I really don't want high ratings for my documentaries!

Chapter 306 "I am repairing cultural relics in the capital" big movie!

The opening of the vermilion gate represents the beginning of a day's work in the Capital Museum.

The lengthy creaking sound seemed to blend into the whimpering of the years.

The old man who opened the door had a long key ring in his hand.

Inside are the different doors of the Capital Museum.

He started the work of opening the door, and the story of the Capital Museum also started from the door.

The restorers in each group pushed their bicycles into the Capital Museum one after another.

He opened seven doors all the way, and then returned to his group room after exchanging the keys.

As the flow of people dispersed to each room, the long street with red walls and yellow tiles became quiet again.

Only a few orange cats crouched under the eaves and looked around.

It's only here that the title appears.

"I am repairing cultural relics in the capital"

"Monday is the most comfortable time, because there is no one in the museum when it is closed on Monday."

Chen Yang from the Textile Restoration Room rode a bicycle on the central axis of the Capital Museum.

The bicycle took her all the way to Xisan Institute.

After parking the car, Chen Yang, holding a stack of documents, happened to meet a group of people transporting cultural relics.

The camera follows the group to the gold and silver restoration room.

"This is a silver pot. Its surface is too embroidered. It needs to be derusted. Just light it up."

The person who transported the cultural relics said to Wang Youliang.

Wang Youliang nodded.

Take this silver jug ​​to the special instrument.

Turn on the lights and start grinding the silver jug.

"Doing our kind of work is not boring. It has been worn down for decades. In our line of work, you must be able to sit still. Like when I first came, my master gave me a bronze bow and asked me to scratch it. The copper on it actually means to hone your patience."

"The masters also took a knife of paper for you to scrape off the straw and black residue on it. In fact, when you think about it now, she has his purpose, which is to hone your patience."

Lin Zeming in the painting and calligraphy restoration room said the same thing to the camera at the moment.

Not far behind her, a little girl who had just entered the restoration room was grinding paper.

"When I imagined that the condition of the Capital Museum was very good, I imagined that everyone was like the medical staff, the environment was very clean and the equipment was very advanced, but when you came here, you found that the environment is not like this, in such a Can he heal the cultural relics repaired locally?"

"When I first came here, I was really disappointed. I remember that the day I signed the contract, I was in the narrow alley, and I wandered there for more than an hour, because when I was in school, I was considered a professional in our class. of."

"But I know that after I come here, all the things that I created will no longer exist, and I cannot create them here."

Qu Feng from the wood restoration room said with a smile.

Everyone comes to the Capital Museum for different purposes.

Everyone also has a vision for their future.

While their classmates were flying outside, they entered the Capital Museum.

The people behind the artifacts that started out in obscurity.

Pushing the brilliance of cultural relics to the fore, the Capital Museum of Nuo Da is the only place where they stay for a long time.

The Longevity Picture of Emperor Kangxi is still being restored.

With so many screens, the repairs on each side are calculated on a monthly basis.

The Liao and Jin Buddha statues with broken fingers have not been repaired.

The tricolor horses of the Tang Dynasty are still painted.

It's as if everything has been dialed back to a corrected timeline.

Wood Restoration Group.

At this moment, there is a Buddha statue in the wooden set.

This Buddha statue is from a Buddha statue in the Liao and Jin Dynasties.

The carcass is round and plump.

But because of the age, the color of its surface has lost its color.

The original gray texture was revealed.

Qu Feng of the woodware group brought this Buddha statue to the Ministry of Science and Technology.

Scanned by a professional instrument.

Under the X-ray, the notch of the Buddha statue is revealed.

"Look, the color has come off here on its lips, so its color is black."

The staff in charge of scanning pointed to the screen and said to Qu Feng.

And Qu Feng was also recording with a camera and a small notebook.

After finding the gap that should be there, Qu Feng took the Buddha statue back to the wood restoration room.

"Their request to us is that this Buddha statue can be used as long as it can be used in the exhibition, but I think it is not good if the Buddha statue is missing two fingers, so I suggest to add fingers."

"Sometimes it is always said that incompleteness is a kind of beauty, but sometimes the incompleteness is always uncomfortable to look at."

Facing the camera, Qu Feng smiled, and continued to paint the broken fingers of the Buddha statue with a paintbrush.

The screen turned to the ceramic restoration room.

Ceramic restoration is a comprehensive work. It is necessary to understand the main characteristics of ceramics of various dynasties and to be familiar with various restoration materials.

Master some relevant physics and chemistry knowledge.

Wang Wusheng is still restoring this three-color horse from the Tang Dynasty.

Because the gap of the three-color horse is relatively large, there are large areas missing in the chest muscles and back.

According to the suggestions of experts, a leather belt should be added to the chest of this tricolor horse.

But Wang Wusheng is not sure whether the shape is correct, and the horse's tail is always missing.

So he decided to go to another place to find the answer.

Come to the Ceramics Pavilion.

Many ceramic horses restored by predecessors are preserved here.

Wang Wusheng took pictures while watching.

For the ceramic horse I am restoring.

After seeing the leather belt on his chest again, Wang Wusheng had an idea in his mind.

"But the shape of the tail is different, so we don't repair it, just like the broken arm of Venus, you don't know its shape, so we don't repair it."

Wang Wusheng took a look around and walked out of the ceramics museum with his camera.

Go back to your own ceramic restoration room from the ceramic hall.

The middle passes through the Hall of Supreme Harmony.

The floor tiles in front of the Hall of Supreme Harmony are not very smooth, and some of them have been in disrepair for a long time, resulting in one or two pieces missing in the middle.

"You see, walking on this, there's a little bit of history to it."

Wang Wusheng said with a smile.

Pick up the camera and take a picture or two from time to time.

Wang Wusheng is about to retire, and there are still places in the Capital Museum, which he has never been to.

Mixed among the tourists, Wang Wusheng's posture and expression in taking pictures seem to be no different from those who came here for the first time.

Just one of many people.

The Capital Museum plans to build a north campus in Haiding District.

Where to provide modern conservation spaces for large cultural relics.

Solve the problem of existing site limitations.

The person in charge of many groups such as woodware group, calligraphy and painting group, ceramics group, etc.

Together they boarded the bus prepared by the Capital Museum and set off from the Capital Museum to the North Campus.

Every time you come out of the Capital Museum, it is like traveling back to modern society from a hundred years ago.

The North Campus is built between the fifth and sixth rings of the capital, more than 30 kilometers away from the Capital Museum.

When we arrived at the North Campus, we obviously couldn't see the old facilities anymore.

Brand new tall buildings appeared in the camera.

Arriving here, the restorers of the gold and silverware group encountered new cultural relics.

An artifact shaped like a birdcage, but much larger.

There is an iron basin under it, which is connected to this simple cage.

Most of the cages were rusted, and in some places the wires that held them together were broken.

These are the things used in ancient courts for warmth.

Compared with folk, they are much larger in size.

The design is also very particular.

In the past, when files were managed, these were counted as data.

It is also a cultural relic now.

Wang Youliang's task is to restore these overstocked and deformed bronze wares to their original state.

The procedure will use their orgasmic plastic surgery techniques.

Wang Youliang was blowing heat on the curved part of the copper pot with a heat gun.

It seems unremarkable, but in fact, the temperature control of this process is difficult to grasp.

It is necessary to bake out the flexibility of the metal, but the temperature should not be too high, otherwise the color of the cultural relics will be damaged.

As the iron sheets softened due to heat, Wang Youliang used iron tongs to restore the iron sheets to their original shape.

On the side of the camera, there are more iron pots waiting for Wang Youliang to restore.

While the North Campus was busy, Wang Jin and Qi Haonan from the watch team had already arrived at the Capital Airport.

Today they are going on a business trip to Xiamen.

Because a forum in the watch industry is about to be held in Xiamen.

Similar to an exposition in the watch world.

The scene of the meeting has a style similar to the venue of the United Nations.

The circular seats are full of people.

All are from people related to the watch industry.

"In this meeting, we mainly want to see some materials and tools, because there are some antique clocks in this exhibition."

The gentle Wang Jin said to the camera.

When we came to the venue, there were nearly a thousand antique clocks of different shapes in the venue of Nuoda.

Different shapes, different styles.

It's like entering a world full of clocks.

And Wang Jin discovered an exhibit that made him dumbfounded.

In front of him was a piece called .

"Bronze battleship clocks from the collection of the Capital Museum."

Wang Jin said after looking at it carefully for a while.

"This is said to be in the collection of the Capital Museum. I haven't seen anything like this in the Capital Museum so far. Our museum has small ones, but nothing like this."

Wang Jin smiled.

Obviously, I met someone who used the name of the Capital Museum to bluff.

Here they met a celebrity in the watch collecting world.

The celebrity traveled all over the world and participated in no fewer than a thousand auction houses.

When he heard that Wang Jin and Qi Haonan were from the Capital Museum.

Excitedly, he took out his collection of clocks and watches.

After showing a few pieces, he said to Wang Jin.

"Do you have this in the Capital Museum?"

"There are not many small ones like this, and they are basically not repaired."

Wang Jin looked at it for a while and said.

Celebrities are happy.

"As long as I have a few pieces that your capital museum doesn't have, then I will be very happy."

Wang Jin just smiled lightly at this.

At the same time, the watch circle, but this seems to be a different world from Wang Jin.

After returning to the Capital Museum, Wang Jin continued to devote himself to the restoration of clocks and watches.

Now he's nearing completion on the gilt-bronze country music water clock he's restoring.

This is a large-scale task of a watch group that appeared in the first episode of the documentary.

At this moment, in this big movie, a complete restoration is finally completed.

After the mainspring is wound up, the whole clock starts to rotate along with the music.

Above the clock, those animal models of various shapes also began to move.

Restoring cultural relics is a special profession and a special life experience that travels through ancient and modern times and talks with people a hundred years ago.

Repair the clock.

Wang Jin came to the watch hall with the camera.

Most of Wang Jin's career has been related to this clock and watch museum.

At this moment, Wang Jin is like a tour guide, enthusiastically introducing various clocks and watches to the camera.

"Look at this bird, after it is wound up, it can jump from here to there."

"It is fully restored and fully wound. It is different to look at this clock under the condition that the demonstration functions are intact."

"It hurts to see it, it took so much effort to repair it."

Many of the collections in the clock museum are clocks that Wang Jin restored when he was young.

Now he's entering the late stages of his career.

Also on the verge of retirement is Wang Wusheng from the ceramic group.

It's the same as restoring the Tang tri-colored horse that is about to be restored in front of him.

Wang Wusheng, who is nearly [-] years old, is full of reverie about his life after retirement.

"My plan is to change the car first, either an off-road vehicle or a RV. Don't all young people like to play with that now, such as paragliding, maybe I will try it too."

Facing the camera, Wang Wusheng expressed this bold idea.

But after he finished speaking, he smiled embarrassingly.

The Tang Sancai horse was in his hands, and the color gradually became clearer.

Brown horse body, colored leather belt.

Gu Panshenghui's demeanor, a horse from the Tang Dynasty is vividly displayed in front of him.

The [-]th anniversary of the Capital Museum is coming.

When we pass by the cultural relics with complete appearance in various exhibition halls, have we ever known that they have experienced fractures, damages and thrilling restorations?

Cultural relics are in the past tense, but restoration of cultural relics is in progress.

Calligraphy and painting group.

Yang Zelin ushered in a famous painting.

Now the painting is being scanned.

The woman in the painting has a simple and elegant expression, with an oval face and willow-leaf eyebrows.

The elegant and luxurious costumes are very typical of the royal family of the Qing Dynasty.

In the painting, she is sitting on a chair, holding a string of pearls in her hand.

She is a noble concubine Qianlong loves very much.

She died of illness in the tenth year of Qianlong, and was posthumously named an imperial concubine second only to the queen.

Moreover, the posthumous title of "Hui Xian" was given, which is the highest praise for her life's conduct.

This was painted by the court painter Castiglione of the Qing Dynasty.

A portrait of Emperor Qianlong Huixian in court dress.

Lang Shining was originally a missionary from Italy.

But because he was busy painting for the emperor, he didn't have time to preach.

The painting was basically well preserved and was sent to the Textile Restoration Room after being scanned by the calligraphy and painting team.

What Chen Yang in the textile restoration room has to do is to sew and mend the tape.

Reeling is a sewing method in which the edge of the step is rolled inward when making a hem or a belt.

Then hide the stitches and sew.

The job is not difficult, but it is tedious.

Especially eye-catching.

As the sun goes down, every job has reached a point.

Putting down the work in hand, the restorers in each group clocked in and left work one by one with their badges.

And their team leader was the last one to leave.

Take a walk around the entire group room.

After making sure that no one was there, he closed a small red door in the group room he was in.

It is an old tradition to open seven doors at work in the morning.

It is also an old tradition to close the seven doors after get off work.

With the closing of the last vermilion door, the people in the cultural relics restoration room also got off work.

The entire Capital Museum seemed quiet.

At this moment, the smoke from the people coming and going became thinner.

"I actually came to the Capital Museum when I was three years old, and I lived at the foot of the Capital Museum. Every day, my father took me in and walked around the house."

"I am very familiar with every house, just like my own home. I said that I will slap my butt and leave after retirement. For me, I still feel a little bit reluctant."

"If I need to rehire, I will not look back and will come back to continue this work."

The movie gradually came to an end with Wang Youliang's voice.

When the screen no longer showed images, only Wang Youliang murmured in a low voice.

"As the old saying goes, if you choose one thing, it will last your life."

(End of this chapter)