My system is not decent

Chapter 1051

Since the flower cups of the Shunzhi period can be imitated, and they are imitated very well, what about the Kangxi ones?What about Yongzheng's?What about Qianlong's?

It would be great if all the classic wares of the most prosperous period of porcelain production in the Qing Dynasty were imitated.

This is not only related to porcelain production, but also involves history, culture, etc., all-round details.

"Let me take a look at another copy of a flower goblet from the Kangxi period."

Finding that Zhang Gu really has potential, Chen Wenzhe simply stopped his actions and concentrated on guiding Zhang Gu.

But Zhang Gu was very excited at this time. His original accumulation, coupled with Chen Wenzhe's guidance recently, made him seem to be completely reborn, and he has greatly improved.

He has never made flower cups in the Kangxi period, but he knows how to do it, because he used to specialize in the study of porcelain from the third Qing Dynasty, and he is not only good at making flower cups!

The flower goblet is like a modern water cup, it just needs to make his waist thinner and his mouth bigger.

No, the size of the mouth is a factor that distinguishes flower holders.

Flower holders are porcelain specially used for arranging flowers. This kind of thing seems to be an indispensable thing in ancient times, especially in the boudoir!

With suitable materials, what's so difficult about making a flower goblet?
So soon a Kangxi blue-and-white multicolored figure flower goblet took shape.

The flower goblet variety of this period was also one of the more common varieties at that time.

The main reason is that the shape is ancient and clumsy, dignified and simple.

Others, such as fine porcelain clay, firm and dense porcelain, and thick carcass, are all easy to do.

Of course, one point needs special attention, because the porcelain of the Kangxi period has the largest proportion of porcelain in all dynasties of the Qing Dynasty.

There are also some other aspects that are different, such as the smooth and delicate glaze surface, the tire glaze is tightly combined, and has a tight and shiny feeling.

The mouth of Kangxi porcelain is coated with powdery white glaze, and the glaze color of the inside of the vessel is basically consistent with the glaze surface of the vessel, which is also an important feature of this period.

The blue and white materials are represented by the green "Cuimaolan".

The five colors are red, yellow, purple, green, blue, black, etc. Blue and white are rarely used.

Most of the patterns drawn by Huagu in this period are landscapes and figures.

The opening of the mouth is also very special, the angle is increased by nearly 90゜, the mouth and bottom are mostly decorated with bands, or double blue circles, and the middle part of the vessel is obviously raised to divide the painted content into three parts: upper, middle and lower .

When making the Kangxi flower goblet, Zhang Gu's movements were fast and he was sure of all the details.

It can also be seen from this that Zhang Gu was well prepared.

At the very least, he must have done a lot of research on the flower cups of the third dynasties of the Qing Dynasty, otherwise it would be impossible to imitate them so well all at once.

"Can you make a flower cup from the Qianlong period?" Chen Wenzhe looked at Zhang Gu.

He made the flower cup on a temporary basis. If he hadn't thought of the flower cup in the Dream of Red Mansions, how could he have made this kind of porcelain?

But it is this kind of porcelain that Chen Wenzhe made on the spur of the moment, and Zhang Gu actually made it look like it. This is his real strength.

Since he even made Kangxi's flower cups, Chen Wenzhe didn't mind taking a look at Qianlong's.

"I can make underglaze tricolor, but I can't do it if it's a cloisonné enamel goblet." Zhang Gu said a little shyly.

Chen Wenzhe is speechless, he knows the craft of filigree enamel, but even he has never done it.

I didn't expect Zhang Gu to be really powerful. If he didn't know the Huagu of the past dynasties very well, he really wouldn't be able to say this.

Because Chen Wenzhe knows only a few types of flower cups from the Qianlong period of the Qing Dynasty.

One is yellow glass products, that is, yellow glass goblets.

In addition, what he said is the Qianlong underglaze three-color flower goblet and the Qianlong cloisonné enamel flower goblet.

During Qianlong's reign, no matter what kind of porcelain was made, it was very powerful.

It can also be said that its technology tree is really wrong. If it is on the military industry, how can my Qing Dynasty die?

Maybe the current Five-Smoke Alliance will disappear, and I, the Qing Dynasty, will rule the world!

"The selected blue and white material is good, the shape of the vessel is also right, the porcelain body is also very good, and the bonding process used is very clever, especially the pastel rolling porcelain made by the pastel rolling process, it is very beautiful!"

Watching Zhang Gu making porcelain made the knowledgeable Chen Wenzhe feel a bit pleasing to the eye.

There are many details that need to be paid attention to in making antique porcelain.

For example, what glaze to use, what color effect to achieve, what the porcelain body looks like, and what process is used to finish it, etc.

As for the blue and white materials of the Qianlong period, Guangdong and Guangxi materials have been used for the blue and white materials of that period.

This kind of blue and white material has a stable, calm and thick tone.

However, the appearance of the flower goblets in the Qianlong period was exactly the opposite of that of the Kangxi flower goblets.

In the Qianlong period, the opening angle of the mouth edge was reduced, the central part was raised, and the bottom opening angle was increased.

The porcelain body of this period is generally "not as strong as Kangxi, and not as fine as Yongzheng".

However, the shape of porcelain is standardized, the glaze is fine, the painting is beautiful, and the quality is high.

It is a pity that the artistic style is not as good as that of the previous two dynasties, and it has shown a declining trend.

However, it is not without advantages. The most important thing is that it uses the "rolling process" and carries it forward.

Although it is only a primary craft and is rarely used, the porcelain produced in this way is really magnificent.

Only this kind of porcelain, placed in a daughter country like the Red Chamber, will show the grandeur of everyone, right?
Looking at the multicolored and golden threads on it, Chen Wenzhe was in a trance.

He really didn't expect Zhang Gu's technique to be so strong.

Of course, he also knows this kind of craft, and it is much better than Zhang Gu, after all, he is well-informed.

The bottle he got from Wu'er store before had this kind of craftsmanship on it, and it was the top icing on the cake.

This kind of craftsmanship, also known as "Palladium Flower" and "Icing on the Best", has obvious characteristics, that is, wealth, grandeur, and grandeur.

This kind of porcelain rolling process appeared very early, even in the late Yuan Dynasty.

Porcelain unearthed in recent years shows that the imperial kiln in the Xuande period of the Ming Dynasty also had a mature firing process.

It was once lost in the middle and late Ming Dynasty, but the firing of Yongzheng Yuchang kiln in Qing Dynasty was resumed, and it was carried forward in Qianlong period.

So what is rolling process?This craft is to use a tool like an embroidery needle to draw out the phoenix-tail pattern as thin as a hair and like a brocade pattern on the porcelain-colored floor, and to paint flower patterns on the rolling floor. artistic effect.

Everyone should know the artistic effect of copper francs. It is bright and colorful, and in the end it will be full of wealth and wealth!
Many people may not have much impression of the tie-dao craftsmanship and pastel tie-dao porcelain.

But when it comes to copper body enamelware, everyone's first impression is that it is colorful and magnificent!
The enamelware of the Qing Dynasty was the most glorious period in the development process.

During this period, there were various types of enamel, well-made, and rich and diverse types of utensils.

Its decorative style is unprecedentedly rich, so that enamelware has become a very important category of palace utensils.

(End of this chapter)