Light and shadow player

Chapter 647

Perhaps it was to pave the way for the next "our" official announcement. Fan Xiaopang looked girlish in Cannes this year. He wore a printed pink skirt at the opening ceremony, and today he is in the "Flower Fairy" look.

Fan Xiaopang has lost the domineering style of Fan Ye in the past, and has become more and more young women. When asked whether it has something to do with his love life, Fan bluntly said: "Actually, I have always been like this, but if I can notice my Friends, they all know that I should be a small woman in private, but the way I work seems to be very powerful, but in fact I don’t have it at all. In terms of clothing choices, I have always liked some flowers For decoration, there are actually things with flowers on various events.”

As for Zhang Xinyu's Chinese-style "red and green Northeast padded jacket" on the opening red carpet, Fan Xiaopang said: "I don't pay special attention to it, but I have seen some media reports."

From the shape of the dragon robe to the shape of blue and white porcelain, Fan Bingbing has his own unique insights into the interpretation of Chinese style: "I think Chinese style must have a certain meaning and story, and there is connotation in it. For me, my Chinese style is me. I want to express my understanding of traditional Chinese elements, including pavilions, towers and pavilions, including fans. Because I think that if I was not born in the present, I should be an ancient person, because I like to read ancient things. Books and paintings have ancient elements. s things."

Fatty, how strong are you!

It's not your style to speak so softly.

The rival in love is almost stepping on the face.

Back to the scene of "Looking for the Dragon".

Cheng Lingfeng is stealing the limelight, and just sits under the audience seats as the town's mascot.

It is the first time for Lengba and Nazha to come to Cannes, so it goes without saying.

They were obviously two beautiful boys, but they seemed a little free and easy and well-prepared at the scene.

"Hold your head up and hold your chest high! Little Fang Fang, what are you afraid of?" Cheng Lingfeng taught them, "The clothes you chose today are pretty. Leng Ba, you just showed Little Fang Fang out of nowhere. Foreigners hate Xiao Fang showing off her figure. Boys, let’s forget about Nazha, they’re all from XJ, they all grew up eating good beef and mutton, why is the difference so small.”

Nazha was so complained by Ning Jieyi that she could only hold her mouth and talk.

At the press conference, the domestic media will definitely compare "Looking for the Dragon" with "The Four-story Demon Tower", which will be released on the National Day file.

Wuershan, Liu Huohua, Huang Bo and Xia Yu are all old fritters. If something came up, the media turned to attack Leng Ba who played Shirley Yang, and the question was very direct: "Yao Chen also played Shirley Yang, What do you think of this comparison?"

Leng Ba remembered Ning Jieyi's teaching from Xiaofang, and said, "I'm afraid of being compared with others, and I have no confidence in our team."

Well, this is what you want.

It's okay for Leng Ba to say that, whether she has gone too far, it is an expression of confidence in Xiaofang, and she has also won the media space for herself.

Cheng Lingfeng sat for a while, seeing that the scene was very stable, she wanted to run away, but was still caught by the reporter.

"I'm going to the movies, and the judging work is very busy." Xiao Zaoxia was able to spare time to attend two movie press conferences, which was very rare, and he really had time to delay.

There are no good media saying today that "this chairman is doing his job properly".

"On the first day of the competition, I was busy giving a platform to out-of-competition commercial films."

It's settled.

"Sorry, I can speak for competition films." Cheng Lingfeng hurriedly left.

Two main competition films will be screened today: the fantasy fairy tale "The Story of the Story" and Hirokazu Kore-eda's "Umi Street Diary".

The latter premieres in the afternoon, the former in the morning.

Cheng Lingfeng was ready to read it all.

Cheng Lingfeng did not participate in the film's red carpet, but waited for the main creators and guests to leave, and then left the screening hall after the film was officially screened.

"The Story of the Story" is a gothic fantasy fairy tale adapted from the fairy tale collection "Seven Days Talk" in Nares, Italy.

Cheng Lingfeng sits quietly under a chair to watch the movie. Special audiences of this movie may be attracted by its color, composition and light and shadow.

But these are enough to conquer Cheng Lingfeng.

If it was a commercial film festival today, Ning Jieyi would definitely give the film a low affirmation, but this is Cannes, and the evaluation criteria of Cannes are the same.

In Cheng Lingfeng's view, there is nothing commendable about the color, light and shadow of this film, and the inspiration comes directly from the Gothic style and oil paintings of the 17th century.

Of course, the good use of old elements will also make people's eyes shine, just like in "2001: A Space Odyssey", who would have thought that "Thus Spoke Zarathustra" could be used like that.

But Matteo Garrone's genius imagination has played out outside the film.

There is also a reason that the elements used by Matteo Garrone are not reflected in the films of his descendants, the legendary Italian film master Pasoveni.

Seventy years later, on the basis of realism, Pasoveni took pictures of men and women eating and drinking and Mediterranean scenery in "Arabian Nights", "Ten Days Talk" and "The Canterbury Tales" like oil paintings, beautiful and beautiful. Quiet and beautiful.

Mateo Garrone is definitely paying tribute to his idols, but he just walked in the footsteps of his younger generations, without making breakthroughs or putting forward new viewpoints.

"It's a good movie, but it's still good enough." Cheng Lingfeng rated the movie silently.

After watching the movie, Cheng Lingfeng greeted the director and left for lunch.

However, even for lunch, Cheng Lingfeng ate An Sheng.

His lunch was with Emma Stone and the Cannes team from a small film company.

Woody Allen's "The Reasonable Man" starring Emma Stone at the Cannes screening.

She came to lunch with the team mainly to thank Cheng Lingfeng for recommending her to O'Gallo to star in "La La Land".

This year, O'Gallo played a trick, it's a biopic, and released an "old-fashioned" musical: "I bet that group of old men will miss the past musical."

Ning Jieyi's gamble is much less than Cheng Lingfeng's.

It should be said that O'Gallo has gradually grasped the pulse of these old men in the academy over the past few years.

Aversion to nostalgia, steeped in the glory days of Hollywood's past, is a small, old-fashioned thing.

Take a look at the award-winning works in recent years, such as silent films, biographical films, and morbid characters...

One is "old".

Hate the old stuff, don't you, I'll give you the whole musical!

Emma Stone was still transparent in 09 and 10, filming the company's "Gossip Project" and "Friends Get Out of Bed", two high-cost romantic comedies opened up the situation for her in Hollywood at that time. In 9, she was also selected as one of the "Nine Hollywood New Generation Actors" by the "Vanity Fair" judges.

But since then, a small film company has approached her for a role, and instead picked up British actors such as Keira Knightley.

After lunch, Emma Stone left first, and Cheng Lingfeng wanted to talk about work with someone from a small film company.

The North American summer season has already started, and the company will release very few films this year.

"How's the discussion between Bella (O'Gallo) and Emmas going?" After that, Cheng Lingfeng asked O'Gallo to ask Emmas for the remake rights of the old film.

"It's settled, Emmas transferred the remake rights of "The Jungle Book" to us at a high price."

"WTF! Emmas is true white." Ning Jieyi couldn't help cursing, ""The Jungle Book" is a movie 50 years later (released in 67), and "Jungle Book" is a public book, he Do you still have the nerve to accept my copyright?!"

"There is a way, we still have to rely on Emmas's global distribution channels, so we can only pinch our noses to recognize it." No one in the company knows that Emmas is in vain, but there is a way, the one without channels is the young master, "It's true that Emmas also asked for a few, and only received 200 million US dollars."

If we wait another two years, when the copyright of "The Jungle Book" expires, 200 million will be used!
This is still O'Galofi's "The Jungle Book", but she is a young person, how could she take the initiative to jump into such a pit, this copyright was forced by Emmas, and she accepted a friendship in an "extremely embarrassing" way The price is 200 million.

"Forget it, who told us to have channels in our hands, let's take this loss, and Emmas has to share the bill."

"Yes, they are eager to get rid of this burden, and only agree to issue it to us, and participate in the investment."

(End of this chapter)