Light and shadow player

Chapter 236 The remote map

Yuanyuan has very close cooperation with Hong Kong Island filmmakers, and even customized scripts for Yinhuang, but it seems that it rarely cooperates with Hong Kong and Taiwan actors.

Not without it, many Hong Kong, Taiwan and even Singaporean actors were used in the two "Chinese Paladin", but Yuan Yuan never used Hong Kong and Taiwan actors as the leading roles.

Not to mention long-distance movies, which have investment from Hong Kong and Taiwan, but they will not use Hong Kong and Taiwan actors as the protagonists.

Back then, Huo Wenxi personally brought Nicholas Tse to remotely audition for an astronaut in "The Martian", named as the protagonist, but Cheng Yu'an didn't let him play a role that didn't actually have many roles.

Yang Shoucheng prepared 1 million but couldn't give it away.

It's not that Cheng Yu'an is prejudiced against Hong Kong and Taiwan actors, but that he can choose the actors he wants in the mainland, and the salary is cheaper than Hong Kong and Taiwan actors.

Since when did the audience stop buying accounts from Hong Kong and Taiwan actors?
It should be 08.

Mr. Chen revealed the incident and pulled Hong Kong and Taiwan actors from their lofty altars.

It turns out that you Hong Kong and Taiwan actors are not very good either.

If Mr. Chen stabbed a Hong Kong and Taiwan film, then Cheng Yu'an was the one who made the knife go deeper.

Because of "Painted Skin".

"Painted Skin"'s all-inland lineup scored more than 2 million at the box office, allowing the market to see the box office appeal of mainland actors.

Broke the box office myth of Hong Kong and Taiwan actors.

Who said that only Hong Kong and Taiwan actors can play the leading role to sell at the box office?

Why should my good actors from the mainland go to support your third-rate actors and third-rate directors?
Why do you say this, because Cheng Yu'an is bragging to everyone.

The filming of "The Sound of the Wind" made everyone feel stressed, Mr. Zhou even needed to take sleeping pills to fall asleep.

Jiang Wenli relies on drinking to fall asleep.

So every once in a while, Cheng Yu'an would invite everyone to eat and chat to relax.

"It's not that I don't use their actors. When Yang Shoucheng wanted to vote for "The Martian" with 1 million yuan, I didn't accept it. Why?"

"Because their actors can't understand our family and country feelings. Although they are compatriots, the environment they grew up in can't understand why we have to save our compatriots stranded in outer space at any cost. They can't understand why we spend tens of billions to Save a man that everyone thought was dead."

"That's why I don't use them. I can't talk to them about some things."

"Of course there are good actors in Hong Kong Island. I've always wanted to cooperate with Liang Jiahui." Cheng Yu'an took a sip of tea, "Why did you drink it?" The last sentence was said to Mr. Zhou.

Mr. Zhou was toasting Jiang Wenli with a cigarette in his other hand.

"I said, props have been telling me that we lose several packs of cigarettes every day, did you take them?" Cheng Yu'an didn't care about this, but just made fun of Mr. Zhou.

"I took it," Mr. Zhou pouted, and admitted very readily, "I didn't expect you to be willing to spend money on this. The props and cigarettes are not bad."

Cheng Yu'an was upset: "I know you are all heavy smokers, so if I don't serve you comfortably, how can I shoot this scene. But I still advise you to smoke less."

Almost everyone in the crew of "The Wind" smokes, Mr. Liang Guanhua is the most addicted to smoking, one pack a day.

"Let me tell you, it's not just me, they all get cigarettes from the crew." Mr. Zhou swiped his hand and bombarded everyone indiscriminately.

Cheng Yu'an didn't intend to get entangled in this matter, how much is a pack of cigarettes worth.

Jiang Wenli asked him: "Yu'an, you don't smoke or drink, what do you usually do when you are out of the show?"

Mr. Zhou raised his hand to show that she knew: "He is delicious, not that particular kind of food, just cook him a few home-cooked dishes, it's easy to fool."

Cheng Yu'an smiled: "Follow my grandpa, my grandpa will eat it."

Jiang Wenli asked him suddenly: "Yu'an, how old are you?"

"I'm a dog in 82."

"In 82, 27 years old, a dog." Jiang Wenli muttered, "Hey, have you talked about a girlfriend yet?"

Cheng Yu'an paused the hand holding the vegetables, and said with a smile, "Not yet."

"It just so happens that one of my nieces is in the capital, and she is also pretty. I'll introduce you two when I go back?"

"Your niece...?"

"In 88, I studied at Communication University."

Cheng Yu'an's eyelids twitched after hearing this. In 88, Jiang Wenli's niece studied at Communication University.

Let's pony!
Cheng Yu'an repeatedly refused: "This is not good, your niece hasn't graduated yet, so don't rush to introduce me when she is still studying."

"I'm so busy every day that I don't have time to think about dating." Cheng Yu'an's face didn't blush even when he panicked.

Jiang Wenli just said this at the wine table, and she didn't know if it was true or not. Seeing that Cheng Yu'an didn't have such thoughts, she just walked over.

Outside the crew of "The Sound of the Wind", two depth bombs of small size were dropped on the peaceful entertainment circle remotely.

Cheng Lingfeng established Remote Brokerage Culture Co., Ltd., announcing her official entry into the artist brokerage business, and Chen Zhixi (Chen Xi decided to retire behind the scenes and changed her name) will be in charge of Cheng Yu'an's good friend Qin Ranqiu's fiancée.

The original distance media artist Hu Ge’s contract relationship was transferred to Long Distance Culture, and then Long Distance Culture announced the signing of Pan Yueming, Tang Tang, Yang Rong, Wan Qian and other artists.

The contract between Yang Mi and Rong Xingda expires this year, and she does not want to renew the contract. Chen Zhixi has already verbally agreed to sign her, and Yang Mi also expressed his willingness to join the remote culture.

The establishment of Long-distance Culture has completed an important part of the long-distance media business. So far, the territory of long-distance media has been roughly finalized: production, distribution, theaters, and artist brokerage.

The establishment of remote culture has made some artists in the circle whose contracts are about to expire extremely jealous.

The remote production business is second to none in the industry, with a large number of films and TV dramas being controlled and participated in every year, and with Cheng Lingfeng, a gold medal producer at the helm, there is no shortage of filming throughout the year.

In addition, everyone now knows that Cheng Yu'an has a ticket to Hollywood, and signing a long-distance contract, not to mention being close to the water, is definitely a priority.

Therefore, after hearing the news, some artists who thought they still had a certain level of ability to be able to match the distance, they were vague about the original company's request for contract renewal.

And some artists who run the single gang sent their resumes to the remote one after another, hoping to be selected.

The second depth bomb is that Long-distance announced the split of the TV drama department and established a long-distance film and television production company, with Guo Fei, the former director of the TV drama department of Long-distance Media, as the CEO.

On the second day of its establishment, Long-distance Film and Television announced that it will spend 2300 million yuan to acquire Hainan Zhouyi and Shanghai Tangren.

The two companies were merged into the remote film and television, but still retained the brand, and their artist brokerage business was merged into the newly established remote culture.

Without Xianjian and Brother Hu, Tangren and Zhouyi in 09 cannot be called first-class production companies.

But the remote acquisition is not aimed at their production business.

What Cheng Lingfeng wanted was two production teams and rich experience who have been working on costume dramas for many years.

The division of departments is conducive to streamlining the organization, and it also gives greater flexibility to artist brokers and TV drama production, which will help remote media further occupy the market.

In the eyes of Hua Yi, the two reforms of Long-distance are aimed at him.

(End of this chapter)