My Hong Kong Island Filmmaker

Chapter 422 Anti-customer-oriented, hurry up and finish

PS: Ask for a recommendation ticket, ask for a monthly ticket!
Dragon—City—Ice—Room.

People come and go, the sound is noisy.

Qiu Shuzhen stood quietly in the familiar yet unfamiliar ice room, looking up at the plaque.

Lowering her head, her eyes fixed on Wu Xiaozu's body in the corner of the ice room.

To fit the role.

Wu Xiaozu also reshaped his appearance when he was a young and Dangerous boy. Fortunately, he shaved his caliper and round head two days ago.

Eyes downcast, a Marlboro in his mouth.

Hands crossed, affection brewing.

Lined with a white T-shirt, jacket, and jeans, the whole person is strong and beautiful.

In the last life, the role of Ah Hua played by Hua Tsai was undoubtedly a very successful performance.Although the performance is very immature, the overall atmosphere of the movie is very consistent.

The whole movie is a gangster movie on the surface, but it is actually a love youth movie.

Wu Xiaozu definitely can't play Hua Tsai's cool state even if his arm is injured.

He understands the real situation of a young and Dangerous boy better.

now.

He sat quietly on the chair, constantly brewing the character's temperament.

The brows were wrinkled into Sichuan characters, and the scheming smile on the corners of his mouth faded away, and his whole body became sharper in an instant.

His performance is neither extroverted nor restrained.He was restoring himself back then.If you insist on making a qualitative statement for him, it should be regarded as an experience school.

The tongue flexibly curled the half-burned cigarette butt, moving in and out of the mouth.

"Zu—"

Wang Jiawei looked at Wu Xiaozu who rolled his eyes and stared at him closely, and coughed lightly to cover it up, feeling like a young lady who was coming for an interview with a bustard, nervously unable to close her legs.

"Brother Zu? Can we start filming?"

"How do you want to shoot this time?" Wu Xiaozu looked at Wang Jiawei quietly with sharp eyes, waiting for his answer.

"Yeah. I think this scene made A-Zhen and A-Zu feel like this song—" Wang Jiawei held the tape recorder and pressed the play button:

"The waves in the sea of ​​thoughts are surging, and the passion in my heart can't be closed at last. At first, I liked to be alone and wanted to love, but I was afraid to give it up. Your wild eyes just aroused the fire of love..."

This song is the golden song "Passion" released by Sandy Lam in 1987. According to the practice of the Hong Kong music circle, it is naturally an imitation of a foreign song. The original version is even more famous as the theme song of Cruise's "Top Gun".

"..."

Wu Xiaozu stared at Wang Jiawei coldly, took off the cigarette butt with his fingers, and said slowly: "Your song is not accurate. You should shoot this scene like two lonely hearts under the night light. The feeling of lonely beating is timidity. The entanglement is also the indulgence of body and mind! You can't say a sentence twice, or I will be really stupid.

It is a fusion that is approached cautiously and cannot bear to be missed... In other words, it is hesitating to speak but has endless aftertaste. Do you think it is more accurate to say this? "

"what?"

Wang Jiawei's eyes lit up, as if he was in pain, and he was overjoyed, "Brother Zu, the feeling you mentioned is the feeling I want. That's right, it's cautious, timid and entangled, indulged physically and mentally, and lonely beating! Just press these few Words to shoot——Brother Qiang, just follow the mood that Brother Zu said hesitating to speak, but also has endless aftertaste!"

"…………"

Liu Weizhen stayed on the spot stupidly, feeling that Wang Jiawei was really messing around.

"Don't pay attention to him, let me tell you about today's scenes."

Wu Xiaozu directly pushed Wang Jiawei away, clapped his hands towards the surrounding cast and crew, and recruited them to come to the show.

When filming a film, it is very important for the director to clarify his shooting intentions and viewpoints during the scene.Liu Weizhen is not Du Kefeng, how can he get Wang Jiawei's point?

……

In the hall on the first floor, the make-up artist simply tidied up a few extras, and the assistant director Jiang Yuecheng nervously arranged the location of the scene.

Wearing a pleated suit, Wang Jiawei stood listlessly in front of the camera controlled by the big-breasted brother, looking back deeply at Wu Xiaozu who was holding a Marlboro in front of the pick-up and did not move.

Looking left and right, looking at the busy staff, helplessly, he paced to the side of the cutscene and took the cutscene board.

"Everyone, do it again."

Wu Xiaozu looked up and watched the filming content, and shouted at the actors and big-breasted brother, "Your camera should be smoother naturally! Don't be too abrupt! The shaking is too strong-this time shoot from a different angle."

Fat Cheng's whole body was holding a Steadicam as if he was tied up, the fat seeped out violently, and the lights at both ends were protruding just to hold the Steadicam.

In order to teach him a bad lesson, Wu Xiaozu specially recruited the big-breasted brother to be the second photography team to shoot.

""Carmen in Mong Kok" has four shots twice, ACTION—" Wang Jiawei went to the stage listlessly and played the board himself.

The camera slowly pans up from under the chaotic table legs.A few young and Dangerous boys sat around in a dawdly manner, and the camera looked around.On both sides of the round table in the middle, "Fat Guy" played by Li Zhaoji rolled up his sleeves and bit a goose leg in his hand.

On the opposite side, Wu Fei played by Zhang Xueyu stepped on the stool, licking the shelled peanuts with a frenzied expression, groping them into his mouth one by one...

"Hello? Fat guy! I'm giving you face by talking to you for so long! Brother Wufly, my name doesn't ring. hidden...

Do you know Chen Haonan from Causeway Bay?I signed a bill of one thousand or several hundred yuan in our venue, but it was delayed for two days, and now——I just let him eat shit in Da'ao! "

Wu Fei stretched out his face, with an arrogant expression on his face, and pointed his finger on his chest, "I, Wu Fei, did this with my own hands!"

As he said that, he flipped over from the table, picked up a peanut, cracked it lightly, and threw it into his mouth, chewing it crunchily while putting his mouth open, with a full face of the middle school.

"Take it!"

Fat Guy Ji bared his teeth, showing his big gold teeth, and yelled, "Wufly, are you mistaken? Who is Chen Haonan? Compare him with me?"

"Crack!"

Wang Jiawei was staring at the camera when he heard Wu Xiaozu yell "click", and before he, the director, could react, Wu Xiaozu took the initiative to speak to Zhang Xueyu.

"The black fly is a bluff, and it must be as exaggerated as a young and Dangerous boy."

Wu Xiaozu went up to demonstrate it himself, then turned to Zhang Xueyu and said, "Don't think that the young and Dangerous boy in the movie raised his voice and exaggerated his body and body is fake.

Many young and Dangerous boys who come out like to bluff, and their voices are loud, especially for a low-level gangster like you.Have you ever heard of Dong Shi imitating?This is the role that Wu Fei plays..."

Wang Jiawei nodded frequently beside him, and occasionally added thoughtfully, "Brother Zu is right!"

The initiative of the whole movie has been transferred from Wang Jiawei to Wu Xiaozu.He almost hid in a corner to sob.

The on-site staff worked in an orderly manner, and the entire "Carmen in Mong Kok" scene moved quickly.

In the next few days, Wu Xiaozu basically adjusted the entire crew.

Although Wu Xiaozu is said to be the male lead, in fact he doesn't really have a lot of roles.So during this period of time, I have been rushing to shoot scenes with his lens.

Try to finish it before Spring Festival.

　There was a lot written in this chapter, and all of it was deleted.I wrote a lot about the shooting process, but later found that it didn’t feel right, so I cut it all off.How should I put it, I won't go into too much detail about the filming of Lao Wang's "Carmen in Mong Kok".

　　
　
(End of this chapter)