My system is not decent

Chapter 1032 Ru Kiln Tripod Washer

Chen Wenzhe had thought a long time ago that Wu San would definitely tempt him again!
Seeing this, Chen Wenzhe looked at the porcelain in front of him. It was an azure three-legged brush washer the size of an adult's palm.

Azure color, ice cracks, crystal clear like jade, all these make this porcelain look so extraordinary.

Chen Wenzhe sighed, he didn't think it was Ru kiln wares, but it looked really good.

Of course, he has no evidence to prove that this is a fake. Through the communication just now, Chen Wenzhe dare not say that Jingzhen can't make a high-quality imitation of Ru Kiln!

"Can you get started?" Chen Wenzhe sighed again, but he still didn't have the heart to refuse. What if it was true?
People who are not in the antique industry really don't know how scarce Ru kilns were in the Northern Song Dynasty.

Don't look at one that came out here today, and another one out there tomorrow. In fact, those are all fakes, and they won't be recognized by insiders at all.

Because most of those Ru kilns are in the hands of those members of the National Treasure Gang.

If some big collectors at home and abroad, or museums say that there is Ru kiln, even if no one confirms it, even if someone falsifies it, there is something to say.

The one that Wu San brought out now must be something to look at, otherwise they wouldn't be so serious about it.

"Okay, you can watch as you like!" Wu San looked at Chen Wenzhe with a smile on his face.

What Wu Er said was right, if Chen Wenzhe didn't come up with something good, he wouldn't give in at all.

This time they can be said to have spent a lot of money. He really didn't believe that they couldn't attract Chen Wenzhe.

Chen Wenzhe carefully took the piece of porcelain from the coffee table. Has he withstood the test?

These guys actually talked so much nonsense before they took out a treasure?
Pick it up and it feels good in the hand.

He had a breakthrough in his gold touch skills just now, and now he can feel it.

Let's look at the glaze color and glaze surface, which they discussed before.

To observe the enamel and glaze color of ancient porcelain, we should generally pay attention to the thickness of the enamel, the new and old luster, and the size and density of the bubbles.

Due to the long-term erosion of external dirt and the influence of temperature changes, the glazed surface of ancient porcelain often has the so-called "fluorescent light" or "crispy light".

The light comes from within, and this deep and warm glaze light is naturally formed due to the passage of time.

If it was before today, Chen Wenzhe could only see a layer of fluorescent light, which is a unique precious light of ancient porcelain.

But now it's different, he can not only distinguish the fluorescent light, but also distinguish what is crisp, matte and so on.

Only when you really see it, you will know that the layer of light on the ancient porcelain cannot be summed up in one sentence.

Of course, this is also because Chen Wenzhe is well-informed. If he is an outsider, he will look a little more simple, and there is nothing else.

If it is seen by a guy without a bit of artistic ability, isn't this an ordinary little plate?

At most, there are three extra calves, so what's the matter?
However, such a small thing is absolutely extraordinary in Chen Wenzhe's eyes.

Even if he didn't know how to imitate Ru porcelain before, but only knew how to make it old, he could become a top appraiser and make him flourish in the antique shop, let alone now?

He is more professional in making old ones, so he knows very well that the surface of new enamel often has a layer of floating light.

This layer of floating light is dazzling, even if the floating light is artificially removed with a matting agent, and after being processed with tea boiling, paste, medicine soaking, and soil burial, it is still different from the warm and moist luster of ancient porcelain.

No matter how good and beautiful the imitation is, it is still different from the real ancient porcelain.

Of course, the more perfect the imitation, the smaller the difference. If you have never seen the real thing, it is really difficult to distinguish.

Chen Wenzhe himself is a very good expert at making old things. He can tell whether they are old things.

The perfect Baoguang made Chen Wenzhe feel a strange feeling in his heart.

Look at the blue glaze color again, is this azure color?

As for whether it was blue after the rain, he was not sure.

However, he has seen the authentic pieces of Ru kiln porcelain collected in the Palace Museum, the color should be similar, and he dare not say the same.

After all, when looking at pictures, or even watching videos, the colors will change somewhat.

However, his subconscious mind told Chen Wenzhe that what he saw in front of him was blue after rain, because he had never seen this kind of blue before.

He didn't even know how it was fired. Thinking of this, Chen Wenzhe was not only not a bit depressed, but became even more excited.

Resisting not to use the appraisal technique, because it would be too boring to appraise like that.

If he can personally identify a piece of Ru kiln porcelain, it will definitely be a great improvement for him!

Of course, the porcelain in front of me is really extraordinary.

Therefore, regardless of whether this piece of porcelain is a real Ru kiln in the Northern Song Dynasty, for him, seeing it is equivalent to a huge harvest.

This time, the harvest was not small, Chen Wenzhe looked at Wu San's face at this time, and felt very pleasing to the eye.

No matter ancient or modern, and no matter who it is, as long as he can make such beautiful porcelain, seeing it is a great harvest for him.

There is no problem with Baoguang and glaze color, so let’s look at the most important cut.

Looking closely at the cracks in the ice, Chen Wenzhe could only marvel.

As the name suggests, the cracks on the surface of porcelain look like cracked ice, transparent and bright, not as old as antiques at all.

If it weren't for the hazy precious light on the outside, making it look very simple and lovely, who would have thought that such a beautiful piece of porcelain might have existed for thousands of years?

Chen Wenzhe was really happy to see such porcelain.

After all, it has not been a day or two since he wanted to imitate the porcelain of the five famous kilns in the Northern Song Dynasty.

And it was the first time that I actually saw the opening of ancient porcelain.

Of course, the damaged piece of Ge Kiln porcelain from the Qing Dynasty that he received does not count.

Open pieces are not a patent of Ru Kiln. Porcelains such as Guanyao, Ge Kiln and Ru Kiln in Song Dynasty all have open pieces, which is also one of the natural characteristics of these porcelains.

For example, the Ru kiln three-legged wash in front of you has crab claw patterns on the glaze.

Chen Wenzhe knows that there are many classic patterns on Ru kiln wares, such as crab claw patterns, fish roe patterns, eel blood patterns, ice cracks, willow leaf patterns, cow hair patterns and other patterns of different sizes, which can be applied on Ru kiln porcelain. turn up.

If it is an imitation, a master like Chen Wenzhe, with his superb imitation ability, can burn similar patterns.

But generally, the immediate effect cannot be imitated. If the glaze of the imitation works is very tight, it must be a high imitation, otherwise it is a defective product.

Also, if the piece of porcelain is new, the piece will be cracked.

In addition, due to the difference in the ancient and modern porcelain making techniques and the formula of the body and glaze raw materials, the outer edge of the shrinking glaze of the ancient porcelain is rolled up, and the surrounding of the shrinking glaze of the new porcelain is closely attached to the body.

This characteristic makes the open-piece porcelain of all dynasties different.

(End of this chapter)