I really don't want to fight with gods

Chapter 1542 The strong and wise are not as good as the fittest

Chapter 1542 The strong and wise are not as good as the fittest

So when An Ning went to Pingjing to find male stars to discuss the filming schedule of the movie "When Happiness Comes Knocking on the Door", she also made a detour to Shanghai to find Cheng Yuling to see if Jing Daqiang really had the spirituality that Luo Li said.

Cheng Yuling didn't know whether to laugh or cry, when did the family want their son to be an actor?
The road of scientific research she prepared for her son was paved until the age of 40 or [-].

But the child's father is a literary and artistic worker, and the old thinking of looking down on actors in the old days is not good.

Do you really want your son to inherit his father's business?
Jing Xiaoqiang said with a smile on the phone that he just let his son experience it, and it will be quite memorable when he grows up.

Cheng Yuling immediately said yes happily, and then formally conveyed the main spirit of the transnational family meeting.

Jing Xiaoqiang had a headache.

Sophie Marceau actually didn't stay long, she still flew back to Europe from Hong Kong with Ruicha's team in more than two weeks, her basic set is just like Miyazawa Rihui in Tokyo, she must keep her hot at all times.

On the contrary, Chen Weiyu stayed in Shanghai to raise her baby with peace of mind.

Inexplicably at ease.

It wasn't until Jing Xiaoqiang started to watch the Guanzhou Expressway service area start to sell out that all three actors came to Pengzhen, hoping to win the leading actor of this movie!

Jing Xiaoqiang was a bit of a scumbag in his heart, An Ning, you are unreliable in doing things, how can you find all three at the same time like draft competition and bidding.

These are all very temperamental wrists, you are not offending people by doing this.

He has also been overseas for too long in the past two years, and he has somewhat forgotten the situation of the mainland film industry.

There are reasons why VCDs are rampant, and there is also the introduction system of blockbuster films that began around 94.

In short, in the past, film studios across the country either used state funds to shoot the main theme of some big scenes, or made a lot of fuss about shooting low-level and vulgar films for money.

Audiences vote with money.

In the 90s, the introduction of overseas blockbusters, especially Hollywood films, completely let the audience see the huge film gap.

Even Jing Xiaoqiang was affected by this in his previous life, so he managed to go abroad in 98.

I thought that the whole of Hollywood had such an awesome movie atmosphere, but I realized that the blockbuster movies that can be imported are all top-notch products after screening, excellent works at the top of the pyramid, and the bottom is even worse.

But the vast majority of mainland audiences don’t make it, and they especially admire Hollywood blockbusters. Fake domestic movies are less and less watched, and the less people watch, the less income they have. The less money they have to make good movies, the more crap they make.

It is yes to enter a vicious circle.

Even if you try your best to make a few films with your heart, the level is far apart.

It can be regarded as completely ruining the reputation of domestic films.

Coupled with the cancellation of the main rural projection teams after the reform, people in the city are increasingly disgusted with domestic films.

Domestic movies that cost one or two yuan are not watched, and imported blockbusters that cost five or ten yuan are queued up to watch.

I really can't blame the audience for being xenophobic. You have to see what these domestic films that have been subsidized and supported for a long time have made.

Therefore, outstanding actors such as Cheng Daoming, Wang Zhiwen, and Guo You don't have many opportunities for good movies.

They are all the same as Jing Xiaoqiang in their previous life. In the past few years, they can only focus on TV dramas to make money.

Of course they were making a lot of money, and Jing Xiaoqiang was making a living at that time.

The viewers of TV dramas are indeed much more simple and rough in their appreciation. Luo Li has participated in the filming of six or seven TV dramas in the three or four years before and after graduation, and she is like a little rich woman.

But the more such TV dramas are made, the more talented and ambitious people miss the artistry on the big screen.

So the three flew to Pengzhen to find Jing Xiaoqiang.

Just because after reading the script, it is very clear that this is a rare top-level book in China.

This literary film, which should have been nominated for an Oscar in 2006, is a standard American inspirational film.

Those who are familiar with domestic movies know that it is precisely this Hollywood chicken soup category that has a strong influence in the world, and the domestic filming is extremely bad.

Hollywood movies can easily turn chicken soup into the legend of Citi Dream, making the whole world believe that it is a place where you can get rich and succeed as long as you work hard.

However, because people in the mainland regard this kind of thing as a joke, they either feel hypocritical after filming it, or simply treat it as the main theme of Wei Guangzheng. At least among colleagues, they can laugh at themselves. Just wishful thinking.

These days, as long as it involves more realistic works, they are all gloomy and bitter.

Even Director Zhang is struggling to make a transition at this time, and the urban modern works he shoots are also absurd and stream-of-consciousness, otherwise he would not be able to convince himself.

These cultural people who can see more things than ordinary people in the whole country are knocked to their knees by the huge gap. They can't lie to themselves, and they can't see the hope of catching up.

In the end, Jing Xiaoqiang's script was really well done.

Let's see what kind of reasonable chicken soup can be photographed in this era.

In the original work, the poor life caused his wife to run away, and there was only one person left. A nearly middle-aged man took his son to eat and sleep on the street. In order to let his son have a normal school environment, he sold blood, and he ran several streets to rescue the homeless. In the place where he slept, he competed with a group of fresh graduates for an internship opportunity, but in front of the children, he was always the most upright father, even if he was so embarrassed that he had to spend the night at the subway station, he still wanted to be with the children Playing the game of avoiding dinosaurs, the child is also sensible and never annoys him, but it becomes the motivation for him to get up every time he falls down.

In the Citigroup version, it is from a homeless man struggling to work as an intern in a Wall Street investment bank. Now Jing Xiaoqiang, who deals with Wall Street all day long, said it was hypocritical fart.

To get into a Wall Street investment bank, you have to fight for your academic qualifications, you have to fight for your contacts and letters of recommendation.

Maybe in the 60s, some occasional luck would fall on the heads of ordinary people. After entering the 90s, let alone this life, he didn't believe it even if he was on Broadway in his previous life.

But Hollywood professionals, actor-level Will Smith told this story extremely touchingly.

Jing Xiaoqiang is very skeptical about this kind of movie now. Did it get funding from the CIA?

Now he has taken it over to refine and modify it, but it is more authentic and credible than the original.

The story happened in Pengzhen, in the industrial park he is very familiar with now. A couple came to work in the Special Economic Zone from the mainland. He lost all the money he earned from working part-time, and went back to his hometown in anger.

But knowing that returning to the backward town, the son's future will not be able to turn around. The father took his son to live in this hot and cold city with difficulty.

He sells blood, does odd jobs, avoids shelters and sends them home, and competes with a group of fresh graduates on the same starting line for a chance to be an official salesman.

Even better than the original.

Although the father is desperately striving to change the living environment so that the child can have a different life and future, at the same time the child is also healing him and correcting him to face the reality down-to-earth.

This play is different from all the reality-revealing works popular in this era.

Those works that shouted to uncover the scars and face the bleak life did not give such a solution.

Individuals are indeed very small in the times, but individuals also have the need to make adjustments in line with the times. Does one have to be successful, have great ambitions, or be desperate or discouraged to be a clear stream in troubled times?

Can't you just change yourself to be better like this?

This society has been developing steadily and positively. Doing a small business ten years ago was called speculation. Lu Xi and the others mobilized a huge amount of goods across the country to earn huge profits from different regions. Years ago, it could be labeled as destroying the economy, and it was possible to be shot.

Isn't it changing already?

Thanks to Jing Xiaoqiang for his in-depth experience in these industrial parks, urban villages, and streets and alleys from Pengzhen to Guangdongzhou in the past one or two months.

Sure enough, let him adjust and revise the script based on the original work, which is extremely real and delicate.

Of course, I also have to thank Will Smith for giving him a very clear performance model, and he is very clear about the tear-jerking climaxes and moving selling points of the whole play.

In the end, the father and son hid in the underground passage, were chased by the city management, and coaxed the son into the details of playing a game, written in every detail.

There is no facial expression to criticize the city managers as the anti-party, but the central idea conveyed from the whole movie, there is absolute humanitarianism on top of absolute justice.

How to grasp this degree is the starting point for resolving many contradictions.

This alone is a qualitative leap from the original.

And precisely because they understand this rare core of the script, the three middle-aged male actors, who can be said to be the most capable top acting schools in the mainland in the next 20 years, all rushed to hope to win the leading role.

Wang Zhiwen even cut off his famous long hair in the past two years. Since he arrived, he has been sweating and running around, and his clothes are as clean as possible, but crumpled and tight.

Let Jing Xiaoqiang feel that this is really hard work as soon as they meet.

But Guo You felt it more than he did, and raised his hand to wipe his mediterranean: "Is there anyone more desolate than me? I don't need lines and clothes like this. Standing here, you know that I am the bottom."

Why did he feel like he was acting a comedy when he opened his mouth?

Cheng Daoming didn't speak, but stared at these two disgusted, his eyes said that you are all exaggerated trash!
It must have shown the character of the protagonist who is a bit twisted and stubborn.

It's mainly Jing Xiaoqiang's gold-lettered signboard.

Even if he basically doesn't hang out in Pingjing's movie circle, Hu Hai tries to get away as much as possible.

However, An Ning and Lao Zhang followed him to the promotion, which still attracted the attention of the entire mainland filmmakers. Even Li Hexin, a humble film lover, can also win the Oscar for foreign language films.

I'm really envious.

So he can make movies, and he has such a good script in front of him.

For this kind of acting school, there is a lot of room to play, which is especially cherished.

Pull down your face and grab it.

How to do?
It would be a pity to miss either one.

(End of this chapter)

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