My Hong Kong Island Filmmaker

Chapter 613 Supernova Gathering, "Funeral" Filming Location
PS: Ask for a recommendation ticket, ask for a monthly ticket!
"Brother Qiang!"

"Brother Qiang—"

When the staff on the set of "Three Funerals and a Wedding" passed by Liu Weizhen who was holding the roster, they all smiled and said hello, and from time to time, people who didn't understand asked the old Xingzun next to him suspiciously.

"I'm asshole to you! You don't even know director Liu Weichen? Have you seen "Young and Dangerous"?"

"The director of "Young and Dangerous"???"

Another handsome young man who passed by opened his eyes wide, turned back in disbelief and took a sneak peek at Liu Weijun, who was wearing the assistant director's job card, and looked up and down with palpitations.

The other party is also famous.

One of Sir Wu's disciples.At the same time, he is also a director with tens of millions of levels!

"Hui Boy—"

Looking at the envious young man, the person next to him patted him on the shoulder and joked with a smile: "By the way, don't you go to the Hong Kong Island Academy for Performing Arts? Sir Wu himself is a specially-appointed teacher of the Hong Kong Island Academy for Performing Arts. Speaking of which, you Also a 'Student of the Son of Heaven' haha..."

"Brother Cong, don't make fun of me. Sir Wu himself rarely goes to the Academy of Performing Arts. I have never attended a single class..." Mai Zhaohui smiled awkwardly.

He himself is studying at the Hong Kong Island Academy for Performing Arts majoring in acting, and he is from a police family.Nowadays, Hong Kong Island movies are hot, and many young people dream of becoming the next Roy Kin and the next Wu Xiaozu.

Originally, the Academy of Performing Arts did not have many internship courses, but when Wu Xiaozu communicated with the academy leaders before, he thought that the internship experience would be helpful to the students, so he specially arranged some unimportant positions in the crew of his company for them.

Add (lian) add (jia) classics (lao) experience (dong) well (li)!
"What's your name?" He Ping asked another young man who helped carry the props.

Luo Zhiyu, who had flat hair and eight-character eyebrows and glasses, said naively: "Luo Zhiyu, Brother Cheng recommended me to come..."

"Brother Cheng?"

"Brother Li Li Cheng Cheng~"

"Then you go over there to be an actress... you should be a professional, right?"

"(⊙o⊙)..."

Luo Zhiyu thought for a while, then nodded naively, there seemed to be nothing wrong with what he said, and when he turned around, a young man with a pineapple bun in his mouth walked by, scratching his head, looking at He Ping with anxiety, and said: "My name is Ye Wei sipping~"

"Your brother's name is Ye Weixin, right?" someone asked next to him.

"..." Ye Wei was stunned.

"Why don't you go to Brother Qiang first to see if there is any shortage of people." He Ping thought for a while, and spoke in English mixed with Mandarin, which made several people confused.

Mak Siu-fai, Luo Zhiyu, and Ye Weimin are the backbone of directors on Hong Kong Island.

This time it's all here.

The reason is naturally because of Wu Xiaozu's great package to the end... Ahem, Asian film director support plan!

Except for them, Ye Weixin, Lin Chaochen, Luo Lichen, and He Ping were also assigned to the crew, not including Liu Weichen and Li Licheng, who were already well-known directors.

As for bringing so many people in, it was naturally for gold plating.

This work is destined for its particularity.

Although it cannot be compared with the two major "Jian" movies in the mainland, it is still a rare opportunity for the movie circle at this time.

In fact, not only Wu Xiaozu did this, but so did other people.

This drama is a fundraising project of the Directors Association. There are big names in the crew. Many directors, filmmakers and even stars will come to guest star. coffee.

The gimmicks of the four directors are also sufficient, and people with connections in the Hong Kong Island film industry will use their connections to film.

Wu Xiaozu didn't know that the company or his own people had attracted so many movie supernovas.

Of course, in fact, there are countless young people on Hong Kong Island who have joined the film industry at this time.These people are just the wave of success in later generations.

In fact, many people participated in it, but the dog author did not intend to give them names!

The support program for new directors of Asian films is a big killer!
Especially when the host is Wu Xiaozu!
This is much better than Hua Tsai's younger brother who started a company and paid for it...

In addition to these behind-the-scenes personnel, big-name stars also came to guest.

In this way, the lineup is not inferior to the 1986 "Rich Train".

Different from the slapstick form of the above-mentioned film, this film has more action scenes in its structure. Cheng Long plays two roles in the play, twin brothers with a sympathetic heart.In the end, this setting was not pressed into the play.

However, different from the setting of "Double Dragon Club" in the previous life, in this drama, Cheng Long plays a role similar to the one in "Wedding Crashers" and a priest, and runs through three funerals and one wedding. story plot.

Story-wise, the plot is simple.

This is also conducive to the cooperation of multiple directors.

In fact, multiple directors cooperate, and the gimmicks are greater than the content.Regardless of whether it is the previous life or the present life, it is very difficult to produce excellent works when several great directors work together to produce movies.

There are only a few famous ones in later generations. "New York Story" by Woody Allen, Coppola, and Martin Scorsese is one of the most famous ones, but this play actually tells about three story.

On the Chinese side, Tsui Hark, To Qifeng and Lin Lingdong have also collaborated on "The Iron Triangle", which is actually very bad.

When shooting with multiple directors, there must be a principal and a deputy, otherwise it will be difficult to produce excellent works.

Within a few 10 minutes, everyone told the story according to their own style, which is something that violates the creation of the film.

Each of Three Funerals and a Wedding is also a separate story.Each makes heavy use of their signature scenes and styles in their respective units.

Lin Lingdong directed "A Prison Guard's Funeral". There are many shadows and settings of "prison situation" in the scene, and it has its own style in terms of screen, photography and discussion.

Tsui Hark's wedding was the funniest, with a lot of stars, very spooky style.

Wu Yusen chose "The Funeral of the Prestigious Boss", which is quite passionate.

Wu Xiaozu finally chose the sub-script of "The Funeral of an Unlucky Teddy".

There are many dramatic coincidences and settings in the film design.

This teddy dog ​​called "shit" is a dog that is about to be castrated, and then ran out crazily, just in time for the prison boss to escape from prison.

Three funerals were held one after another. The funeral teams were confused with each other. The wanted gangsters were coerced to attend Teddy Dog's funeral. Police colleagues went to the gangster's funeral by mistake. Some relatives and friends of Teddy Dog went to the funeral. Attended police funeral...

Such a series of coincidences have caused comedy conflicts and laughter.

The story is a typical Hong Kong-style routine in which conflicts and contradictions create jokes. For example, a group of triad members read words to a dog sadly. It is estimated that the audience will burst into laughter when they see it.

Coupled with the disordered relationship between the unreliable gangsters who eat and drink and the priest characters, it adds a lot of jokes.

The difficulty of filming the whole play is very low.

The four directors only need to be responsible for filming the corresponding stories, and Wu Siyuan is personally responsible for the overall control!

This also ensures that the story is watchable.

Otherwise, if the frame of the story is scattered, then there is really no need to watch the movie.

　The sister-in-law came to the house, which delayed a lot of coding time, so let's do it today.

　　
　
(End of this chapter)