My Hong Kong Island Filmmaker

Chapter 390 People are slaves of habit, the song of ice and fire collide
PS: Ask for a recommendation ticket, ask for a monthly ticket!
Color is a silent language, and also the most direct and powerful picture language.

It is destined that all filmmakers in Hong Kong will be taught a professional class in vivid blue and gray and cold tones by Mr. Wu.

At the very least, Tsui Hark, Wu Yusen and other filmmakers at this time were not in the mood to think about other issues, they were critical, and they all stared at the screen as seriously as elementary school students spraying pesticides.

They have devoted themselves wholeheartedly into the story created by Wu Xiaozu.

He Chaoqiong folded his legs, put his left hand on his right hand, and stretched out his five fingers, revealing red nails, long and short.

His gaze skipped over the head and fixed on Wu Xiaozu in the front row.Smiling slightly, the more powerful I am as a "military adviser", the higher the possibility of my success.

In the cinema hall.

Many film critics are smearing records, and everyone feels the excitement of trembling.The last time I felt this way was watching "The Birth of a Prefix"!
That play was a change in structure, but this play is really an innovation and bold attempt in color, light and shadow.

Grandmaster?

Many people are complex-faced.

Chen Bosheng and Yu Cheng looked at each other happily.Wu Xiaozu's ability to win the Golden Statue Award was originally given by the filmmakers headed by them. The better he is, the greater their contribution!The influence of the Academy Awards will also grow bigger and bigger!
Master Wu, who is still incomparably strong in his twenties...not to mention shooting books, he can shoot everything!
Hong Kong Island has a director with international influence, which is definitely beneficial and harmless to people like Yu Cheng and Chen Baisheng!
I have to say that Wu Renscum, a shameless, selfish and selfish person with unfair three views, is really successful in Hong Kong Island.Before the advent of the Internet age, I believe he will wash himself up like many old artists who have "virtue-art-double-fly".

The two seniors Li Hanxiang and Hu Jinquan watched the movie very attentively.

Li Heizi has a great idea at the moment, he has such an apprentice, why would he ask for... what?

?Isn't Wu Xiaozu his apprentice?fart!He is definitely half teacher and half friend with Wu Xiaozu.Anyway, since "The Birth of a Prefix", he has told his friends this way.

Filmmaker.

Some people sell art, some people sell people!
Wu Xiaozu sells both art and people!

……

Great panorama, tidal flats under the overpass.

The gray-blue cool-toned background, the camera moves forward slowly.The cold water reflects the haze of the sky.

In the distance, there is a dilapidated and mottled factory.

A huge red wall clock hangs on a red brick chimney.

The blue gray of the sea and the red bricks of the factory are just like the red and blue lights of a police car.

From the color itself, red is the primary color in the warm color system, which has a warning effect, while blue is the primary color in the cool color system, which represents alertness.

The soundtrack here is piano and cello.

It is undeniable that music itself is colorful, such as Mozart!Color is also rhythmic, such as Klee!The timbre of the piano and cello sounded, full of sentimentality and helplessness for the loss of life.

The yellow cordon was pulled up, and the forensic doctor and the police were busy at the scene of the crime.

The bridge seems to divide the picture up and down.

Image segmentation is a commonly used method in film and artistic creation.

The lighting and setting here are also very eye-catching.

The onlookers on the bridge have a cool gray-blue tone, while the picture of the dead body under the bridge has a warm tone.

This kind of reversal of warm and cold tones made the filmmakers who were knowledgeable on the scene slightly taken aback.

"This...the people watching on the bridge seem to be indifferent spectators. I can understand this, but..."

Ou Dingping, the art director and director, looked at the screen in puzzlement. If it was other movies, he would have already started to criticize, but the redefinition of movie aesthetics shown in "Suspect" made him He was cowardly and did not dare to scold.

Others such as Yan Hao, Tan Jiaming, etc. did not answer, but Xu Anhua, a female director, said thoughtfully: "Maybe Director Wu wanted to express that death is a kind of relief for the deceased in the play or..."

This is indeed what Wu Xiaozu did on purpose.

This kind of rendering can better shape the character of Stone God and make the story more tense.Of course, this also makes the film more intriguing, and someone needs to watch the film to give it an interpretation!
The camera advances slowly, and the up and down of the bridge is reflected in the water waves.At this time, the warm and cold colors of the upper and lower bridges have changed again.

Suddenly, a gray seagull flapped its wings and flew over the water, causing ripples on the mirror surface of the water, and the whole shot was retracted.

"The deceased, male, was estimated to be about 35-45 years old. The body was severely damaged. The identification department found half-burned clothes, pants, and shoes. The size matched the size of the deceased. The murderer probably wanted to destroy the evidence."

The young policeman played by Li Ming, let’s call him a passer-by holding a handkerchief to his nose and flipping over the dead man, “The jaw and teeth were smashed with a blunt instrument, the fingers were burned, and the fingerprints were completely destroyed.

But the fatal wound was the strangle mark on the neck——Tang sir, look here. "

"Have you found any tools such as ropes and hammers?" A slightly magnetic, lazy voice sounded.

"The scope of contraction has been expanded." Li Ming replied.

"Let the guy finish his work and call it a day."

"what?"

At this moment, the camera focused on the back of Tang Chuan, played by Huang Qiusheng, for the first time. The other party was looking at the dilapidated factory not far away.

"What are you doing over there?"

"An abandoned factory."

"Tell the guy to look over there."

Tang Chuan pointed to the factory, turned his head, his eyes were deep, his nose was straight, and he looked at Li Ming with a cynical and lazy smile on his lips, and pointed to the surroundings, "Would you choose such an open, bright and unobstructed place to kill people? And then Have time to burn fingerprints and clothes here?"

Tang Chuan, played by Huang Qiusheng, is a bit lazy and ruffian.

Before the movie is shot, the role is bigger than the actor.To choose an actor, you must screen according to the role of the script, and at the same time let the actor learn and rehearse to meet the needs of the movie!
However, once the film is set up and shot, the actors are bigger than the characters!

After many young directors choose actors, they insist on letting the actors perform according to their requirements, which is called tempering!Actually this is not accurate.

Not every actor has that much energy!

At this time, the director needs to adjust the roles according to the actors and complete the shooting!
Lao Mouzi has a saying that makes sense: the director may not be able to guide the performance, but he must be able to judge whether the performance is right or wrong.

Huang Qiusheng is a very energetic actor.

When Wu Xiaozu was shooting the movie, he used ice and fire to describe the stone god He played by Zhang Guoyi and Tang Chuan played by Huang Qiusheng.

Ishigami looks like ice, but he is an idealist in his heart!To be precise, he is a piece of ice that can burn!
What about Tang Chuan?
He is the exact opposite!
Stone God's numbness has been shown to the audience, Wu Xiaozu can't play a fake and serious "Wen Song", on the contrary, this kind of lazy and ruffian character design is more interesting.

This kind of character setting can also make the audience feel more contrasted!

　I also want to sit in front of the computer and write coherently, but time really doesn't allow it.These days, I am accompanying the leaders to participate in the exhibition.Gu Liang is not a student, not full-time, but has a job with variable working hours (overtime is basically the norm).

　　Although his size is considered a handsome elite leader, but... Tsundere with his hips on his hips!I also blame myself for being too good, and I am still a direct descendant of a great leader (ha ha ha ing), for the stock incentive of the company's listing (basically no hope)... still busy running around.I think many readers who are in their thirties and have a family and a job will be able to understand Guliang.Thank you for your rewards!thanks for your support!It’s a pity that there are only 7 children in my son’s kindergarten class (three girls and four boys), and three female teachers + one childcare worker also have a partner... Otherwise, I must let him introduce female classmates to readers who are single.But don't worry, in a few years when he enters primary school, there should be female classmates, don't worry if you are single!
　　
　
(End of this chapter)