why it was able to attract investment was that the fans were very clear.

The mummified corpse appeared on the stage, and the way of steelmaking by the indigenous method was far superior to the tens of thousands of special effects of later generations in Wu Xiaozu's eyes.Guo Xiaosi can vividly shoot live-action movies like "Grand Trail" with a CG feeling of [-] cents.

Tsui Hark and Cheng Xiaodong took two days to shoot the simple scenes of mummies movement, and each shot was staged frame by frame.Tsui Hark used "New Shushan Swordsman" to explore the special effects of indigenous steelmaking.

Yaoqin played ing. . .

The slender jade onion, the belly of the thumb lightly presses the strings, and the fingertips swipe, the hands are soft, and the skin is like cream.The scalloped scallops rippling with water-like tones, invigorating the heart and arousing curiosity.

A few strands of blue silk flicked between the red lips, the white gauze danced with the rhythm, and the cool breeze could not help stirring the heartstrings and spring hearts.

Wang Zuzhu came out in a panoramic view, and all the men in the audience clamped their crotches.

Dressed in white, covered with several layers of light gauze, she felt so graceful.In the era when plastic surgery, PS and make-up were not yet popular, this kind of astonishment was roughly like the worship she received in Bangzi Kingdom many years later.

In later generations, I don't know how many nerds will have the urge to shoot the screen after watching "A Chinese Ghost Story".Remember, young people must know how to be temperate.

When Wang Zuzhen stretched out her straight calf and fair feet from the white clothes and veils, the temptation is that even if you know that she is a ghost, a demon, or an evil fate, you can't help but want to reach out to touch, dismount, and The urge to go to sea.

This pair of long-legged and beautiful feet, the legs are not only long but also very well-shaped, the lines of the legs are also very beautiful, the bones and flesh are well-proportioned, and they are thin and not sticky at the same time.In the era without PS, even in the era with PS, this is a stunner bestowed by God.

It's a pity that the famous flower has an owner, and the gentleman director Wu not only won the first kill, but also achieved the three-way achievement.

Beautiful!
Later generations of "Legend of the White Snake" also imitated this scene, but obviously, Sister Ji's performance showed a taste of a tram idiot, which was not at all beautiful and moving at the moment.

Looking at Nie Xiaoqian, who is willing to refuse and exchange, Qingli, charming, coquettish and enchanting, even Wu Xiaozu, a well-know family member, can't help but show fascination, not to mention other movie fans.

If it were someone else, Wu Xiaozu might not allow a performance of this scale, but brother is another matter.Wang Zuchen and his elder brother have always been good sisters in private.

Wu Xiaozu doesn't have much aversion to homosexuality. After standing in the entertainment circle for a long time, you will find that such things are common in this circle.The most disgusting thing is that some male staff deliberately pretend to be GAY to take advantage of the actresses.

Tsui Hark gradually advanced the emotional handling of the drama "A Chinese Ghost Story", and then showed it to the audience bit by bit.

Generally speaking, this play can be regarded as an experiment and extension of Tsui Hark's "New Martial Arts".If Wu Yusen's films are a modern display of the masculine feelings of Chang Cheh's films, then Tsui Hark's films are modern feelings and stories, displayed under the cloak of ancient costumes.

In later generations, Hu Jinquan filmed "Swordsman" with him, and the reason why they broke up badly in the end was that Hu Jinquan was a real ancient and Tsui Hark was a fake ancient.His martial arts and his ancient times are themselves modern emotions, so the audience will experience them more deeply.

That's why his adaptation of Dongfang Bubai has such charm.

Hong Kong Island's first-class directors, everyone has their own style.Wang Jiawei's discussion of urban men and women can be seen in every one of his films, including "Evil and Poisonous", and his confusion about the city is still deep in his bones.

The movie flashed by one scene after another, and the audience was fascinated by it.

Tsui Hark is very familiar with controlling the rhythm of the movie. In order to dilute the spooky and terrifying atmosphere of the whole movie, he added a lot of humorous elements to the movie, so that the movie will not be too gloomy, and it will be more prominent. The relationship between Nie Xiaoqian and the two protagonists.

In the room, Ning Caichen was hiding in the bathtub, and Nie Xiaoqian, who was dressed in purple gauze, kept flirting with Xiaoqing, pretending to be false and perfunctory.When the dryad grandmother played by Liu Zhaoming taught Xiaoqian, the hearts of the audience were constantly moved by Ning Caichen in the bathtub.

Wearing a red wedding dress with a large skirt that moves with the wind, Nie Xiaoqian's fragrant shoulders are fat, and her fingers are slightly squeezed, interspersed with the wide sleeves.

Dressing is beautiful, and the moment she took off her skirt to reveal her snow-white back, it amazed the entire theater.

At this moment, I am afraid that many people understand what it means to be stunning in the world.

As the relationship between Ning Caichen and Nie Xiaoqian heats up, the movie also enters the second part. Ye Suwen's song "Dawn Never Comes" brings completely different changes to the movie.

The audience immersed in the human-ghost relationship between Ning Caichen and Nie Xiaoqian did not feel that this was the last tenderness and beauty.As the relationship develops to the highest peak, it will naturally bring twists and turns.The soundtrack of the whole movie began to change from soothing and quiet to precarious, full of soul-stirring weirdness.

Huang Zhan's casual approach to music is full of unconstrained imagination.There is a graceful blur in the floating.

The sound is slow, the sound is slow, the sound is progressive, the sound is urgent...

Wu Xiaozu suddenly raised his head, only to feel that Huang Dashen was unscrupulously swaying the wine, sex and talent that ordinary people can't match.

Use sound to promote the development of the plot?
Wu Xiaozu is not sure, or Tsui Hark didn't pursue it deliberately.Maybe he just made a request, but Huang Zhan gave him a surprise.

sound?

At this moment Wu Xiaozu suddenly wanted to run back to the editing room and edit "Cell of Fear" again.He seemed to see the possibility of interpreting that film with a sound montage.If he can, then his understanding of movies should be raised to a higher level.

This kind of throbbing can only be understood by a real director.Fundamentally, Wu Xiaozu has the talent to become the top director. There is experience, vision and experience of previous life, and at the same time, there is also experimental opportunity and talent in this life.

"How?" Seeing Wu Xiaozu suddenly raised his buttocks to get up, Jiang Zhiqiang turned his head and asked in doubt: "What's the matter?"

"It's okay." Wu Xiaozu waved his hand, signaling to continue watching the movie.

If the first half is Tsui Hark's display of emotion, then in the second half, besides Tsui Hark's unconstrained style and camera processing, Cheng Xiaodong really shows the beauty of his action design.

Many people said that "A Chinese Ghost Story" was tagged with Tsui Hark, but maybe it wasn't tagged with Cheng Xiaodong?There are countless action guides on Hong Kong Island, but they can really combine the picture and action so gracefully and elegantly. The family class can't do it, Hong's class, Liu's class can't, and Yuan's class can't do it either.

Maybe Cheng Xiaodong is really the only one.

When it comes to the beauty of movements, the elegance of images, and the richness of imagination, Cheng Xiaodong is unmatched.

Of course, success is also Xiao He, failure is also Xiao He, Cheng Xiaodong could have become another Yuan Baye, but unfortunately, he fell into his own elegance and couldn't extricate himself.After filming the pinnacle work "Invincible in the East", Cheng Xiaodong fell down just like the Invincible in the East...

The movie continued, the fierce fighting was exciting, and the audience couldn't help but hold their breath and look nervous.

At this moment, film critics like Huang Ailing are also engrossed in the screen, forgetting their responsibilities.

There is always a good movie that will make you move with him, such as "Tomorrow" or "A Chinese Ghost Story".

The emergence of "A Chinese Ghost Story" has an influence on costume dramas comparable to "The True Colors of Heroes".

(End of this chapter)