My Hong Kong Island Filmmaker

Chapter 374 Rescue the field halfway, tea invitation

Chapter 374 Rescue the field halfway, tea invitation

PS: Ask for a recommendation ticket, ask for a monthly ticket!
Shaw Studios.

A fan swings in all directions, and two big lamps shine on all directions.

Fei Cheng stood in the semi-enclosed room, staring at the ancient wooden bed in front of him.Princess Gao Yang, played by Di Bola, is wrapped in a thin veil all over her body. She is lying on the bed with an enchanting figure, her hair is loose, like a sea of ​​peonies, and there are several maidservants in cool and revealing clothes standing beside her.

The red veil is set against the weak fluorescent light of the yellow lampshade, the wreaths are gently swaying in the wind, and the tassels are stacked, which is gorgeous and colorful, full of the colorful wind of the Tang Dynasty.

"Add a few sets of floor lamps, the shadows appear too dark, which does not match the mood of the heroine."

Wu Xiaozu crouched in the black curtain of the picker, and reminded, "Reduce the quilt on the outside window by one layer, and try to see if the natural light can be combined with our fill light. This scene is set after dusk , it can't be too bright, but it can't be too dark either. This is in line with Gao Yang's free and easy heart..."

When Wu Xiaozu analyzed the film and designed the script for Fei Cheng, he had infinitely elevated the concept of the film.

four Seasons.

The four seasons represent the journey of Gao Yang's life. After all, this movie is not a pure epic masterpiece.Therefore, the Spring Tide captures Princess Gaoyang's glorious spring, the summer depicts Princess Gaoyang's enthusiasm after encountering Bianji, the autumn depicts the tenderness of the two, and the cold winter is also the tragic ending of the movie.

It is normal for costume dramas to be filmed out of season, and "The King of Green Hats" also has requirements for seasons, but autumn is just right.Even if the shooting is out of season, it will not make the actors too difficult.

The black and white shooting of this scene was firstly to hurry up, and secondly to create the state of the appointment after dusk.

Wu Xiaozu had just returned to Hong Kong Island from Wanwan, and before he could arrange a few cannons to fire, he received a call from Fei Cheng from "Jianghu Emergency", asking him to come to the crew of "The Green Hat King" to "see a doctor".

no way.

This movie, which was originally planned for 200 million yuan, went over budget as it was being filmed.At the same time, Fei Cheng also fell into the weakness of his legs in handling the film, unable to extricate himself.

It's easy to get bogged down in the mud when shooting a film.

This is often due to the lack of background and experience of the director.

Helpless, I had no choice but to ask my own boss to come to the rescue...

Fei Cheng belongs to the same "eyes are high and hands are low" as short and big tight. He is very sharp in telling movies and stories. " and "The Great Takefu".

Wu Xiaozu also avoided adding too many strong personal imprints, just like "Looking for a Gun", Jiang Wen's strong style filled the whole movie, and he brought Lu Lll, who is ambitious and talented, to that height.Afterwards, the strong style of this movie has never appeared in Lu lll's films again. Looking back...you have to say that "Looking for a Gun" is Lu lll's work, and you really can't open your mouth.

"Long Mao, get ready, this scene will be shot with a fixed-focus lens!" Wu Xiaozu thought about it, and decisively changed the original shooting plan.

cliché.

After rebirth, I have never been in touch with film production, and I haven’t pulled a movie thousands of times. Even if you take it to the computer and copy and shoot one scene after another, you still won’t be able to shoot the original taste.

The change of the lens will affect the texture of the film.

This is why Wu Xiaozu still needs to spend money to shoot movies when he is so rich (with his arms crossed ~ haha).Every director needs to use images to try out the ideas in his mind, and then slowly take shape.

Movies need experimental foundations.

It's like a lot of people say go back to the past and pre-empt the truck driver to shoot "Avatar".This situation is difficult to achieve.In fact, before "Avatar", Cameron experimented with a number of documentaries in succession to improve related technologies.

This situation is even more important under the support system of industrial films.

Just like Marvel movies, if there is no basis for films such as "Calcium Iron Man", "Injection Will Grow Big", "My Brother Abuses Me Thousands of Times, I Treat My Brother Like First Love", the Marvel Universe will not be Same as molding.

Of course, unless you are like Xiao Si, you only need to favor male actors on the set, and there is an executive director when you start filming.

"Brother Zu~ Why is it OK to fix the focus?" Fei Cheng had a shy face, his eyes watered with thirst for knowledge.

"The fixed-focus lens can focus the yellow hair with enlarged aperture on part of the sharp focus, making the lens more layered and obtaining a better depth of field effect. Especially in this indoor color scene, the aperture of the fixed-focus lens can reach more than 1.2 , so that a more ideal picture texture can be obtained and noise can be reduced.”

Qiu Litao gave answers while operating the machine, and finally couldn't help but ask, "Fei Cheng, you are a camera assistant, what don't you understand? Is your master teaching you more stupidly??"

Fat Cheng smiled awkwardly and rubbed his hands.

In fact, most of the movie shoots use fixed-focus lenses, because the picture quality is better and there are sliding rails that can be used.

But whose apprentice is Fei Cheng?Stupid!

The zoom shooting of that guy can be regarded as inheriting the style of the New Wave. In the New Wave, there are a lot of effects of modern lens language such as unskilled cuts and close-up soft-focus lenses. The movie "Rainy Night Butcher" uses zoom lenses extensively.

There is such a mirror image in Wu Xiaozu's own stylized film language.This also caused Fei Cheng to choose this one from the very beginning.

The problem is, of course, the quality of the picture is more important than the stylization in your first-class film! ! !
You ask, who would not like the ultra-high-definition resolution of 1080P when watching this kind of movie, and would like 720P specifically?For this kind of movie, the quality of the picture is of course more important than the style.

Of course, lighting is the soul of porn.

Although it is not as rigid as Dongying AV's actress's rigid demand for lighting, at least it must have the texture of a Korean 19 banned movie, right?

The picture quality of "The King of the Green Hat" is enough to become a benchmark of conscience in the industry... Lll-level film.

Seeing Wu Xiaozu, Fei Cheng, and Qiu Litao discussing how to get a better picture of his daughter-in-law's naked body, Xie Biwang's father is completely as if he is an immortal, and he is bestowing immortality.

As the saying goes, a thousand-year bastard is a ten thousand-year tortoise.This is indeed a species loved by nature!
Fourth brother Xie's state of mind at the moment is similar to that of a turtle fairy. Although he looks like an old man and looks very fragile, he is actually a powerful warrior, very strong and possesses amazing intelligence. Xianliu...

It is estimated that after "The King of the Green Hat" is released, the fourth brother will also have his own place in the salty and wet world.

"After the filming of this film, you go to the Academy of Performing Arts to register." Wu Xiaozu pondered for a moment, and said to Fei Cheng: "Learn some basic film knowledge."

"Boss... I... I still have to go to school..." Fat face squeezed into dough, "Boss, can you..."

"No! Coincidentally, I met Mr. Chung Kam Fai and Mr. Chung at the last Academy Awards. He is now the dean of the School of Drama at the Hong Kong Island Academy for Performing Arts. It shouldn't be a problem to arrange for you to sit in." Wu Xiaozu decided on this matter without any objection.

At the same time, I thought that in the future, the directors, entertainers and staff members signed by 1024 Locomotive Film Company can receive formal professional training.The directors and actors who get mixed up in the show business circle must ultimately fight for culture and heritage.

"By the way, Brother Zu, you won the Golden Horse Award for Best Director two days ago, and the company received an invitation from the South China Film Workers' Association's Tea Club."

After seeing Wu Xiaozu made up his mind, Fei Cheng began to change the subject, "The person who sent the invitation letter was Guan Shan who refuted the rumors for you in "Ta Kung Pao" a while ago..."

"Guan Shan?" Wu Xiaozu stared blankly.

Some time ago, due to Huang Yulang's slander, he was involved in scandals.At that time, Guan Shan also expressed support on behalf of the South China Federation of Film Workers.Unexpectedly, the other party suddenly invited me to participate in this tea party...

This so-called South China Federation of Film Workers is actually a gathering place for many "left" filmmakers.The sudden invitation to participate made Wu Xiaozu feel vigilant.

If you want to stay in the showbiz, not touching politics is the most correct choice, otherwise it will be like the serial number of this chapter...

If he remembers correctly, the president of the so-called South China Film Workers Federation at this time is Mr. Liao Yiyuan... Liao Yiyuan is also the chairman of Yindu Organization.

Needless to say, the nature of Yindu institutions is on Hong Kong Island.

When "Rainy Night Butcher" was released, Antai also used several theaters in Yindu to screen the movie together.

Besides, Li Hanxiang himself and Liao Yiyuan can be regarded as very good friends.It can be regarded as a bit of origin.

But fortunately, Yindu institutions are not black and white.Still in business operation.You don't have to worry too much about other issues.

(End of this chapter)

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