I really don't want high ratings for my documentaries!

Chapter 304 Finale: Restoration, Copying and Imprinting of Calligraphy and Painting!
The injustice of Dou E, directed and acted by an artist, surprised countless people.

This wave of Lu Hong completely offended passerby fans, and even many true fans turned black because of this.

A ridiculous farce is over.

At this time, a scarf released by female star Liu Shishi attracted everyone's attention.

"When you feel sorry for a young man who ruined his future, have you ever thought about this unwarranted disaster that director Xu Wen suffered?"

It is well known that Liu Shishi is a fan of Xu Wen.

What Liu Shishi said made everyone startled.

Since Lu Hong issued a statement, Xu Wen has left a lot of bad comments under his scarf.

He was spurned by thousands of people overnight.

Although the matter has been rehabilitated and resolved now, the comments left by those people under Xu Wen are still there.

From the appearance of the entire cyberbullying period, Xu Wen did not close the comments, and did not silence the speech.

Instead, it accepts all the emotions of netizens.

Now that the truth of the matter has come out, netizens suddenly feel guilty.

They all rushed under Xu Wen's scarf.

"Those cyberbullyers before you, have you ever thought about the harm you caused Director Xu when you made a bad comment?"

"One word that hurts others, but it takes a long time for others to be relieved."

"When an avalanche hits, no snowflake is innocent."

"We really need to reflect on our ability to distinguish."

With so many netizens pouring in, Xu Wen's scarf directly gained nearly 40 fans.

There are even a lot of media wanting to interview Xu Wen.

I want to know what kind of attitude Xu Wen has in this incident.

But Xu Wen declined.

Simply wearing a scarf around his neck is a way of showing his attitude.

"The wind blows and wrinkles a pool of spring water."

This scarf made some restless fans calm down immediately.

"It's no wonder that you are a cultural person, you express your attitude so elegantly!"

"Is there anyone here to explain what Director Xu meant by this sentence?"

"It means: nothing happened at first, but the wind disturbed the calm water in the pool."

"Lu Hong is this chaotic wind!"

"Lu Hong is the wind, and we are not innocent, so don't make sarcastic remarks."

The more flat Xu Wen's attitude was, the more it brought out how bad Lu Hong was.

If Xu Wen yelled for grievances, netizens might still find it very lively.

On the contrary, Xu Wen's performance is more flat and more admirable.

I always want to do something to make up for my previous bad comments on Xu Wen.

At this time, a simple comment from an unfamiliar netizen made everyone suddenly enlightened.

"Director Xu's attitude is obvious, he is not a pushy person, we just pay attention to his works!"

Rough words are not rough.

Xu Wenwen is a low-key person.

If you are misunderstood, you will not take it to heart.

That being the case, the best way to support Xu Wen is to support Xu Wen's works.

Ever since, many netizens clicked on the page of "I am repairing cultural relics in the capital" in bli b, and made an appointment for the broadcast of the last episode of "I am repairing cultural relics in the capital" this Saturday.

Soon it was Saturday.

Xiao Jia is a middle school student.

At the beginning, I had a bad impression of Xu Wen because of the online incident.

As a middle school student, what attracts him are often movies, TV and anime, and there are no documentaries in short.

So he knew Xu Wen's name, but he had never read Xu Wen's works.

Later, Xu Wen was wronged.

And Xu Wen's consistent and calm attitude made Xiao Jia curious.

I just finished my homework early today.

So Xiao Jia took advantage of this time to see what this so-called documentary was like.

As the time came to 8pm.

The last episode of "I am repairing cultural relics in the capital" is officially launched!
The Capital Museum is as quiet as ever.

Between the red walls and ancient tiles, stray cats lie on the long street.

The balmy sun made them stretch out comfortably.

In contrast to this quiet picture, there is laughter from the next room.

"The maximum multiplier of our [-]D video is a hundred times, right?"

"This character is basically quite characteristic."

"You have found someone who looks like you. There are several people who look like you."

This is the calligraphy and painting restoration group of the Capital Museum.

Several calligraphy and painting restorers are talking and laughing in front of a huge old picture.

There are nearly a hundred figures in the colorful ancient paintings.

Judging from the surrounding furnishings and the image of the characters.

This is a banquet scene during the Qing Dynasty.

There are young noble women and children playing in it.

The maid carrying melons and fruits stood aside, looking at the children playing and sniggering.

This painting is not signed by the author.

There is no description of the painting content.

There is also no exact creation time.

It also had never been seen with the public before.

Even its name was not fully settled during the restoration.

It has been verified by experts from the Capital Museum.

It depicts the real scene when Emperor Qianlong gave his mother, Empress Dowager Chongqing, the [-]th birthday.

"They got all the characters right, including the concubine and so on. Look, this is Qianlong, and this is his mother."

Lin Zehua of the calligraphy and painting group is explaining the characters in the painting to the camera.

The painting has a lifespan of 250 years.

Originally very dilapidated.

The silk surface has defects, cracks and mildew.

Yang Zehua and his colleagues have just repaired it.

Most of the materials used in Chinese ancient calligraphy and painting are silk and paper.

The texture is slim, plus the age.

It is easy to get damaged and lose color.

Without the work of generations of restorers, it would be impossible for us to see those famous paintings that have been handed down for thousands of years.

Painting and calligraphy restoration?

Xiao Jia was a little surprised.

How can I fix a piece of painting that is missing?

The main reason was that he hadn't watched the second episode, and he didn't know that besides calligraphy and painting restoration, the Capital Museum also restored textile cultural relics.

Otherwise Xiaojia will be even more surprised
Huaguo calligraphy and painting enjoy a high reputation in the forest of art in the world.

Painting and calligraphy mounting originated from the needs of the ancients for viewing and collecting.

When did it first originate? According to available information, it was in the Jin Dynasty.

It has been more than 700 years ago.

After such a long development and exploration, it has formed a complete set of fine traditions.

Yang Zehua held a searchlight-like instrument and shone on an ancient painting.

He came to the Capital Museum decades ago.

After three years of apprenticeship, he was assigned to the calligraphy and painting restoration group.

With a lively and cheerful nature, he is willing to accept the combination of traditional things and science and technology.

"You see, we have a lot of mineral pigments that we don't know the source of, and we don't want to repair them indiscriminately, but now with the help of instruments, we can see it clearly at a glance."

Yang Zehua said proudly facing the camera.

The first generation master craftsmen of the painting and calligraphy restoration group of the Capital Museum.

He has restored top famous paintings such as "Along the River at Qingming Festival" and "Five Bulls".

They are the golden generation.

And Yang Zehua's master Xu Ming is the second generation.

"Look, you have to fix this here first, and then you can fix it on the side."

Xu Ming dipped the sieve in water and sprinkled it on the painting.

Wait until the water drips evenly, and then wipe the edges evenly.

Surrounded by many young people, watching his action process.

Because there are many apprentices and few masters.

Xu Ming, who is in his 60s, is now re-employing after retirement.

Continue to teach and teach in the Capital Museum, and continue to engage in this craft.

Today they are going to paste this ancient painting in their hands on the wall.

This is an old tradition.

When pasted on the wall, the painting will be flattened by its own tension during the process from wet to dry.

But it is also an extremely careful process.

Because it will break if you are not careful.

Papermaking tells us.

The interconnection of paper is achieved by hydrogen bonds. When the paper meets water, water bridges are built between the fibers.

Lost original hydrogen bonding, because wet paper is not as strong as dry paper

After drying to remove water, the water bridges are broken and the hydrogen bonding is restored again.

The strength of the paper increases again.

wow! !
Xiao Jia was a little surprised.

Cold knowledge, it turned out to be the case.

I learned another piece of cold knowledge that is useless but sounds silly.

Between paper and paper, water assumes the role of part of the adhesive.

Dust with water for hydration.

"After the paper is dry, you have to touch it with your hand to see if it is dry. For example, if the edge is dry, but the middle is not dry, then you need to dust it off at this time."

Xu Ming felt the paper on the wall with his hands, and told the reason for this traditional practice with his mouth.

Generally speaking, ancient calligraphy and painting are divided into painting heart, fate paper, back paper, decoration and other parts.

The heart of painting is the Juan or paper on which calligraphers and painters first paint.

Later, according to the situation, several layers of mounting layers will be decorated.

As soon as the scene changed, a few young people walked through many palaces with a roll that looked quite heavy.

Finally came to a palace with this painting.

Wait until the reel unrolls and a familiar ancient painting appears in front of the camera.

Xiao Jia blurted out.

"Isn't this the painting of Emperor Qianlong celebrating his mother's birthday at the beginning?"

Today, young people in the calligraphy and painting restoration team will bring this painting for scanning.

Now the painting has a name of its own.

The Empress Dowager of Chongqing celebrates her [-]th birthday.

For the 90th anniversary of the founding of the Capital Museum, they will hold an exhibition related to birthday celebrations.

Longevity Celebration Exhibition.

All the portraits of emperors and empresses after the age of 60 and related cultural relics are selected for the exhibition.

90th anniversary celebration?

You can just take a look at this painting by yourself!

Xiao Jia, who lives in the capital, suddenly had this idea.

Take out your mobile phone and search for the exhibition information of the Capital Museum.

Well, tickets are sold out as well.

Xiao Jia was a little disappointed.

While the traditional restoration techniques continue, the Capital Museum is also accepting new things and strengthening the management of restored archives.

The scans, which can also be used as reproductions in the future, are exhibited in various places.

Without this process, we would have even fewer chances of seeing rare and famous paintings.

After finishing the scanning work, several young people rolled up the huge painting again.

Then it was carried back the same way.

In fact, there are not many opportunities for a calligraphy and painting restorer to come into contact with the restoration of top famous paintings in his life.

In their daily restoration, they come into contact with some ancient paintings that are not well-known and of low artistic value.

When we visited the Capital Museum, many palaces restored the displays from a hundred years ago.

Among them is the contribution of the painting and calligraphy restoration team.

Those door leaves that have been dusty for hundreds of years, and the paintings on the walls are restored in this way.

There are many steps in the restoration of ancient calligraphy and painting, and the four core steps are repairing, uncovering, washing and complete.

Usually wash with a towel, hot water, and a pen first.

Clear water can dissolve many substances. It can not only soften the paste, but also remove stains and dust on the surface of calligraphy and painting.

Seeing this, Xiao Jia was taken aback.

Painting and calligraphy wash with hot water?

Make no mistake.

Won't this wash out?
Has no one noticed something wrong with this?

Many people will be surprised that calligraphy and painting can be washed with hot water.

you do not say.

Xiao Jia complained.

In fact, paper was originally fished out of the water.

"Those foreigners who saw us going into the water were scared. In fact, we were also scared. We were also very cautious. We mainly stuffed it with water, and then the paste softened."

Lin Zeming smiled facing today.

Search Ga!

I learned another cold knowledge that seems useless.

Xiao Jia nodded.

The water stuffing method has been used for thousands of years in ancient calligraphy and painting.

Simply put, it is to moisten the calligraphy and painting with warm water, and then uncover and mount them.

Unmounting is the biggest problem that plagues the re-mounting of handmade paintings and calligraphy. This step is related to the life and death of the painting.

Excessive exposure will damage the calligraphy and painting, and insufficient exposure will leave residues after re-mounting.

The unmounting of ancient calligraphy and painting has always been only allowed to succeed.

Paper, silk, knife, paste, etc. are all tools needed for repair.

The restoration of ancient paintings and calligraphy is a work that requires a high degree of concentration.

For this reason, Lin Zeming also has his own way to relax.

As he said that, there was a pleasant guitar sound in the painting and calligraphy repair room.

The other young people smiled at each other when they heard the voice, and shook their heads.

They knew that Lin Zeming was going to start talking about this old tune again.

In the last world, the State Administration of Cultural Heritage invited cultural relic restoration experts from all walks of life to set up a cultural relic restoration factory stationed in the Capital Museum.

Yang Wenbin, who is known as "Mei Lanfang in the mounting world", Zhang Yaoxuan, a master of restoration of ancient calligraphy and painting, and several skilled cultural relic restorers assembled the calligraphy and painting room.

Seeing this, Xiao Jia, who loves fantasy, unconsciously has a plain face in her mind.

However, the masters, who were rejuvenated as soon as they shot, walked into the Capital Museum in high spirits.

In that turbulent era, so many masters came to the Capital Museum together.

Immediately, the blood surged.

Time to get off.

The Capital Museum implements an eight-to-five off-duty system.

At 5 o'clock, countless people came out of the houses one by one.

The Ministry of Cultural Heritage has a special regulation.

No overtime is allowed except in exceptional circumstances.

This is also the special feature of cultural relics restoration.

More emphasis on slow work and meticulous work.

The Capital Museum has a strict cultural relics protection system.

After get off work every day, they have to close seven doors.

No overtime?
This works great.

Xiaojia is a little envious, but the commuting time is probably very long.

Just look at the location of the Capital Museum to know the surrounding housing prices.

The scene changed, and a middle-aged man in a red plaid shirt appeared in the painting and calligraphy restoration group.

Shen Wei is the only descendant of the copying group of the Capital Museum.

When calligraphy and painting works are completed, there is a tradition of stamping.

Therefore, there is a saying that calligraphy, painting and printing are integrated.

Whenever Yin needs to make a copy, he needs to find Shen Wei.

There is a saying in the printing circle of Huaguo that the south is Chen and the north is gold.

Master Jin Yuming is a representative figure of the Northern School of engraving.

He is also the pioneer of copy printing in the Capital Museum.

Jin Yumin only took one piece of land.

It was Liu Yu.

And Liu Yu only accepted one apprentice.

It was Shen Wei.

Therefore, the imprint of the Capital Museum is a single biography of three generations.

Three generations of single pass? !
Xiao Jia became a little excited.

If I went in, wouldn't I be the fourth generation!

Xiao Jia seems to have found her goal.

Turn on the phone and find the page of the Capital Museum.

Saw the job posting.

Xiao Jia clicked in excitedly.

"bachelor degree."

Xiaojia was a little depressed, thinking that it would take a year to get her junior high school diploma.

Xiao Jia sighed.

Harmful!
Another world-class cultural relic restoration genius was killed.

Calligraphy and painting are organic cultural relics.

eventually degrade.

Frame restoration is a protective measure.

Before the age of mechanical reproduction came.

In order to let people see the original appearance of cultural relics thousands of years later.

Throughout the dynasties, there were court painters who copied and reproduced ancient paintings.

Both Tang and Song dynasties had specialized institutions.

Copying retains a large number of calligraphy and painting works in ancient China, especially before the Sui and Tang Dynasties.

The Ming and Qing Dynasties were also Qianlong years, and a large number of ancient calligraphy and painting works were copied.

The "Along the River at Qingming Festival" presented to Zhang Zeduan is a treasure of the Capital Museum.

Although Zhang Zeduan only has this work handed down to the world, it is enough to see his foundation.

This five-meter-long scroll shows a panoramic view of Bianliang, the capital city of Song Dynasty, and the bustling scenes and natural scenery on both sides of the Bian River through scattered perspective and changing scenes step by step.

The complexity of the content, the rigorous structure, and the vivid details are unique in the history of Huaguo painting.

From the 80s to the [-]s, Ms. Feng Zhonglian spent ten years re-engraving "Along the River at Qingming Festival".

"At that time, she went to get the painting back in the morning, and then returned the painting when she got off work, and then came to continue painting the next day. At that time, the card was very strict."

Lin Zeming talked about this rather legendary past to the camera.

Ten years!
Xiao Jia was stunned.

It took ten years to copy a painting.

How much patience is needed to be able to sit on such a job repeatedly in ten years.

Artisan spirit!
Xiao Jia was a little shocked.

For Xiao Jia, who has only been in this world for more than ten years, the copying time of a painting is only four or five years shorter than him.

No matter how young he is, he still knows that this is a great and extraordinary skill.

The Capital Museum's 90th Anniversary Series Exhibition is about to begin.

There are treasures of calligraphy and painting such as "Picture of Outing in Spring" in Sui Dynasty, "Picture of Five Bulls" in Tang Dynasty, and "Picture of Rising the River at Qingming Festival" in Song Dynasty.

And the calligraphy and paintings of five emperors of the Qing Dynasty, Shunzhi, Kangxi, Yongzheng, Qianlong, and Jiaqing, made a major exhibition.

These works have all been restored or copied by the Painting and Calligraphy Restoration Group of the Capital Museum.

It has been repaired and observed from generation to generation.

Our national character and aesthetics are also shaped by this.

Seeing this, Xiao Jia felt a longing in her heart.

Take out your phone and open Moments.

"It's like going to the 3th anniversary exhibition of the Capital Museum. Whoever has a ticket, I'm willing to pay three times the price to buy it."

Soon, Xiao Jia received countless replies.

　Have you eaten yet?

　　
　
(End of this chapter)