I really don't want to fight with gods

It was because of Li An that he stepped onto the stage that should belong to him.

He is the Chinese director, and even the serious Oscar No.1 among Chinese filmmakers.

Li Hexin must have stood there with a sullen face like men in Pingjing, and later told Jing Xiaoqiang that it was not for the sake of showing off, and I really regretted going up.

He is not suitable for this American-style talk show table.

Tianhai held the statuette and left the stage to the director. Her static and cool appearance has a sense of sculpture, which is very attractive to the camera.

But the seemingly inconspicuous director turned himself into the visual center with a few words.

He studied the movie at Citigroup, and the previous scenes were also based on the life stories of the Chinese in Citigroup. Like Jing Xiaoqiang, he belongs to the Ice and Snow Mango people.

The skin is yellow, the heart is yellow, but the Western society soaked in the whiteness is already very familiar.

Facing the microphone, he can put one hand in his pocket: "Everyone reminded me to hold on before going on stage, and I must not cry with mixed feelings. Although this is very popular and sensational, I want to say, oh, you guys are too underestimated. How strong is a man who has nothing to film, has washed dishes at home for six years, and done housework for six years..."

The audience froze for a moment, and then burst into laughter!
Li Hexin can understand, wondering, how strong does it take to wash dishes at home for several years?I never wash it.

Tianhai calmly touched him with his elbow, reminding him to laugh along with him.

Li An speaks in a soft right-bank English accent: "I have been congratulated all the time since I came here, and this is the first time I know what it's like to be congratulated for receiving an award. There is only one person I want to share this kind of congratulations with." , Of course, I still have workplace EQ, dare to say that, it is also because my boss has more than 30 nominations today, and will definitely appear on stage many times, and won't care about my little personal thoughts..."

Really, he said unhurriedly, that kind of decent humor is clearly the embodiment of an enviable excess of knowledge.

In one sentence, he complimented the awarding organizing committee, complimented the boss, straightened his position, and amuse the audience.

But the sincerity was conveyed in the laughter and applause: "I just want to share this congratulations with my wife. It is you who gave me the tolerance space to wash dishes and do housework. You never urged me, a man who has achieved nothing, to do anything. It is to support me in making some scenes that I don't know how to express..."

The Steadicam finally captured the very ordinary-looking middle-aged Chinese woman on the seat. The moment the stills on the big screen were switched over, one could even feel that the heroine was Mrs. Li An.

Ordinary, time has left traces, but I am embarrassed to cover my face with tears in my smile.

The applause was really warm from the heart.

Almost all the filmmakers at the scene should have experienced the kind of silence before becoming famous and releasing their works, the maddening silence.

Although everyone knows that they need to polish their acting skills and skills, and maybe they will be lucky to become famous all over the world, but this gap is so huge that it makes people palpitate.

Even if it is the second generation of acting and directing, it is easier to have parents and elders to guide them into the industry, but they also face the dilemma of being ridiculed for their nepotism and going through the back door instead of being able to produce a work.

The film industry can’t be fake, it’s good if it’s good, even if it’s not good, it’s just a matter of praising it, audiences and experts will comment and even backlash after seeing it.

So everyone has experienced this kind of panic before becoming famous, running around to find opportunities in acting, and then maybe getting rejected in auditions, comparing appearance, acting skills, talent and even unspoken rules with others.

The seemingly glamorous movie circle actually has a huge bleak base behind it.

Ross Kurau can be proud of "Gladiator" today, but in the past 20 years, he was playing tricks everywhere, and he even didn't hesitate to make romantic movies for a living.

Li An accurately expressed this feeling, which is his characteristic.

Just like when he first met, he was able to point out how Li Hexin and Tianhai interpreted the characters from the details, and now he can easily control the empathy of the filmmakers in the audience.

Let everyone applaud with a sense of sympathy and sympathy. They all feel that this best foreign language film is well-deserved, and there is something about this Chinese-American director.

As a result, after the host sent the three off the stage, he casually reminded: "Is there anyone who still doesn't know, this is actually the director of "Pirates of the Caribbean". Thank you for conceiving such a scene while washing the dishes." Fantasy drama..."

The applause that just fell couldn't help but thundered again.

Oh oh oh, if the setting of the best foreign language film is originally just a charity for other cultures all over the world to come to the film temple, it has not always been very important.

Jing Xiaoqiang precisely grasped this gap and used it as an entry point for his Hong Kong-produced western films.

Once "The Wheel of Peace" breaks through this gap, the continuous stream of films that follow will hit this weak point. Since he chooses to create major dramas of the next year or even classics of several years or ten years, the category of this best foreign language film will almost surpass controlled by him.

Familiar faces like An Ning repeatedly won the best foreign language film, which is simply mocking the organizing committee's settings, so they can only take this Chinese film with full English dubbing as a Western film to participate in more awards.

At this time, the filmmakers in the auditorium have already seen the outline!
This humorous Chinese-American director did not make "The Cape" so moving as everyone thought just now because he just happened to show the close relationship between him and his wife.

People shoot commercial fantasy blockbusters, and they are also skilled, and the effect is amazing!

I thought he was just a familiar oil seller, but I didn't expect him to be a master of eighteen kinds of martial arts.

Look at "Gladiator" and "Atonement" which are fighting each other again. It is another two Chinese directors who are fighting each other.

Moreover, Lao Yu has produced a series of high-grossing films such as "Speed", "Bourne", "Tomb Raider", and "Fast and Furious", which have been highly recognized by the entire market.

Mai Peiwei was soft on the show.

Jing Xiaoqiang no longer sent scripts to Lao Yu, and let him lead the team to make money, which completely drove HK filmmakers to enter the industry stage in an organized way.

Resources should be transferred to other HK directors eager to enter the North American market.

In the future, will Hollywood really be dominated by Chinese-American production teams led by Jing Xiaoqiang in the high-end market?
That's right, in fact, Hollywood has little resistance to Jing Xiaoqiang at present.

Except for the cooperation between giants such as Columbia Pictures, Disney Pictures, and Warner Pictures and Jing Xiaoqiang, what the big companies and big capitalists see is that this kind of cooperation will only bring benefits.

It is also because Hollywood is actually a huge industry, with an annual output of [-] to [-] films, Jing Xiaoqiang and the others can deliver only [-] to [-] films, less than one-tenth of them.

Moreover, all of them are blockbuster films aiming at high box office, which has little impact on the actual local industrial chain, including related distribution, production and other departments, and the entire industry is more prosperous than before.

The people who were robbed of the business were actually top mid-to-high-end team members such as Spielberg and Mel Gibson, and these big shots themselves did not lack for drama, and even enjoyed the feeling of such a master.

This is completely different from the devastating blow that was caused by the collapse of half of Citi's automobile industry and electrical appliance manufacturing industry after the coke pot manufacturing was imported into Citigroup.

Therefore, good directors and good producers are more willing to use cheap and high-quality HK teams to enrich their creations. If there are competing teams, we will avoid competition and do other types.

The film industry is still better than the traditional manufacturing industry to make a U-turn.

What's more, this is a brand-new era in which computers are crazily entering the market in the later stage, and a large number of new jobs are increasing.

Do not contradict.

Immediately, many bosses asked privately whether Li An, a Chinese director, had a schedule. Lao Yu was in high demand, so this one was fine.

At this time, the other two nominations for best film began to be introduced, and the awards for best original song, best original screenplay, best adapted screenplay, and best visual effects were interspersed in the middle.

Except for the nomination of Jing Xiaoqiang for the Best Adapted Screenplay Award, he almost took away the original script of "Gladiator", the visual effects of "Pirates of the Caribbean", the original theme song of "Atonement", and even sang on stage This song.

Four statuettes!
That’s all for the script, music, and producer. Jing Xiaoqiang, who makes frequent appearances, is the one who took over the visual effect from the heroine of "Pirates of the Caribbean". Of course, he also got a kiss from Marceau. Introduce the production principle of the incredible skeleton special effects in this play.

Sister Marceau can also be amazed like talking about cross talk. It wasn't like this when we were filming, but it turned out to be like this in post-production.

This is the Los Angeles-based production team of "Flower of Fairies Visual Imaging". Currently, there are more than 200 senior engineers, plus nearly 3000 people outsourcing basic work in Asia.

The film special effects industry has entered a new era!
The Hollywood moviegoers in the auditorium all f*ck off, awesome!
In fact, if there is no Jing Xiaoqiang, first of all, the team led by Star Wars started the embryonic form of this late-stage computer from the end of the 70s. The team was sold to Disney for billions, and he, in turn, had the funds and technical background to start promoting the reform of Apple in the new era.

But all of this has disappeared since the cooperation between Disney CEO Frank and Jing Xiaoqiang in 93.

At that time, Jing Xiaoqiang led the Suni team to demonstrate the superhuman film post-production ability, and even Kadenberg gave up the cooperation with Apple Guru Studio.

When Frank died unexpectedly, Disney changed its face, and the scale of the entire Fairy Flower video production increased by leaps and bounds. Since the beginning of "Taiping Wheel", a series of blockbuster productions have been nourished by abundant funds, which is not comparable to several other Hollywood computer post-production studio teams. The behemoth.

This super computer imaging post-production company is located in Migao's Dreamland. It is a standard Citigroup company. From the management to the main skeleton, all are Europeans and Americans. Twenty or thirty engineers from the mainland are often replaced.

Only the outsourced work at the price of cabbage will be dumped to Asia for completion.

But this is also a multi-million-dollar business, which is more expensive than the production of swimsuits, textiles and even haute couture garments!
Looking at the effects of several "Robert series" blockbusters such as "Gladiator", there is indeed a huge lead in post-production.

This prompts all Hollywood filmmakers to think about whether future blockbusters will follow such a computerized path?

There are still a lot of bigots, clinging to the old ways of making movies.

Then the only way to teach them how to be human is to use Marvel movies.