Sister Bei is poisonous

Chapter 407 Why are there always people who want to harm me

Chapter 407 Why are there always people who want to harm me

Why do people always want to harm me! ! !
Meng Xiaobei suddenly felt very hopeless. He only participated in an event, but he was targeted everywhere.

She regretted a little that she was not firm enough to refuse before.

With regard to these activities, who cares to participate in them? They will cause a whole lot of trouble!

She lowered her head to look at the box containing the paint. That's right, this and the paint clearly said "Chinese painting paint", and it was the box she had bought herself.

She casually picked up a paint and inspected it carefully. From the outside, it looked the same as traditional Chinese painting paints. The only difference was a row of small marks on each paint, with the words "oil paint" written on it.

It was already clear that this box of paints had been tampered with, and all the paints had been swapped out and replaced with oil paints that looked the same.

who did it?

Xu Jiayin or Cui Xueman?

Just expecting her to make a fool of herself on stage?

Meng Xiaobei glanced at Xu Jiayin on the other side, who was playing the piano contentedly, looking in her direction with slightly raised eyes, with an expression that seemed to be very intoxicated.

An unknown fire burned in Meng Xiaobei's body. Although she had no evidence, Xu Jiayin could not escape the suspicion after all her criminal records.

The audience in the audience stared wide-eyed at the performance on the stage, especially Zhao Minzhi, who was even more excited at this time. The two daughters are so outstanding, and her face could not help showing a proud expression.

The cameras of the media kept switching between on stage and off stage.

How to do?
Standing on the stage, Meng Xiaobei's mind was running fast, thinking of countermeasures.

The so-called art is nothing more than an interpretation of beauty.

As a product of human spiritual life, a work of art depends on a certain material as a carrier. It must be intuitive, concrete, and perceptual existence that can be directly perceived by human senses.

In a broad sense, it includes the beauty of aesthetic situation and artistic conception, vivid, concrete and vivid images of characters and things that can arouse people's thoughts or emotions in life.

Painting, on the other hand, visualizes art. To put it bluntly, it is just a way of expression.

Image is the basic element that constitutes a work of art, so each artistic image must appear in an individual and specific perceptual form, truly expressing the external form and internal characteristics of people, events, scenery, and objects in life, with flesh and blood, vivid and vivid, Make people have a vivid sense of reality.

The artistic image is the result of the artist's understanding and experience of life, and the crystallization of the artist's aesthetic consciousness. Therefore, the artistic image has the freshness and specificity grasped by the artist when he examines and experiences life. Grasp the colors, lines, sounds, and movements of artistic images, and give people the aesthetic feeling of hearing their sounds, seeing their people, and being on the scene.

For example, when Zheng Banqiao painted bamboo, he began to observe and experience the image of bamboo as "bamboo in the garden" and "bamboo in his eyes". Bamboo in the hand", it can be seen that the image of bamboo has accompanied the whole process of painting bamboo from beginning to end.

Mr. Zhou Shuren once said: What a painter paints and what a sculptor sculpts "appears to be a painting or a statue, but in fact it is the expression of his thoughts and personality.

Painting emphasizes the subjective spirit, and often adopts techniques such as exaggeration, deformation, symbolism, and abstraction to directly express the subject's emotional experience and aesthetic needs, and realize the creation of artistic images.

The characteristics of traditional Chinese painting lie not only in its tools and materials, but also in brushes, rice paper, and pigments, which have great particularity.

More importantly, it attaches great importance to expressing the inner spirit of the subject, emphasizing "expressing the spirit with form" and "combining both spirit and form", and pursuing charm, vividness and artistic conception. It is not to study the material characteristics of images from the objective world, but to The soul needs to touch the figurative nature of painting, express the spiritual quality of the subject implicitly and deeply, and thus form the unique aesthetic meaning of Chinese painting.

Therefore, art is the organic unity of image grasp and spiritual concept. (Sorry, got a bit out of the way.)
So how can painting be bound by paint?
Any kind of pigment, or material, can express a beautiful artistic conception as long as its characteristics are brought into play and used skillfully.

Do ignorant people think that changing a different kind of paint can stump people on stage?

What about oil paints?Who has stipulated that oil paints cannot be used as traditional Chinese paintings?

Thinking of this, Meng Xiaobei tried hard to calm down the burning mood, picked up the pen with a calm face, and began to scribble on the drawing paper.

There was no coloring oil that could dilute the paint, so she used a scraper and a brush to paint on the drawing paper.

The proper stacking of colors, the blossoming peony, presents a very special effect in her hands, with a strong sense of three-dimensionality, while retaining some charm of traditional Chinese painting.

The audience in the audience thought it was just a common rendition of traditional Chinese painting. They usually see it a lot on the Internet and on TV. They didn’t expect to see such a unique way of expression. Many people, including those who are very fascinated by Chinese culture All the foreign guests were amazed by the performance on stage.

Oil paints originated in Western countries and have a history of more than 500 years. No one thought of using oil paints to express traditional Chinese paintings. Those foreign guests have opened their eyes today. It turns out that oil paints can still be used in this way.

This is the true fusion of Chinese and Western cultures.

Meng Xiaobei seemed to be the focus of the stage. Although Xu Jiayin played the piano smoothly and beautifully, there were no other distinctive or eye-catching highlights, and it completely became the background music.

She has also studied painting and knows that there is a huge difference between the two kinds of paints. She looked at Meng Xiaobei on the opposite side in disbelief, and there was a ball of jealousy that was extremely incompatible with the music in her eyes. .

She had thought that this sleight of hand was done without anyone noticing, and Meng Xiaobei would definitely make a fool of herself after taking the stage, but unexpectedly, she stole the limelight instead.

As the saying goes, harming others will eventually harm oneself. Xu Jiayin suppressed her depressed mood the whole time, playing "cheerful and soft" music, and insisted on performing the music completely and smoothly. This kind of kung fu is not something ordinary people can practice.

At the end of the performance, the audience applauded thunderously, and the two beauties stood on the stage and bowed to express their thanks.

The event ends.

Meng Xiaobei packed up his painting tools and left the scene, just in time to meet Xu Jiayin and Lin Zixuan at the door.

"Let me get it for you," Lin Zixuan found a rare opportunity to help, and went to help Meng Xiaobei carry the paint box.

Seeing this, Xu Jiayin was angry in her heart. She had long felt that Lin Zixuan's attitude towards Meng Xiaobei was completely different from that in high school, but at this moment, he actually approached Meng Xiaobei in front of her.

"Sister, a box of paint doesn't weigh too much," Xu Jiayin said sourly.

Anyone can understand the implication.

(End of this chapter)

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