Chapter 267
Under the new round of long-distance bombardment, the total box office of "The Wind" reached 2.7 million a week after the Golden Rooster Awards!
Successfully killed "Red Cliff: Part [-]" and came to the third place of the year!

Young Master Zhou found Cheng Yu'an immediately after returning to Beijing, hugged Cheng Yu'an and shouted!
The first three gold actresses in Chinese film history, this gold content!

Mr. Zhou doesn't care about the salary, but he cares about the position and awards.

This three golden actress pushed her exposure to the peak!
Cheng Yu'an joked at the beginning that he would give her the last Golden Rooster Award, but he didn't expect to do it.

If Liu Yifei was not by her side, she would have kissed Cheng Yu'an hard.

"Inception" has finished, and my young lady returned to China a few days ago.

"You promised me, you will pay me another movie." Mr. Zhou did not forget to borrow the prestige of the three gold actresses to come to collect debts.

"No problem, the money is not enough, the actor has not been decided, and the script is not yet available, just wait." Cheng Yu'an laughed.

Sending Young Master Zhou away, Liu Yifei said, "I can be like her anytime."

She doesn't care about the intimacy between Mr. Zhou and her boyfriend, but is very envious of Mr. Zhou's acting skills and achievements.

The first Chinese-language three-gold actress, this achievement is at least within the next five to six years.

Cheng Yu'an unceremoniously poured cold water on his girlfriend: "She was born with a seven-aperture exquisite heart, and she can feel the wind, the rain, the flowers and the grass, and others can't catch up."

"You will die if you say something nice."

"I just want you to understand the gap between you. Don't even think about three gold medals. Act hard. It's possible to get one gold medal in your lifetime."

He has no face to arrange a Cannes actress for his girlfriend.

"Really! A gold medal is not worth it." Liu Yifei hasn't won any decent awards yet.

"Currently speaking, the most promising winners in the mainland are Gong Li, Zhang Ziyi, and Duxuan in my opinion."

"Gong Li already has the Golden Rooster and the Golden Statue Award, and she is short of the Golden Horse." Liu Yifei added.

"She is now a banner of the Mesozoic Chinese actresses, and she no longer needs to use the Golden Horse Awards to prove herself. It is estimated that she may not be able to see the Golden Horses herself."

"What about Zhang Ziyi?"

"Zhang Ziyi has been a bit out of business for the past two years. She hasn't been good at acting. She always wants to save herself and become the boss. When she realizes it, the three golds will not be a problem." Few people have entered Cheng Yu'an's eyes, "Gui Lunmei is the most promising in the Bay Island. She was born for literary and artistic films, but the film pattern of Bay Island has not been opened. If she can jump out of the island, the achievement should not be underestimated." .

"It's a pity that director Edward Yang passed away at the age of 60. If Gui Lunmei can be trained by director Edward Yang, his achievements will not be weaker than Mr. Zhou."

Among the three directors of Bay Island, Edward Yang, Tsai Ming-liang and Hou Xiaoxian, Cheng Yu'an likes Edward Yang the most.

He had watched "A Brighter Summer Day" and "Yi Yi" countless times.

You said Li An?

He is from the Bay Island, but Cheng Yu'an doesn't think he is the director of the Bay Island.

At least he wasn't the Bay Island director after the Father Trilogy.

…………

"The Wind" has been released for nearly a month, and the topic has almost disappeared.

The box office is also basically unable to move.

Just wait for the screening to be done quietly.

But some people don't like others, maybe in order to show that they are different, they insist on saying two ugly words to show off.

Hong Huang is such a person.

This name may not be familiar to everyone, she is the ex-girlfriend of the director of Kaige.

When she accepted a film review program on Mango Channel, she expressed her views on "The Wind". First, she took the description of X in the film:

"X itself is not such a subject that cannot be touched, especially in film and television works, it is a particularly important part of human nature. I mainly think it refers to some X abuse, especially the sexual abuse implied in some tertiary films. Things, a little more, are more obvious.”

"I think it's relatively low-level taste. There are some things you can't imitate. You have to imitate such things. Although there are no obvious exposure shots, there is such a thing as superficial, but it makes people have bad associations. Doing this kind of commercial hype or Adding this kind of seriousness to him is more or less a particularly bad creative habit caused by our isolation."

Then there is the evaluation of the characters in the movie: "I also think that Bai Xiaonian is very low-level when I watch Bai Xiaonian. What kind of men do you mean by so-called sissy men... He is actually some disadvantaged groups. I don’t think it’s fair for this kind of person to make jokes. You can’t treat a vulnerable group like this. This increases social discrimination against certain people, and I don’t think this is very good.”

"The only thing left in the movie is a story about a killing game that shows torture and dark psychology. The characters lack real motivation, and the value orientation is full of mistakes. To put it bluntly, this movie is enough to deceive the general public, but not enough to deceive intellectuals."

"Sometimes after watching a mafia movie, you feel that the villain has a very human side; the positive characters in "The Wind" have no humanity, they are all people's backs, and the villains are even a bunch of animals. Wang Zhiwen tortured people like that, and he laughed. I felt a little chilled after watching it, and my whole body felt a little creepy. It is the things it promotes, which reveal a kind of inexplicable cruelty and inexplicable viciousness. I am I feel that some films still need to be moved to communicate with people, and the audience can feel the warmth of the world."

"When we lived abroad when we were young, when foreigners slandered China, they said tricks and tricks. This movie is almost all. If it represents China as a cultural commodity, it is a more terrifying thing than the torture tools in it. It makes people feel that we are very dark."

From Cheng Yu'an's advanced perspective, people like Hong Huang are very easy to deal with.

This kind of person who was born in a prominent family, relied on his good birth, accepted some advanced ideas and speeches in the age of information closure, and began to use his right to speak to point the country.

In the past, it might be possible to fool people with the three or two bottles of ink in their stomachs, but after a long time, people will naturally find that such people are actually full of idiots.

More is the light of the era and its family.

Representatives: Chen Danqing and Ao Dakin.

Not honestly staying in one's own field, insisting on coming out to criticize other fields.

Hong Huang's words were full of loopholes, but the remote propaganda department would not respond to her words.

Directly raised the value of the topic: "Since the release of "The Wind", it has won 2.7 million box office, which proves that the audience likes us. If it is true as Sister Hong said, does it mean that the grades of intellectuals and ordinary audiences are different ?”

There is no way to respond to these words, whoever responds will die.

Cheng Yu'an and the young lady have similar personalities, and they never respond to their own criticisms. Zhang Dazi treated him like that, but he didn't respond, "Nanjing!Nanjing! " close-fitting short "wind sound", he did not respond.

He always firmly believes that works are the best way to respond to all gossip.

But on "The Wind", Cheng Yu'an personally posted a Weibo post:
"Before filming "The Wind", we did ample preparations and reviewed countless archives. If someone says that punishment is vulgar, then I would say that this is war, and war is cruel and dark. If If we can't face this cruelty and darkness directly, the victory won by our countless ancestors with youth and blood will be meaningless.

"We filmed the enemy's torture and ravages of our ancestors, just to let the audience know that our victory is hard-won, and we just want to make the audience feel uncomfortable watching it.

"We accept all criticisms and doubts, but we can't say that you look uncomfortable, which negates the bloodshed and sacrifice of our ancestors. In our files, there are more cruel punishments than in the film. Don't challenge your ignorance The power of the faith of the revolutionary ancestors."

(End of this chapter)

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