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Chapter 377 Shanghai Film Festival

Cheng Yu'an did not expect Liu Yifei to confess his love in public, and was quite pleasantly surprised.

Even filming with him today has been in a good mood.

Jackie Chan left the group temporarily after the start of the show, and he hasn't played yet.

"Put it down." Master Wei Ya was about to put Yang Mi down, "Slow down."

It took more than a week to shoot the scene of Yang Mi hanging on Weiya, but it still couldn't pass.

There are always problems.

Yang Mi's whole body was bruised from being strangled, but he still gritted his teeth and persisted.

She is now the absolute heroine of Cheng Yu'an's movie, and she was scolded by Cheng Yu'an in "Resident Evil 5", she doesn't want to be scolded in his own crew.

"Let's do the climbing scene again." After a few minutes of rest, the assistant director started to arrange the shooting again.

In this scene, the crew built a concrete wall, so how could they actually go to the outdoor building to shoot in real scene.

"Every department is ready," Cheng Yu'an stared at the monitor, holding the walkie-talkie, "Start."

"Walk."

"Okay, the machine will keep up, yes."

"Give me a back shot from the No. [-] machine."

"Crack. No, soon. Come again."

"Hello, Wei Yala, Yang Mi controlled his expression. Let's go... Ka, no, come again."

Cheng Yu'an walked into the venue and asked Yang Mi: "Does it hurt?"

"It doesn't hurt, I can hold on."

Being held by Weiya for a week, it must be a lie that it doesn’t hurt. Cheng Yu’an thought about it, and told the photographer: "Change the angle, don’t shoot the face, use medium and long-range shots, side and back, and take an upward shot."

The photographer nodded: "Okay, let's try."

Cheng Yu'an then said to Yang Mi: "Let's try again, you have worked hard."

"fine."

Cheng Yu'an sat back in his director's chair: "Come on, let's do it again."

…………

Cheng Yu'an is very busy in Hong Kong Island, so busy that he has no time to participate in this year's Shanghai International Film Festival.

But this year remote is very important, "Hello!Mr. Tree and Piano of the Steel both have chances to win awards. You said last year's big hits "The Dark Side" and "A Little Thing of First Love"?Can the film festival see these two films?
Chen Zhixi, the president of the film business department, and Jiang Xuerou, the chief producer, both brought people to the scene.

Jiang Xuerou also specially participated in the theme forum of "Movie Master Class".

This forum is for movie node names to participate remotely.

Because the topic to be discussed today is about the cultivation of new directors.

It is now recognized in the industry that remote training of new directors is the most successful.

Han Yan entered the [-] million yuan club with "The Dark Side", and Tian Yusheng and Su Lun also completed their screen debuts.

Seeing that only three people have come out, how much time and energy does it take to train a director?Amitabha is enough to produce one in five years, and it is extremely efficient to produce three in two years.

Jiang Xuerou shared her experience on stage: "Actually, we don't have any secret tricks. In the final analysis, it is a model of old and new. Not only famous old directors like Ning Hao and Wu Ershan, but also experienced producers and supervisors in the company, every year There is a task of bringing in newcomers."

"I especially agree with what director Feng Xiaogang said just now. New directors can't set too high a box office task for them when they come up. They must be allowed to lose money, but the production cost must be controlled within a reasonable range. Even if they lose money, we can afford it."

"Just like Han Yan, the director of our company, the first film "Youth Babylon" he didn't recover for two years, but in fact the cost of the film was only 500 million, and the company never blamed him. Later, Yu'an brought him in for another two years It took three more years to get The Dark Side."

Everyone knows the remote mode, but it is very difficult to replicate.

Have you seen when Feng Xiaogang worked as a producer and supervisor for a new director?
Also participating in the forum was Wu Baige, who raised his concerns about the cultivation of new directors: "The market is difficult to accept new directors at the beginning, which poses a great risk to investors. Play the old man's sign."

It's about Su Zhaobing's "Sword Rain", Wu Baige doesn't want to praise him?
But the market and investors don't recognize Su Zhaobing, and in the end it's not like "Wu Baige's works, directed by Su Zhaobing".

Everyone knows that it is most effective to bring the old with the new, but no one has the unique advantage of long-distance.

Holding the three major platforms of theaters, publicity (Weibo) and electronic ticketing (Tao Piao Piao) remotely, even without the help of old people for publicity, there are sufficient channels to make the new director's reputation.

Furthermore, there are sufficient profit channels for remote movies and TV dramas. Of course, the box office is one piece, and there is another piece of income that many people will ignore.

That is the video game linkage made by the remote technology game department.

The game revenue of "Painted Skin" is more than ten times that of the box office and copyright revenue. The second part will be released soon, making the previously deserted game server lively again.

Movies like "Wulin Biography" that play with emotions, the games made out of them have higher profits, earning 6000 to [-] million with your eyes closed.

Not to mention popular works like "Scary Step By Step", the TV series was launched half a month later, and the number of registrations on that day exceeded 300 million.

Otherwise, do you think the rumor that "remote technology depends on games" is fake?

Another point is that remote is too rich.

If it weren't for the consideration of sharing the risk, all the movies remotely could be digested internally.

It doesn't matter if the newcomer can't get the money. Long-distance media group, long-distance film and television, long-distance brokerage, long-distance technology, and even Tiangong Yicai and Yuanqiu Golden Harvest Cinemas can all come up with money in minutes.

So, it’s not like you can bring out the old and the new if you want.

This is why no matter whether it is a new actor, a new director or a new screenwriter, they all like to run long distances.

Long-distance has almost opened up the entire industry chain, and there are rich channels to get ahead.

Also taking the opportunity of the film festival, Jiang Xuerou, the chief producer of Remote Media, announced part of Remote Media's shooting plan for next year.

First of all, of course, is Cheng Yu'an's "Thieves Alliance", which is scheduled for May [-]st next year.

Now that we are talking about newcomers, Yuanyuan will still promote the works of two new directors next year.

Xin Yukun directed "Manslaughter".

"Yu'an admires Xin Yukun very much. He wrote the script of "Manslaughter" himself, and Mr. Cao Baoping will be invited to be the producer. It is expected to start production in October this year, and it will be released in Lunar New Year next year."

Another newcomer named Guo Fan will shoot a low-budget comedy, and Xu Shanzheng will produce it for him, called "The Second Generation of Rich", which will be released next summer.

The finale is Ning Hao's "Lucky Key", which is also a comedy genre and will be released next summer.

Two old and two new, very balanced collocation.

The price that the film festival has to pay for remotely announcing the film list at the film festival is:

"Hello!"Mr. Tree" won the best director in the main competition unit, and "The Piano of the Piano" won the four awards of Best Film, Best Director, Best Actor and Best Actress at the Film Channel Media Awards.

Regardless of the gold content or not, the minimum cards are given.

When Qin Hailu came to visit the class, she still complained to Cheng Yu'an: "You have already given Xun a queen, and I will give my sister one too."

Cheng Yu'an begged for mercy: "If Mark Muller hadn't called me himself, I wouldn't have made a literary film. Where can I find you an award-winning film right now?"

(End of this chapter)