My system is not decent

Chapter 1019
When it comes to restoring porcelain, one cannot fail to mention Song Curi.

This term is even more remote. Ancient porcelain is precious, and it was expensive in ancient times.

If it is broken, it must be repaired, and the most commonly used method is curium.

Curium, also known as "grabbing nails", is strip-shaped, with two ends bent down at [-] degrees, and the elbow is tapered.

On both sides of the porcelain fracture, holes were drilled with diamonds, and the curium was embedded to fix the broken porcelain.

Curiums in the Song Dynasty were more than two centimeters long and two millimeters thick. They were forged and had angular curium bodies. Most of them were made of iron, and a few of them were made of copper.

The boreholes are larger, more than two millimeters in diameter, but are hardly visible until now.

This is the porcelain sawing technology of the Song Dynasty, and then there was Ming Curium, which was popular in the Ming Dynasty. It is generally about [-] millimeters long, smaller than Song Curium, and larger than Qing Curium.

In modern times, it must be Qing curium.

Curiums of the Qing Dynasty are obviously slimmer than those of the Ming Dynasty, about one centimeter in length. The edges and corners of the curium body have disappeared, and the edges have become smoother. The thickness of the curium is also much thinner, and it is mainly stamped by machine.

In the Qing Dynasty, it was still common to see curium imitation.

In the Qing Dynasty, the curium has no edges, the body of the curium is pointed at both ends, and the middle is wide. Copper curium is often used in fine porcelain.

Among them, there are quite a few top crafts, among which Chen Wenzhe knows about loach backs.

Chen Wenzhe listened very seriously. When people talked about it, they talked about it from the Song Dynasty to the Qing Dynasty, and they really did not hesitate to teach each other.

For this point, Chen Wenzhe really admired it. Although they must have something to ask for, this kind of knowledge is really what Chen Wenzhe lacks.

He also knows how to saw porcelain, but he has never done it, and he has not even seen sawn porcelain repaired by experts.

I haven't seen it, even if he has cheating means, he can't use it.

This is the limitation of his gold finger, really well-informed.

I haven't seen it before, no matter how powerful he is, it's useless.

"Over there in Jingzhen, the inheritance is really orderly!" Regarding this point, Chen Wenzhe also had to sigh.

"That's right, we are able to learn this only by relying on our deep background. Boss Chen is different, he is very talented!"

"You are talented, but you can't develop creatively in porcelain manufacturing. It's not as important as your inheritance." Chen Wenzhe said seriously.

Elder Zhou shook his head directly: "There are not many young people like you who like to listen to what we say!"

"Inheritance means to pass on to future generations, and we in Jingzhen will soon have no successors!" Speaking of this, Elder Li was also a little emotional.

"Don't talk about this, what is there to have no future? The country has seen this situation and is protecting it. In the future, we will definitely be intangible cultural heritage!"

Seeing what Lao Zhou said, Lao Li burst out laughing.

After being ridiculous, I felt a little sad again.

Unable to bear this atmosphere, Chen Wenzhe directly changed the subject.

He smiled and said: "Speaking of having a queen, I really thought of something interesting. I don't know if your two elders know that in the antique shop, having a queen is also a unique term."

Youhou refers to the meaning of descendants, and the corresponding is the meaning of extinction, which refers to the meaning of extinction in future generations.

But for the latter, the tomb was destroyed long ago because no one took care of it.

After some time, the saboteurs were still a little apprehensive, they didn't dare to show it, and they were evasive.

There is a later basis, and it also comes from the symbols on the porcelain unearthed from the ancient tomb.

Some wrote on the surface of the porcelain with a brush, and what's more, wrote the address of his original Yangzhai clearly.

There are post-porcelain carved by diamonds, no matter how good they are, no one wants them, so none of them have been handed down to the world, only legends.

There are later porcelains with a relatively large time span, and a nest of porcelains can be separated by one or two hundred years.

In some cases, relics of food can be found, such as eggs turned into empty shells, walnuts without nuts, and wine turned into dry powder.

There are Houci in the nest, and the history of the rise and fall of the family can be inferred.

"Isn't this funny?" After finishing speaking, Chen Wenzhe was a little surprised to see that the faces of the two old people were still not good.

"Is it funny? It is said that there are thousands of years of family, but how many thousand years of family have you seen? Especially in modern times? Let's talk about the Pei family of the thousand year family. Their house has become a museum."

Chen Wenzhe knew this family very well.

It's not because of how many princes and generals there are in this family, but because of the family's geomantic omen, the black plaster of the Pei family, and of course the forest of steles in his family's destroyed ancestral hall!

The feng shui pattern of Peijia Village is famous all over the world.

From the Han, Wei, Southern and Northern Dynasties, to the Sui, Tang, and Five Dynasties, in the history of more than two thousand years in the land of China, the Pei family has made outstanding contributions in politics, economy, military affairs, diplomacy and other aspects.

There were no fewer than dozens of famous ministers active in the political arena in the Sui and Tang dynasties alone.

There are many other talents, even queens and so on.

However, what is the situation of such a big family now?
Chen Wenzhe didn't know anything else, but he knew about the forest of steles in his family's ancestral hall.

After going to Chang'an, Chen Wenzhe became interested in some stone monuments and moments in China, so he got to know some of them.

Pei's ancestral hall, also known as Jin Gong's ancestral hall, was built in the third year of Zhenguan in Tang Dynasty (629).

Pei's Stele Gallery is almost a museum of fine Chinese calligraphy and inscriptions.

It was rebuilt in the [-]s, and dozens of ancient steles were preserved, which are of high value in historical materials and calligraphy art.

Among them, "Pei Hongbei", which combines Wei and Li, with stable calligraphy, was engraved in the third year of Yamato (568) of Emperor Wu of the Northern Zhou Dynasty. It is the earliest surviving inscription of Pei's family.

"Pei Jingmin Stele" was written by Li Baiyao, a historian in the early Tang Dynasty, and written by Yin Lingming, a calligrapher.

"Pei Guangting Shinto Monument", written by Zhang Jiuling, written by Emperor Xuanzong Li Longji of Tang Dynasty, in cursive script, bold and unconstrained, with beautiful fonts.

"Pinghuai West Stele" was written by Han Yu, a famous writer in the Tang Dynasty, and rewritten by Qi Junzao, Minister of Military Aircraft during the Xianfeng Period of the Qing Dynasty.

This stele records the achievements of Pei Du, the famous prime minister of the Tang Dynasty, and Wu Yuanji's rebellion in Pinghuaixi. There are four stone carvings in total, standing side by side.

In addition, there are 17 preface steles of Pei's genealogy carved from Jin Dading to Qing Dynasty, which are the essence of clan relics.

These inscriptions are precious materials for studying the history of the Pei family and the art of calligraphy.

Chen Wenzhe really regretted that he didn't have time to go and have a look.

Not to mention anything else, just going to look at the stone tablets left over there must be a huge gain.

Of course, what he was most interested in before was Pei's tomb.

Pei's tomb is located in the beautiful Fenghuangyuan, five kilometers east of Peibai Village.

At that time, there were many tombs and steles. Although most of them have been flattened and destroyed today, we can still see their general appearance, and some cemeteries still have stone steles.

Now that place should be left over from the country, and the only remaining tomb can still be seen to be a large tomb with a pattern of nine phoenixes and a rising sun.

Of course, now that Chen Wenzhe is interested in the ancient tomb, it is definitely not because he wants to dig it out and get the funerary objects inside, but because he is really interested in it.

(End of this chapter)