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Chapter 555

This year's Qingming holiday competition is okay, and "My Girlhood" will be released at the same time as "Genius Spectacled Dog" by DreamWorks, directed by Rob Minkoff.

Then the day before the holiday, "American Team 2" was released.

It's okay, it's been a week.

The market is unanimously optimistic about long-distance youth films, and there is a backing: at least 2 million.

Of course, no matter how high it is, it will be less than 5 million.

Such a film is placed in a less competitive schedule, and theaters can follow suit.

Therefore, for the premiere of "My Girlhood", the theaters gave 31.2% of the films to be screened. In fact, there were no films for the theaters during the same period.

At the premiere press conference, Andy Lau gave the audience a surprise!
Before the screening, the film crew kept saying that there was a super surprise waiting for the audience.

But I didn't expect it to be Andy Lau!
Andy Lau airborne the scene, making the audience scream!
"I really like this kind of guest appearance," Andy Lau said on stage about the origin of this guest appearance. "It was on the set of "Horror Live". Director Cheng asked me to play myself. I thought it was very interesting, so I agreed."

"Then I want to ask our lead actor, how did you feel when you heard that Brother Hua came to play a guest role?" asked the host of the premiere.

"I'm very excited. I have liked Brother Hua very much since I was a child." Tan Songyun is a heroine, but Tong Liya is the most popular in the main creator, but Tong Liya does not compete with her. For the evening show, the crew notified us that Brother Hua would come that afternoon, and after the show was over, Brother Hua was delayed for another two hours by the staff of the crew pestering him to sign and take a group photo."

The reporter asked Andy Lau: "Brother Hua has grown a beard, is there any meaning?"

Brother Hua rubbed his chin and said with a smile: "There is a new movie that will start filming in a few days. This is the new look in the movie."

It's about Hua Yi's "Lost Orphan", which will be launched next month.

I don't know if it was influenced by the remote filming of "Dear", or because I really feel that the topic of anti-trafficking is very hot, and I have an obligation to shoulder some social responsibilities. ".

From this point of view, Huayi is not completely rubbing the heat.

It may be that the lawsuit with Zhou Xingxing ruined the company's popularity, Wang Zhonglei urgently needs a film to change the audience's impression of Huayi.

That's why I chose to make an anti-trafficking movie, and I also deliberately chose Brother Hua, who is as famous as Zhou Xingxing, to act.

Brother Hua also liked the script, and his schedule this year was very suitable, so he agreed.

After the press conference, Andy Lau did not leave in a hurry, but chatted with Chen Zhixi in the background.

In the second half of the year, the two will collaborate on a play called "Save Mr. Myself".

"Actually, I want to play Huazi." The highlight of this drama is obviously the kidnapper Huazi. Although Huazi is the third male, but this character has an extreme personality, and the performance will be very good. Andy Lau is not someone who can't understand the role .

"But Brother Hua, your accent is a problem." "Rescue Mr. Wu" has a story prototype, and the original host Wu Ruofu was also invited by the crew to make a cameo, "The prototype of Hua Zi is an authentic northern man, and your accent will make the audience play. "

"Can't it be changed?" Andy Lau still wanted to fight for Chen Zhixi.

Chen Zhixi shook his head: "Just getting Wu Ruofu's consent, we have wasted a lot of effort, he will not agree with us to change like this."

The real master is still there, changing the character settings will appear disrespectful to others.

And Chen Zhixi also persuaded Brother Hua to give up this idea. After all, this is a bad memory of others: "It is very tolerant to let us shoot the scars."

"My Girlhood" performed well on the first day of Friday, with a score of 2700 million, four times that of "Genius Spectacled Dog" released at the same time.

Although Tong Liya is only outstanding, she has to run with the crew for a few days to promote.

The heroine is not here, and the progress of "Legend of the White Fox" has not been delayed, and the roles of other people have also advanced in the same way.

"My Girlhood" had a box office of 1.55 million in the first three days of the weekend, which is a high-level performance among youth films.

"Youth films don't need to be innovative, as long as the story is well told, no matter how bloody it is, people will watch it. This film is it."

"Youth films can be bloody, but please have the same sincerity as "My Girlhood"."

"My Girlhood" is different from other youth films in that the film focuses on the growth of girls, rather than simply letting the hero and heroine talk about a campus love.

The male protagonist Xu Taiyu is a tool man in the film, and almost all the highlights are on the young girl Lin Zhenxin.

Although the ignorant feelings on campus run through the whole time, the choreographer and director handles these feelings very restrainedly. He doesn't spill blood, and he doesn't say I love you hoarsely, and you don't love me, which is embarrassing.

The emotional scenes of several protagonists are well controlled by the crew.

"You at the Same Table", which will be released next month, is a typical youth film that spills blood.

When Tong Liya returned to the crew of "Legend of the White Fox" on Tuesday, the domestic box office of "My Girlhood" had already exceeded 1.8 million.

What is even more surprising is that this film performed very well on Hong Kong Island.

Hong Kong audiences seem to be quite fond of this kind of youth films.

One week after its release, the whole Hong Kong had a good score of 700 million.

The screening work in Bay Island, Japan, South Korea, Singapore, Malaysia, Thailand and other places has also been put on a daily basis.

Overseas film studios have also come to buy copyrights and negotiate remakes one after another.

…………

This year's Academy Awards are really miserable.

After Remote Technology withdrew the sponsorship, Chen Jiashang begged for 300 million sponsorships from somewhere, and reluctantly held this year's ceremony.

I heard that the souvenirs for the guests this year are extremely cheap, like a commemorative book with a wholesale price of 20 yuan.

Since the announcement of the shortlist, the Academy Awards have received little attention and response.

Many invited guests from the mainland said they didn't have time, so they sent someone north to discuss with Zhong Lifang, saying that "Old Father" should be included in the nominations for the best Chinese-language film on both sides of the strait, implying that as long as Cheng Yu'an can come, he will be given the award.

But the visitor was kicked out of the remote headquarters building after being scolded by Zhong Lifang.

This year, there are not many mainland stars participating in the Golden Statue Awards. "Lost in Thailand" was shortlisted for the best cross-strait Chinese film. Xu Shanzheng happily agreed to go, and Huang Bo will also go as an award presenter.

Then it was gone, and the mainland went to these two.

For the other two films in the mainland: "The King's Feast" and "The Year in a Hurry", the director and the main actors did not go, but two producers and supervisors were sent to participate.

It can be seen that they themselves do not attach importance to this trip to Hong Kong Island.

Cheng Yu'an rejected the Golden Statue Award, but turned around and went to Beijing to receive the Best Director and Best Film awards at the Film Directors Association's 2013 Annual Commendation Conference.

The mainland's step-by-step account sharing experiment has a great impact on Hong Kong and Taiwan.

This experiment is for domestic (mainland) films, Hong Kong and Taiwan films and co-productions do not enjoy this policy.

This is why at the beginning of the year "Journey to the West: Havoc in Heaven", although the jury was unanimously optimistic that it would be a big hit, it still could not obtain the qualification for step-by-step accounting.

However, this experiment left a gap at the beginning of the formulation: for films applying for step-by-step accounting, the director and screenwriter can be non-mainland household registrations, but no less than 2/3 of the main actors of the crew, the shooting team, the production and distribution company, and the post-production team must for the Mainland.

This has led to a large number of directors from Hong Kong and Taiwan flocking here this year, which is even more turbulent than the northward wave at the beginning of the century.

Hong Kong and Taiwan filmmakers have complained that this policy has "swept out" their local excellent directors.

(End of this chapter)