The Legend of Shushan Xuanjian
Chapter 454
Chapter 454
A boat full of bright moons will go away from now on, this is a lonely person in the rivers and lakes.
——Excerpt from Huang Tingjian's "The Two Quatrains of Going to the Official and Returning to Zhi Haoran"
……
Bai Fu shook his head, and said: "The sword is too rigid to imitate the characteristics of the brush. Wu Daozi's blue leaf drawing made full use of the center and side of the brush, and switched between them flexibly, so the same line The thickness changes, and it can be rolled up at will, just like the wind blowing orchid leaves."
Thinking of this, Bai Fu shook the purple golden bell on the table and asked the tea waiter to fetch a whisk.Bai Fu held the whisk in his hand, breathed out his true energy, and the whisk turned into a large wolf hair brush.
After several days of painstaking copying, Bai Fu has mastered Wu Daozi's "Wu Dai Dangfeng" brushstrokes. When using thick lines, the pen should be heavy, slow, and strong; be light...
Bai Fu pondered for a moment, rolled his arms, and waved the whisk away. Bai Fu's clothes fluttered, the fairy wind was gentle, and his movements were strong and free.
When moving and dodging, the dust whisk is rolled up, and the sky silk is flying like the wind.A silk whisk can lock five or six weapons at the same time.
Sweeping out with one stroke, like a beard flying, unstoppable.The dust whisk swept across the bronze incense burner hanging in the house, and even swept the copper pillars as thick as an arm out of the cracks.With a flick of the dust whisk, it slapped on the overhanging table, smashing the table made of rosewood into powder.
Although the dust whisk silk is soft, it is filled with strength. Its overbearing power is no less than that of a copper mace and an iron whip, especially the tail of the whisk, which can make a sonic boom when swept out, which is extremely terrifying.
Bai Fu remembered that when Gao Lishi captured him, an ivory whisk could restrain his long sword, it was really powerful.
The key is the use of power!
According to Master Wang Zhongsi, Gao Lishi's innate qi is extremely domineering, and when shot from a distance, it can pierce the large copper tank used for storing water and firefighting in the palace, and the water in the tank is full of water rushing out of the hole.
Sword Demon Dugusu and Empress Wu Zhao once said that the True Qi of the Eight Tripods is the power of Pangu to open the sky, and it is the profound power to create the world.
Bai Fu thought, if what these two venerables said is true, his Xunkan True Qi should be several chips higher than Gao Lishi's Xiantian Gang Qi.But he was obviously reckless, in the application of power, he only released [-]-[-]% of the profound power of Xunkan's true energy.The use of this kind of profound energy still needs to be explored continuously.
Bai Fu copied the calligraphy of Ouyang Xun, Wang Xizhi, Zhang Xu and others for many years, and even transformed it into sword moves.
But Bai Fu's comprehension of calligraphy only stays at the level of sword moves, Bai Fu never thought that he could turn brushwork into the use of true energy.
Different from calligraphy, painting not only emphasizes strokes, but also emphasizes the use of ink and wash through strokes.
Copying Wu Daozi's paintings in the past few days, when using lines to outline the bumps, movements, yin and yang of people and objects, relying solely on finger skills, the brushwork is obscure and often makes mistakes. The realm of oneness, not to mention the clothes and belts flying, and the wind moving all over the wall.
Only when the breathing reaches a certain rhythm, can the brushwork produce a rhythm without the slightest hesitation, like flowing clouds and flowing water, retracting and releasing freely, just like freezing the melody heard in the ear on the painting scroll with pen and ink.
And just when the breathing reached this rhythm, Xunkan's two channels of true energy overflowed from Baifu's dantian, passed through his wrists and fingertips, and flowed freely on the brush of Langhao. , movement, rhythm and character are deeply depicted.
This kind of experience is very wonderful. Bai Fu seems to be in the picture scroll. When he sketches the faces of 87 gods, Bai Fu seems to be one of them.
Bai Fu seemed to be able to hear the melodious celestial music, the fluttering of flags and flags, the tinkling of rings, and the clouds blowing on his face, and the wind rolling his sleeves.
Bai Fu's nib is full of energy and can be retracted freely.The brush strokes are as strong as the hairs of ghosts and gods.
The "weapon" used by Wang Xizhi, Zhang Xu, Wu Daozi and other masters of painting and calligraphy to conquer the world is a small Langhao brush with a soft and round tip, but it can seal emotions, restrain the world, freeze time and space, and imprint Taoism!
The world is soft and the world is hard!This is a formless and formless flow of profound energy, generous and without corners, a great weapon cannot be completed, a great sound has no sound, and an elephant has no form.
Kan Ding is water, Xun Ding is wind.Water drips through stone, and the weak overcomes the strong; the wind blows to thin the bamboo, and it enters the void invisible.
This kind of profound energy coincides with Bai Fuxunkan's true energy.Bai Fu gradually realized that besides speed and strength, there is another kind of vigor - softness.
When Bai used "softness" again, Xunkan's two channels of true energy were like the ink Danqing on the tip of a Langhao brush, changing arbitrarily with the thickness of the brush, and the shades are suitable.
With this kung fu unfolding, Bai Fu was pleasantly surprised to find that he had a better understanding of the Xunkan true energy in his body, and he was able to mobilize these two channels of true energy more freely:
His dantian is like an inkstone, and Xunkan's true energy is like the two inks of "pine smoke ink" and "oil smoke ink".
Unlike the real inkstone, the inkstone becomes thinner and thinner, but my own 'inkstone' and 'ink' are inexhaustible, the more you grind, the richer and mellower you are.
Whether it is meditation or meditation, or fighting or fighting, it is like grinding ink on an inkstone, the mind is upright and the ink is upright, the speed is even, the intensity is moderate, and the intensity is moderate.
If the force is too light or too heavy, too fast or too slow, the qi will be rough and uneven.If the force is too light and the speed is too slow, the zhenqi ink will float; if the force is too heavy and the speed is too fast, the zhenqi ink will be thick and swollen.
Wang Xizhi, Zhang Xu, Wu Daozi and others use brushes. Even light brushes in calligraphy and painting are written with thick ink. The difference lies in the amount of ink dipped, not the thickness of the ink.
This point made Bai Fu suddenly realize that the intensity of brushwork is like attacking and defending and virtual reality. Even if it is defensive, even if it is a false move, it should be a blow with Xunkan's pure and pure zhenqi. Two kinds of true energy, pure and miscellaneous, gushed out.
Realizing this point, Bai Fu wrote the pen neatly, "the pen and ink are consistent".The moves and energy reflect each other, harmonious and consistent, vivid and delicate, changing between virtual and real, changing in many ways,
……
In the eyes of Princess Qingluan, Bai Fu's fly whisk is superb, like taking a shadow with a lamp, going backwards and forwards.The curved arc is straight, sometimes it looks like a giant rafter holding up the sky, and sometimes it looks like a strand of iron wire.With ease, luck is a style, unpredictable.
……
Princess Qingluan didn't expect Bai Fu to have such kung fu, she was very surprised, and said: "No wonder they all say that you are a genius, you can understand peerless martial arts from paintings and make martial arts climb, this is the first time I've heard of it. .”
Bai Fu picked up the teacup, drank it down, and sighed: "When I was young, I studied art in Qingcheng. In addition to teaching me martial arts, my master also taught me many things that have nothing to do with martial arts. Qin, chess, calligraphy and painting, poetry and songs, flowers, etc. I have a lot of time and energy.
There is a martial arts test in Qingcheng every six months, and every time I compete with swords, I will lose to several senior brothers of the same age.
I often complain to my master that I only want to learn martial arts and not other things.Just want to beat the opponent and win the game.At this time, Master would comfort me with earnest words.
Later, as I got older, I realized Master's painstaking efforts.Many schools in the world are children's skills.If you don't have a good foundation when you were young, and when you have practiced martial arts to a certain stage, you can't learn from others and learn from others, it will be difficult to see the way of heaven again.
It's a pity that when I understood this truth, the old master had passed away.When Master was alive, he often said that this shop would not exist after passing this village. Now that I think about it, it would be great if life could be repeated..."
Notes:
1. Su Shi: Daozi painted figures, seen from the side.Horizontal, oblique and straight, multiply and divide each other to get a natural number, which is not bad.Bringing out new ideas in the testimonials, putting ingenious principles in the bold and unrestrained, the so-called cover the past and the present is just one person.
2. The rain washes the wind and the peaches and plums are clean, and the pine sounds make the birds frighten the spring.
A boat full of bright moons will go away from now on, this is a lonely person in the rivers and lakes.
——Huang Tingjian's "Two Quatrains of Going to Officials and Returning to Zhihaoran"
(End of this chapter)
A boat full of bright moons will go away from now on, this is a lonely person in the rivers and lakes.
——Excerpt from Huang Tingjian's "The Two Quatrains of Going to the Official and Returning to Zhi Haoran"
……
Bai Fu shook his head, and said: "The sword is too rigid to imitate the characteristics of the brush. Wu Daozi's blue leaf drawing made full use of the center and side of the brush, and switched between them flexibly, so the same line The thickness changes, and it can be rolled up at will, just like the wind blowing orchid leaves."
Thinking of this, Bai Fu shook the purple golden bell on the table and asked the tea waiter to fetch a whisk.Bai Fu held the whisk in his hand, breathed out his true energy, and the whisk turned into a large wolf hair brush.
After several days of painstaking copying, Bai Fu has mastered Wu Daozi's "Wu Dai Dangfeng" brushstrokes. When using thick lines, the pen should be heavy, slow, and strong; be light...
Bai Fu pondered for a moment, rolled his arms, and waved the whisk away. Bai Fu's clothes fluttered, the fairy wind was gentle, and his movements were strong and free.
When moving and dodging, the dust whisk is rolled up, and the sky silk is flying like the wind.A silk whisk can lock five or six weapons at the same time.
Sweeping out with one stroke, like a beard flying, unstoppable.The dust whisk swept across the bronze incense burner hanging in the house, and even swept the copper pillars as thick as an arm out of the cracks.With a flick of the dust whisk, it slapped on the overhanging table, smashing the table made of rosewood into powder.
Although the dust whisk silk is soft, it is filled with strength. Its overbearing power is no less than that of a copper mace and an iron whip, especially the tail of the whisk, which can make a sonic boom when swept out, which is extremely terrifying.
Bai Fu remembered that when Gao Lishi captured him, an ivory whisk could restrain his long sword, it was really powerful.
The key is the use of power!
According to Master Wang Zhongsi, Gao Lishi's innate qi is extremely domineering, and when shot from a distance, it can pierce the large copper tank used for storing water and firefighting in the palace, and the water in the tank is full of water rushing out of the hole.
Sword Demon Dugusu and Empress Wu Zhao once said that the True Qi of the Eight Tripods is the power of Pangu to open the sky, and it is the profound power to create the world.
Bai Fu thought, if what these two venerables said is true, his Xunkan True Qi should be several chips higher than Gao Lishi's Xiantian Gang Qi.But he was obviously reckless, in the application of power, he only released [-]-[-]% of the profound power of Xunkan's true energy.The use of this kind of profound energy still needs to be explored continuously.
Bai Fu copied the calligraphy of Ouyang Xun, Wang Xizhi, Zhang Xu and others for many years, and even transformed it into sword moves.
But Bai Fu's comprehension of calligraphy only stays at the level of sword moves, Bai Fu never thought that he could turn brushwork into the use of true energy.
Different from calligraphy, painting not only emphasizes strokes, but also emphasizes the use of ink and wash through strokes.
Copying Wu Daozi's paintings in the past few days, when using lines to outline the bumps, movements, yin and yang of people and objects, relying solely on finger skills, the brushwork is obscure and often makes mistakes. The realm of oneness, not to mention the clothes and belts flying, and the wind moving all over the wall.
Only when the breathing reaches a certain rhythm, can the brushwork produce a rhythm without the slightest hesitation, like flowing clouds and flowing water, retracting and releasing freely, just like freezing the melody heard in the ear on the painting scroll with pen and ink.
And just when the breathing reached this rhythm, Xunkan's two channels of true energy overflowed from Baifu's dantian, passed through his wrists and fingertips, and flowed freely on the brush of Langhao. , movement, rhythm and character are deeply depicted.
This kind of experience is very wonderful. Bai Fu seems to be in the picture scroll. When he sketches the faces of 87 gods, Bai Fu seems to be one of them.
Bai Fu seemed to be able to hear the melodious celestial music, the fluttering of flags and flags, the tinkling of rings, and the clouds blowing on his face, and the wind rolling his sleeves.
Bai Fu's nib is full of energy and can be retracted freely.The brush strokes are as strong as the hairs of ghosts and gods.
The "weapon" used by Wang Xizhi, Zhang Xu, Wu Daozi and other masters of painting and calligraphy to conquer the world is a small Langhao brush with a soft and round tip, but it can seal emotions, restrain the world, freeze time and space, and imprint Taoism!
The world is soft and the world is hard!This is a formless and formless flow of profound energy, generous and without corners, a great weapon cannot be completed, a great sound has no sound, and an elephant has no form.
Kan Ding is water, Xun Ding is wind.Water drips through stone, and the weak overcomes the strong; the wind blows to thin the bamboo, and it enters the void invisible.
This kind of profound energy coincides with Bai Fuxunkan's true energy.Bai Fu gradually realized that besides speed and strength, there is another kind of vigor - softness.
When Bai used "softness" again, Xunkan's two channels of true energy were like the ink Danqing on the tip of a Langhao brush, changing arbitrarily with the thickness of the brush, and the shades are suitable.
With this kung fu unfolding, Bai Fu was pleasantly surprised to find that he had a better understanding of the Xunkan true energy in his body, and he was able to mobilize these two channels of true energy more freely:
His dantian is like an inkstone, and Xunkan's true energy is like the two inks of "pine smoke ink" and "oil smoke ink".
Unlike the real inkstone, the inkstone becomes thinner and thinner, but my own 'inkstone' and 'ink' are inexhaustible, the more you grind, the richer and mellower you are.
Whether it is meditation or meditation, or fighting or fighting, it is like grinding ink on an inkstone, the mind is upright and the ink is upright, the speed is even, the intensity is moderate, and the intensity is moderate.
If the force is too light or too heavy, too fast or too slow, the qi will be rough and uneven.If the force is too light and the speed is too slow, the zhenqi ink will float; if the force is too heavy and the speed is too fast, the zhenqi ink will be thick and swollen.
Wang Xizhi, Zhang Xu, Wu Daozi and others use brushes. Even light brushes in calligraphy and painting are written with thick ink. The difference lies in the amount of ink dipped, not the thickness of the ink.
This point made Bai Fu suddenly realize that the intensity of brushwork is like attacking and defending and virtual reality. Even if it is defensive, even if it is a false move, it should be a blow with Xunkan's pure and pure zhenqi. Two kinds of true energy, pure and miscellaneous, gushed out.
Realizing this point, Bai Fu wrote the pen neatly, "the pen and ink are consistent".The moves and energy reflect each other, harmonious and consistent, vivid and delicate, changing between virtual and real, changing in many ways,
……
In the eyes of Princess Qingluan, Bai Fu's fly whisk is superb, like taking a shadow with a lamp, going backwards and forwards.The curved arc is straight, sometimes it looks like a giant rafter holding up the sky, and sometimes it looks like a strand of iron wire.With ease, luck is a style, unpredictable.
……
Princess Qingluan didn't expect Bai Fu to have such kung fu, she was very surprised, and said: "No wonder they all say that you are a genius, you can understand peerless martial arts from paintings and make martial arts climb, this is the first time I've heard of it. .”
Bai Fu picked up the teacup, drank it down, and sighed: "When I was young, I studied art in Qingcheng. In addition to teaching me martial arts, my master also taught me many things that have nothing to do with martial arts. Qin, chess, calligraphy and painting, poetry and songs, flowers, etc. I have a lot of time and energy.
There is a martial arts test in Qingcheng every six months, and every time I compete with swords, I will lose to several senior brothers of the same age.
I often complain to my master that I only want to learn martial arts and not other things.Just want to beat the opponent and win the game.At this time, Master would comfort me with earnest words.
Later, as I got older, I realized Master's painstaking efforts.Many schools in the world are children's skills.If you don't have a good foundation when you were young, and when you have practiced martial arts to a certain stage, you can't learn from others and learn from others, it will be difficult to see the way of heaven again.
It's a pity that when I understood this truth, the old master had passed away.When Master was alive, he often said that this shop would not exist after passing this village. Now that I think about it, it would be great if life could be repeated..."
Notes:
1. Su Shi: Daozi painted figures, seen from the side.Horizontal, oblique and straight, multiply and divide each other to get a natural number, which is not bad.Bringing out new ideas in the testimonials, putting ingenious principles in the bold and unrestrained, the so-called cover the past and the present is just one person.
2. The rain washes the wind and the peaches and plums are clean, and the pine sounds make the birds frighten the spring.
A boat full of bright moons will go away from now on, this is a lonely person in the rivers and lakes.
——Huang Tingjian's "Two Quatrains of Going to Officials and Returning to Zhihaoran"
(End of this chapter)
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