My system is not decent

Chapter 1115 Beautiful to the extreme, nothing can be added

There are too many classic works of porcelain in the Yongxuan period, especially in the Xuande period, the number of red glazed wares not only increased significantly, but also surpassed that of Yongle bright red glazed wares.

During this period, a variety of new varieties appeared, such as ruby ​​red, sacrificial red, Jihong, Jihong, chicken blood red, and cow blood red.

Due to the superb firing technology, Chen Wenzhe only needs to make a few pieces of porcelain.

In this process, the main steps are toning, temperature control and firing.

All of these serve for the coloring of the copper red glaze.

Of course, some other historical features also need to be present.

For example, Xuande red glaze is rich in color, and often at the edges and corners of the wares, the fetal bones are hidden and white veins appear, which adds to the visual changes of the viewer and is intriguing.

At this time, the red-glazed ware was richer in shape, which is why Chen Wenzhe chose to imitate it from Xuande.

During the Xuande period, in addition to bowls, plates, and goblets, washing, stoves, plum vases, monk hat pots, stewed pots, and pear-style pots were also common.

Auxiliary decoration, in addition to dark flowers, there are also those who paint gold color.

For example, the Xuande bowl has a line of white glaze formed on the edge of the mouth, commonly known as "Dengcaokou".

The glazed part of the red glaze appears blue-gray, and the thickest part is densely packed with air bubbles, which is a typical characteristic of the era of Xuande red glaze.

Its color is deep, the glaze does not flow, and it does not take off the glaze, so it is called "Xuanhong".

These types of utensils and craftsmanship are not difficult for Chen Wenzhe.

However, some classic porcelains are very troublesome to make, just like mitral pots.

It turns out that Chen Wenzhe has made a large number of monk's hat pots, even ruby ​​red monk's hat pots.

It's just that at that time he did whatever he wanted and didn't imitate the past.

But now it is different. It is still a bit troublesome to imitate the Xuande gemstone red-glazed monk hat pot.

The most difficult thing is that the production speed of mitral pot is very slow, while other production speeds are still very fast.

Now that ruby ​​red glazed porcelain is made, it is necessary to make a qualified ruby ​​red mitral pot.

The main reason is that this kind of ruby ​​red mitral pot is really beautiful. Even if such a work does not pretend to be a work from the Xuande period, it is still valuable.

Of course, Chen Wenzhe is definitely not copying for money, at least not now.

After all, he knew of a Ming Xuande gemstone red pot, which was once treasured by Emperor Yongzheng's hidden residence, and the previous estimate was only 5600 million.

With Chen Wenzhe's net worth now, fifty or sixty million yuan is nothing at all. If he does well, his works may be worth hundreds of millions!
Because the current mitral pot, as long as it appears on the market, will definitely be worth over [-] million yuan.

Although there is such confidence that the imitation can be flawless, it is still necessary to carefully imitate the shape and glaze color of the Xuande period.

Because the treasured mitral pot from the Xuande period of the Ming Dynasty is magnificent and beautiful.

Not to mention ruby ​​red, even many blue-and-white plates from around the time period, sometimes even more attractive than Yuan blue-and-white.

From the perspective of blue-and-white porcelain, the blue-and-white porcelain of the Xuande period of the Ming Dynasty is also like a treasure, and its glaze color belongs to the most beautiful period.

Although the porcelain of this period is not as beautiful as that of the Qianlong and Yongzheng periods of the Qing Dynasty, there are still too many people behind it.

This ruby ​​red mitral pot from the same period is now collected by the Wanwan Palace Museum, and ordinary people really have no chance to see it.

It is a ruby ​​red pot with red glaze all over. Just looking at the glaze water is enough to be festive and atmospheric, and this is what everyone likes about it.

Since it is a ruby ​​red pot, its value must be like a gemstone, and its research value even exceeds that of Yuan Qinghua.

The height of the whole pot is 20 centimeters, and the shape of the mouth of the pot is also quite interesting. It is along the edge of three steps, and it looks like one layer is higher than the other.

Because its shape resembles a monk's hat, it is named Ming Xuande Gem Red Glazed Monk's Hat Pot.

This pot is so beautiful, Chen Wenzhe has only seen a few pictures of it, and it has always made him fond of it.

Also, the pictures I saw this time were not seen through external channels, but were seen in the internal information database of Suihou Zhizhu.

This is very unusual. Chen Wenzhe really doesn't know why the Sui Hou Zhizhu recorded a ruby-red glazed monk's hat pot hidden in the Wanwan Museum.

At that time, Chen Wenzhe just glanced at it and was amazed.

This ruby-red glazed mitral pot, not to mention the shape, is just that the glaze color is really like a ruby, so people don't know what to say.

Can porcelain really be fired into gemstones?If it is not possible, then what is the reason for the gemstone luster and the bright color like pigeon blood red of the mitral pot?

And the whole body style, no matter how you look at it, it looks like a work carved out of rubies.

Take a closer look at this ruby ​​red pot, the color is special, and the two ends of the pot handle are engraved with Ruyi shapes, which shows that the craftsmen at that time still cared about some small details in the production.

The shape of the pointed stream and the flat handle gives people a sense of grandeur and dignity, which is more solemn than ordinary blue and white porcelain.

Coupled with the rough craftsmanship of the Xuande period of the Ming Dynasty, especially the top cover with pearl buttons, matched with the color of the whole body red glaze, it is full of beauty and atmosphere.

The beauty is to the extreme, nothing can be added, no one!

This treasure, which was once treasured by Yongzheng Qiandi, is naturally loved by everyone.

Although Chen Wenzhe could ignore the historical content behind it, he fell in love with it at the first sight of this treasure.

The shape of the pot is a rare mitral pot, and it is the most difficult mitral pot to make. With a gorgeous gem-like enamel, it is so beautiful that it makes people fascinated!

A pot like this is still ruby ​​red in color, no matter who sees it, they will like it, right?
After all, no one would dislike the festive color of ruby ​​red, right?
You know, although it is a bright red, it is not gaudy at all. What we see is the overall style, grandeur, and excellence!

This kind of porcelain, even if it is seen by those who are indifferent and pure-hearted, can't be said to be bad, right?

Therefore, such a treasure is estimated to have a price but no market in today's market.

In other words, there is a price in the market, but you can't buy it at all.

Such a price is just a sign, a pure number, because such a treasure really cannot be measured by price.

Such a Xuande ruby ​​red mitral pot is so rare, so beautiful and so precious!
The folks don't know if there are any collectors who own it, and even if they have it, Chen Wenzhe certainly won't be able to see it.

Of course, Chen Wenzhe had seen some imitations.

However, those so-called ruby ​​red mitral pots, not to mention the shape, are just the same color and enamel, which is far behind.

For example, the nobles among the porcelain, the carmine porcelain, no matter whether it is carmine or carmine water, when placed in front of this ruby ​​red monk hat pot, it immediately becomes an ugly duckling, the gap is so big.

(End of this chapter)