My Hong Kong Island Filmmaker

Chapter 99

PS: Ask for a monthly ticket for a recommended ticket!

in the movie.

Fei Cheng was hit and killed by his own car in a panic, and several newbies hurried on the road and overturned in an instant.This scene has the same absurdity as the mahjong parlor swarming and smashing watches.At the beginning, Gu Tianle didn't learn to swim with his brother Li Zhaoji because he watched Wu Zhenyu beat people, and then he suddenly fell into the sea and drowned when he crossed the sea by boat to the mainland.

The audience watching in the theater was stunned for a moment, and they burst into laughter when they looked at the five people who were still standing on the boat in a concave shape without any reaction.

No one would have thought that this pretty boy would really drown just because he did not learn to swim because he was watching the fun.

"Underworld, can't drive?"

When this line sounded, the audience burst into sparse smiles.

Liu Qingyun's lame appearance made the audience laugh.

The comedy effect of contrasting before and after was played very smoothly by Wu Xiaozu. In the 80s, the rapid economic development of Hong Kong Island made this self-deprecating element quite popular.The four popular talents on Hong Kong Island at this time are all masters of jokes.

Even in later generations, a certain star in the mainland is still popular in the sky with this self-deprecating and self-deprecating joke, and then one day, the personality collapsed...

Seeing this, film critics held their breaths, they suddenly felt that this movie might break through their brain capacity!Although no one thinks how big their brains are.

The film opens with a multi-line narrative structure, and highlights the sense of space and character.Is it just such an understatement to "die" one by one?
One thing to admit, film critics are creatures with their own brain tonic function.It is always possible to read extended interpretations that differ from what is presented in the film.

Sometimes, the creators themselves are confused.This kind of commercial exchange is most obvious on the literary front.

The audience doesn't care about those things, the absurdity and fun of the film is what really catches their eye.

The plot of "Ghost Horse Wisdom Stars" is very old-fashioned, and the imitation traces are also very heavy.But the "Group of Seven" won the box office with its absurd comedy effect, and also won Xu Laogua the trophy for the best director of the 18th Golden Horse Awards.

Absurdity and comedy are popular elements that Hong Kong people like to see.

Why is "The True Color of Heroes" epoch-making?

Because he didn't use this kind of absurdity to please the audience.It shocked the atmosphere of "Best Partner" and "Five Lucky Stars".

Wu Xiaozu told a gangster story in an absurd way.

The Black Star Gang seized their smuggled Mercedes-Benz and released "Fat Cheng"'s wife.

Liu Qingyun, Wu Zhenyu, Luo Dong, Li Zhaoji and Zu Liyao accepted this reality with a smile, and seemed very calm——

If you also have five May Fourth pistols on your head!You too.

As soon as Gao Lihong appeared on the stage, the appearance of the film was instantly improved again.

Liu Qingyun was flipped over by the "eldest sister's head" and dragged him to the room to start the fire!
"hey-hey……"

Wu Zhenyu stared at his cross-eyed eyes, and pointed his mouth at his friend, "Bed scene..."

They were all "cleared" when they were filmed! I don't know the scene at that time.

"fake!"

Liu Qingyun's face darkened, his thick lips rolled over, and he exhaled a turbid breath.In this bed scene, he only showed his face.

When Gao Lihong was filming a bed scene, she was riding a pillow, twisting her waist and shaking her buttocks, but she couldn't do it well, and she kept n-playing.

In desperation, Director Wu personally went on the stage and told the play with his hands and waist intimately.

In the end, she just lay there, and let Goryeo rock back and forth on her prostate with a pillow.

In this play, Wu Xiaozu's prostate friendship cameo.And it's a big close-up rivalry!
Gao Lihong sat on it as if she was driving a tower crane!

……

The sun shines on the lake, thousands of rays of light reflect the halo, the water waves sway slightly, and the reeds sway with the wind.The sunlight is refracted on the stained glass window, and the whole picture is beautiful like an oil painting.

In the setting sun, bullets flew indiscriminately, and Liu Qingyun and Wu Zhenyu were directly beaten into sieves.The violence is rendered extremely shocking. The violent aesthetics of this scene exceeds the distance of the three pigeons in "The True Color of Heroes".

Many people say that Wu Datou's "The True Color of Heroes" is a classic of violent aesthetics.Maybe they really didn't watch "Across the World" and "Blood". In fact, in "The True Color of Heroes", Wu Yusen's Fenglin Pavilion scene is slightly rough in terms of violent aesthetics compared with the latter two. .

Wu Xiaozu's scene of violent aesthetics on the bridge instantly told the audience on Hong Kong Island: This is what is called violent aesthetics.

Blood atomization treatment!
A colorful scene!
Fluttering birds!
Beyond's "Goodbye Ideal" sounded.

A long shot of a horizontal scrolling scroll appeared, from left to right, as if opening a modern version of "Along the River During Qingming Festival".

All living beings, with different expressions.The whole picture is full of oil painting under the filter and post-processing color.Intense and colorful, bright and distinct.

For this group portrait, Wu Xiaozu made reference to Rembrandt's "Night Watch".In that painting, day and night were intertwined because of the light and the later stages.It has become a classic group portrait in the history of oil painting.

Like the militiamen who paid for the painting back then, they did not know that the painting "Night Watch" would be famous and valuable hundreds of years later.

When Wu Xiaozu shot this set of shots, he did not expect the effect to be so unique.

This group of shots has a baroque style, but the performance of colors, light and characters has a sense of genre painting and historical painting.

If in the future, in the age of 1020P, the sense of sight of exquisite blockbusters in minutes.

The paradox of the camera lens makes the whole plot bizarre directly hit the eyeballs, which is very impactful!

In the theater, needles can be heard falling.

The audience was dumbfounded!
Film critics are also stunned!
Suddenly, the entire screen kept backspaced rapidly, and a huge dial appeared on the screen again.

"Choose! What's the situation?"

"The theater is out, there is a problem with the movie screening! Fuck your mother-"

"Refund! Refund!"

"Pu You Amu!"

For a time, there was a lot of life in the field, and many sugar cane parties directly threw sugar cane.

When you are so cool, someone suddenly pinches you, this is the feeling of the live audience!

They didn't wait for them to continue booing.A sound suddenly appeared on the screen, which attracted everyone back to the screen again, and there was a feeling of being teased by friends.

"The 22-year-old is the turning point of your life. If you choose the right one, flowers will bloom and you will be rich. If you choose the wrong one, your family will be rich!" the fortune teller played by Qiu Litao said solemnly to Huang Agou played by Liu Qingyun.

"Knife knife knife knife knife - what kind of knife is that?

Knives, knives, knives, a pig-killing knife..."

A slightly paradoxical interlude sounded.The combination of electronic bass and guitar gives the whole BGM a gothic temperament.

The yellow dog reappeared again and again.

Many figures gathered together and became Huang Agou.

The changes on the screen surprised many viewers. It seemed to be the same plot, but after watching it for more than ten seconds, I found that it seemed similar, but there was a surprising difference.

The biggest problem with loopback narrative is how to attract the audience's attention.

To this end, Director Wu added many detailed shots that were not available in the first pass in the second pass.

After the audience sees it, they understand that this is repetition, but it is different.It has a unique "find the difference" style of freshness.

"I'm hitting your lungs!"

Director Li Hanxiang stood up dumbfounded, and then was scolded by an audience behind him, and hurriedly sat down.Director Li has always only sprayed people, but the first time he was sprayed, he couldn't retaliate.

At this moment, he has a feeling of refreshing his three views!

When "Pulp Fiction" and "Two Smoking Guns" appeared, the audience only thought it was very fresh and beautiful, and there were not many other ideas.

But filmmakers are different. The more you know about the industry, the more in awe of him you will have.They are people who are kept in a box, so when someone tells him there is a world outside, can you imagine their shock?

When the rough two-part structure of "A Song of Opportunity" appeared in 1987, it shocked the film industry.Not to mention the mature works of Wu Xiaozu?
Director Wu is famous for taking a small step and taking a small step.

True transmission of a sentence, false transmission of thousands of volumes of scriptures.

Wu Xiaozu gently tossed his half-long black hair, dipped it in spittle, and gently poked open the film of the filmmakers in the whole cinema——

The plot below made them see a new world, it turns out...

Wu Zhenyu didn't quarrel with Shao Meiqi, Shao Meiqi didn't hang up Zu Liyao's phone, and Zu Liyao's eldest brother didn't smash the car of the mahjong hall.After being scolded for a few words, Luo Dong in the hall walked out alone, and Feicheng's watch was not broken. Liu Qingyun took the real Rolex smoothly, and naturally he would not throw it off the bridge.Wu Zhenyu's BB machine was also successfully preserved, and he saw the news on the BB machine, and received an order to go to Wanwan to "kill".By the river, Li Zhaoji also successfully taught Gu Tianle how to swim...

Liu Qingyun has a watch, and when he pays the bill at the massage parlor, he also has a Rolex to offset the bill.

"No matter how poor you are, you and I are still people from the Hongmen, so you can't lose face!" Liu Qingyun said these cool words.Then the tiger's body was shocked and convinced the kitten played by Wang Zuyi and Wu Zhenyu.

Here comes the beginning of the second part of the movie.

After the cat, played by Wu Zhenyu, lost the address, the two begged the black brother for "emergency in the rivers and lakes".Then the confused one daughter married two families and took over the "bonus" from both sides.

The second half is extremely absurd and humorous, making the audience burst into laughter from time to time.Especially when both "Brother Hei" and "Brother Bai" found out that Liu Qingyun and Wu Zhenyu took each other's bonuses to kill themselves, the scene was three-legged, and it was another group drama description.

Group play can be regarded as one of the mirror images that are recognized as difficult to shoot in the film industry.There are only a handful of directors who are really good at shooting group scenes. In the 70s and 80s, Robert Altman's "Army Field Hospital", a well-known ensemble master, can be said to be a textbook-like ensemble teaching.

In contrast, Akira Kurosawa's group play rendering has a greater influence.He is also a typical example of flowers inside the wall and incense outside the wall.Japan's domestic reputation is not as impressive as its international counterparts.Even throwing a play can't even attract investment.This is unimaginable for the Chinese film industry.

Compared with the narrative innovation of "Rashomon" and the metaphor of "Shadow Samurai", "Seven Samurai" should be regarded as the most commercial film.Originally, it was a story of seven warriors leading the villagers to resist the robbers. For Chinese filmmakers, this kind of trivial matter is similar to the scene of "Country Love".But Akira Kurosawa was able to make this kind of small story come alive and create a very powerful aura.

There is a gap between Wu Xiaozu's group play and the master.But he is unique.The development of the plot is facilitated by constantly extending contradictions.

This has the same effect as the lack of pen power and fleshy drama.Through light scheduling, shots, and characters, Wu Xiaozu very well captured a very simple confrontation and filmed it with great taste.

The appearance of a character one by one also promotes the intensification of contradictions.Finally, with a "bang!" sound, the scene exploded.

Gunshots rang out, and everyone was shown in slow motion.

"Silent Years" BGM sounded at the right time:

"A thousand cups of wine have been drunk without getting drunk,
Not to mention the autumn wind and autumn rain
How many things are wrong in your mouth, but you don't feel a word.

Tears have dried up, no dreams, no more expectations
The mountains are no longer rugged..."

Beyond's high-spirited and upbeat songs matched the chaotic shootout at the scene, which was very emotional.

Teddy Robin couldn't help strumming the strings in front of him listening to the BGM.One of the virtues of this group of playing music, the ghost knows what his fingers are flicking.Anyway, everyone doesn't understand.

"Wu Xiaozu's directing skills are very strong!" Zeng Zhiwei exclaimed.He really wanted to invite Wu Xiaozu to drink at this moment.

The bald Mecca's eyes flickered, just like seeing Miss Zhongyi's eyes in a nightclub.Courtesy, if you are qualified, he can put you in.At this moment, he had an urge to quickly put Wu Xiaozu in.

Chong this hand group P... group drama skills, shooting big scene movies is none other than him.

The end of the movie is naturally a happy ending.Even in the market outlook, the happy ending of the movie is still the main choice for commercial films.

At the end of the movie, with the sound of the typewriter on the black screen, a line of words appeared: What affects the choice of life and destiny is not at some important juncture, some big things, but some trivial things.The front foot is rich and rich, and the latter foot is rich and rich!
Then, the theater lights slowly turned on, and the movie was over!
Wu Xiaozu didn't move, but stared at the screen, tasting his own words.

There are two choices in the movie "The Birth of a Prefix", so in reality, are you rich or rich?
……

before the movie ends.

"Xiangsheng?"

The driver looked at Xiang Sheng in fascination.

"Let's go, do you want to see other people's flowers blooming and rich?" Xiang Sheng smoothed the folds of his trousers and left the stage in a slow and polite manner.

"Blossoming and rich? The Xian family is rich?"

Xiang Sheng smiled as he walked out of the theater.

The "Birth of a Prefix" filmed by the former Hesheng Causeway Bay made him refreshing.

He clearly sees the metaphors of "choice" and "commitment" in the film.He even felt that he understood Wu Xiaozu through a movie.They belong to the same kind of people.

If Wu Xiaozu knew that Xiang Sheng had such a high opinion of him, he would definitely...

Convex!

First, he didn't want to have an intersection with Xiang Sheng, it was "dangerous"!
Second, he didn't think Xiang Sheng really knew him.

You really know the director by relying on one movie... I underestimate the director.A group of people who don't even want a face, you say you know him?They themselves don't know whether they have a bottom line or not!

The timeline resets, the movie ends, the scene is quiet for a few seconds, and then—

　A big chapter will not be cut!This is not the point, the point is that there will be more at night!

　　
　
(End of this chapter)