I really don't want to fight with gods

Chapter 562
Jing Xiaoqiang's voice is definitely worth 1000 million US dollars.

Because of his talent, he doesn't have such good skills and experience, and he is not as young as he is with such good skills and experience.

You can still sing a long artistic career of 50 years, and it is unknown what kind of bright light will burst out.

He is the only one who has no solution.

But the Orchid Theater is also really backward. The theater built in the 30s was known as the number one in Asia at that time, and it has also experienced various ups and downs and glory.

Over the past 60 years, it must have been unable to adapt to the photoelectric audio system of the new era, and the decoration is even more old and serious.

That is to say, Feelings can still be regarded as the grand theater in the reputation of Shanghai people.

The [-]-seat venue simply cannot reflect the splendor of the musical.

The most important thing is the entire stage, which cannot accommodate a rich props and setting system at all, which caused the setting plot of "When We Were Young" to drop a lot.

But such a crude performance venue.

Neither Jing Xiaoqiang's singing can be buried, nor Wang Qian's dancing can be ignored.

She is 27 years old and has been immersed in dancing for almost 20 years, and she has basically given up her dancing career before.

If it wasn't for letting go, tutoring students, and maintaining practice, it is estimated that he has completely retired.

But it was precisely this half-leaved state that made her quickly let go of her previous direction after meeting Jing Xiaoqiang, and eagerly began to absorb a new realm of dance.

Simply put, it is a sense of power.

Most of the female dancers embody softness, and the characteristics of Wang Qian's dance are also like this.

Graceful curves and light dancing poses perfectly interpret the beauty of the East.

But Jing Xiaoqiang led her to open up a new dance idea, and strengthen the basic quality of core strength exercises. The entire muscle line is actually different from other dancers.

This ensures that Wang Qian's dance has a very strong inner strength.

It can make many female dancers do strenuous movements, and show them with ease.

For example, in the opening scene, the cheongsam slowly fanned the wind sideways, and "chanted" the movement of getting up.

Standing up from a squat position on one leg...

This is basically an action that most people can't do.

She is also extremely slow, even swaying with the wind.

The posture is still beautiful.

There is a sense of strength in the softness, the combination of rigidity and softness, and the beauty is to the extreme.

"The years go by, the days go by
maybe i'm a little bit coy

But I am still so young, I will definitely meet the best you..."

The expectation and yearning for love of an ordinary girl in an alley is expressed in every detail.

Later, her parents insisted that she marry an official or a rich man.

There is struggle, there is helplessness.

The singing also expresses the plot and state of mind.

Until in the midst of chaos, I boarded the "Taiping Wheel" with my parents and fiance...

The gangster played by Jing Xiaoqiang also won the boat ticket by betting with others, and jumped on the boat at the last moment!
The second act is on board.Just because of "taking an extra look" among the crowd, the girl next to the door of the rich man's cabin on the deck of the ship noticed the reckless, unrestrained young man.

Even though he lives in a closed cabin below the deck, the hero doesn't have the slightest bit of suffering on his face, always smiling and free and easy.

It is in huge contrast with those rich people and officials who are always calculating and weighing in the cabin.

So the heroine, who felt more and more suffocated, went to the deck and sang to express her emotions, but was hooked up by the hero who sneaked onto the deck.

Standing on the "prow" where the hair was blown up by an industrial fan, Jing Xiaoqiang hugged the heroine and sang the Chinese version of "My Heart Is Eternal"!
The heroine, already wearing a gorgeous dress, opened her arms to the vast evening sea...

It all depends on Jing Xiaoqiang's singing voice, and under the realistic conditions of the scene, he forcibly creates a sense of vastness and vastness.

There is also an epic beauty!
"My heart will be with you

you want you to stay with me

Then I'll be brave, fear nothing
My heart will be forever..."

Why are most of the opera houses more than 1000 seats.

It is necessary to guarantee a mic performance.

The old theaters and theaters in the past didn’t have microphones, so the singing voice is a hard requirement.
Now Jing Xiaoqiang has indeed shown his extraordinary singing skills and overwhelming talent.

The audience forgot to criticize this as escape from marriage or an affair, they only thought it was seeking freedom in love.

I believe in the beauty of love even more!
After this shocking song was sung, the hero took the girl to the world of the poor below the deck to be poor and happy.

Even more singing and dancing...

Du Ruolan and Pan Yunyan played the children of the rich family before, but they have to change their appearance to sing and dance the poor girl.

extremely busy.

But the characteristics of musical drama are fully displayed here.

Originally, dance performances like Wang Qian often required the audience to speculate and interpret what was shown and what happened.

But in musicals, whether it is singing or lines, the narrative can be easily expressed clearly.

The audience does not need such a high artistic appreciation, the singing and dancing are beautiful, lively and moving, and they are easily attracted.

This series of songs and laughter made people feel that the world is infinitely beautiful.

The intentionally downplayed background of the times, even the elements of greed overload and desperate escape have been further reduced.

The theme is really simple, and the form is extremely fancy.

Even the crew members of "Taiping Wheel" who came back specially nodded their heads frequently.

The musical expresses this entertainment more clearly.

But the good times didn't last long, and the ships collided and capsized after nightfall!

At this time, the shortcomings of the stage play appeared, especially in this old scene without a mechanized stage and advanced sound and light equipment, only the actors themselves can reflect the disaster scene.

Jing Xiaoqiang still has a wealth of experience. The soles of the shoes can be fixed to the ground through hidden hooks. Everyone can be on the "constantly bumpy" cabin deck. Unhooking "tumbling" screamed and fell into the sea!
On the premise that the stage itself cannot provide more stunts, use the stage background and body language as much as possible to express the helplessness in the disaster.

There are also those "elites" who scramble for lifeboats when facing disasters, those men who leave the chance of survival to their wives and children, and those women and children who beg hoarsely for a lifeboat seat.

The diversity of human nature is fully reflected at this time!

Jon and the director watched attentively.

This is tantamount to showing them the impact of film performance in the form of musicals.

The more beautiful the previous love, the more tragic the disaster at this time.

In the huge contrast, what is the detail that most touches the audience?

Even if Jing Xiaoqiang has restored the script of "Titanic" as much as possible, the screens interpreted by different actors, directors, and cameramen must be far apart.

And the stage play has no camera framing, it is more realistic as if the disaster happened next to it.

The audiences were all moved, they all showed expressions of devotion and amazement, and the armrests of the seats were all gripped tightly!

Some later modern theaters can provide this dynamic effect of 4D seats.

But now I can only rely on acting skills.

The characteristics of the hero's background in the city and his instinct for survival made him give up a few percent of the lifeboat scrambles, but smashed open the door panels and life jackets early, and with the heroine, you jump and jump!

The heroine was pushed on the door panel and floated on the water early, and the audience felt a big sigh of relief.

The intense applause couldn't help it.

But the door panel can't bear the ups and downs of two people, and the male protagonist has to push the door panel away from the sinking hull so as not to be swept into the seabed by the waves.

Desperately strive for the chance of survival for the heroine.

At this time when life is at stake, wealth and power are unimportant. The two men and women who have just known each other for only a few hours are using their lives to fight for the possibility of survival for each other.

In the end, the male protagonist, who was already shivering from the cold, struggled to pull against the door panel, while humming the song "My Heart Is Eternal" with a smile.

There was a lot of crying at the scene!

This classic commercial film known as the bible of tearjerkers and toilet paper killers, even if it was changed into a musical, still easily moved the audience!
In the end, the hero sank into the bottom of the sea, but the background sang "When You Are Old"!
This song, which was already familiar to people all over the country in the Spring Festival Gala at the beginning of this year, was originally used at the end of the musical.

The heroine is very old, and she is walking on the beach with a hunched posture, looking at the vast sea, but with a smile on her face.

It turns out that love has never been far away.

End of the play.

Really, the audience couldn't help standing up and applauding!

Even a character like Granny Cheng couldn't help but secretly wipe the tears from the corners of her eyes.

Who has never been young, who has never been in love.

Such soul-stirring love will never be forgotten in a lifetime.

Cao Fei shed a lot of tears, and Cheng Yuling, who was always stern, was not much better, and even shared a handkerchief with the franchisee.

Zhou Qingyun was very satisfied, and praised the old lady next to him in a low voice: "Nong knows, Xiaoqiang will be a mentor..."

The songs in this musical will inevitably become a model for Jing Xiaoqiang's popular singing major in the Conservatory of Music.

So touching.

Lu Xi sat with her mother on the side of the inconspicuous side, tearful and curious: "How did he come up with the script of Xiaoqiang? It's so touching..."

An Ning and the others communicated with each other with serious faces, what are the differences between the characteristics of musicals and movies, and what strengths we should achieve.

They are filming a lot of emotions.

"Meet You Around the Corner" has basically finished filming, and Danny Chen and the others felt a little crazy after watching it.

Knowing that the investment of "Taiping Wheel" is many times higher, the film also needs a large investment for global theaters.

But after actually watching the story told by the musical, I found that the little love between their pen pals, the warm little romance of "Love Returns to Shanghai" is much more profoundly shocking!

Only Chang Danlin suddenly thought of a question: "Will this musical show spoil the movie in advance and affect the viewing of future movies?"

An Ning was stunned, and shook her head firmly: "No, I believe he must have considered this issue!"

Now she has a little blind worship of Jing Xiaoqiang.

(End of this chapter)