My system is not decent

Chapter 1132
Every handicraft made by Chen Wenzhe is absolutely exquisite.

Therefore, it is planned that the newly fired porcelain should not be worse than the previous ones.

As for porcelain types that are simple in shape and not low in value, there are actually not many options to choose from.

With a simple shape, he can burn more, and Chen Wenzhe can't refuse to burn more works within a limited time.

Anyway, they are all produced intermittently, these porcelains do not interfere much with each other when they are fired, and can even make full use of time, so why not do it?
Now Chen Wenzhe is planning that when making the above types of porcelain, it is best to fire some monochrome glazes in a planned way.

Just like the original single-color glazed chrysanthemum plate is very good, this is also a type of porcelain with a relatively simple shape.

Of course, he has already specially fired a batch, such as green-glazed porcelain and red-glazed porcelain, all fired in a large series.

And up to now, he has not completed the pinnacle of the final red-glazed porcelain.

Now we can only do it step by step, first green glaze, then red glaze, then black glaze, yellow glaze, and even a batch of white glaze porcelain.

There are quite a lot of things that need him to do, for example, he also wants to imitate a series of porcelain, such as the Four Treasures of the Study series!
Now that he has the foundation, the easiest thing to make is actually a small cup like this.

After all, he has the energy to make Liuxia lamps, and he has also played with the kiln transformation process, which is very beneficial for firing Jianzhans.

And Jianzhan fully met all his requirements.

Jianzhan refers to the black-glazed tea bowl fired in Jianyao, that is, Jianyao black-glazed teacup.

Most of the black-glazed porcelain produced by Jian kilns in the Song Dynasty were tea bowls, and Jianzhan was a representative of black-glazed porcelain. It was used as a tea set for the royal family in the Song Dynasty.

Although his main work now is red-glazed porcelain, especially the top treasures such as Liuxia lamps and secret-color glazed Liuxia lamps.

However, the adaptive firing of some black glazes during the period did not affect his improvement of the firing technology of red glazed porcelain at all.

Besides, the shape of Jianzhan is simple enough, it is a small cup with a big opening, or a small bowl.

As for the threshold of imitation, the difficulty of imitation of high-quality Jianzhan is mainly due to the kiln change of glaze color, and the others are very simple.

Of course, it is very difficult to imitate a glazed kiln change, and ordinary people simply cannot play with it.

The most important thing is that the firing technique of Jianzhan is in the Pearl of Suihou, and he can learn it at will.

In this way, can't a batch of high-quality Jianzhan be fired?If he can, then what is he waiting for?
In principle, Jianzhan is black-glazed porcelain. Before he fired the bucket color, there was black glaze in it, but he had never fired professional black glaze.

Of course, eggshell black pottery is unglazed pottery, not porcelain, but the technology is figured out.

He already knows how to make Liuxia lamps, so he is really not afraid to learn how to make Jian lamps.

Although the actual firing of Jianzhan is very technically difficult, he is also confident that he can learn it quickly, especially the Tianmuyao Bianzhan.

Tianmuyao has changed to Jianzhan, only the little devil has a few genuine ones hidden!

It's a pity that it's really hard to burn Tianmu Yaobian Jianzhan, mainly because you may not be able to get what you want if you have the skills. If you want Tianmu Yaochang, you must depend on luck.

If it was the original, he would definitely not be able to do it without specimens for him to study.

You must know that there are no really good kiln transformation and construction lamps handed down from generation to generation in China.

Here I have to say that the little devil has really been blessed with good luck in the past two or three hundred years.

Looking at their modern history, almost every step is right. They were pigs standing on the cusp before, and they will definitely take off.

Not to mention other scientific and technological achievements, but to talk about porcelain collection.

Just because they worship Chinese civilization, they like to collect all the good things in China.

It is because of this that many of the antiques they hide in the country are not available in the country.

For example, the works of clay figurine Zhang mentioned before, because they liked them, they imported them in large quantities very early, so now many precious works of clay figurine Zhang are hidden by the little devil.

Others include the well-known works of Li Bai, Tang Qin, Tang Dao, Tianmu Jianzhan, etc. There are not many in our country, but there are more in Neon.

Speaking of collection, Jianzhan, as an authentic collection of Song porcelain, started relatively late, so the entry threshold is relatively low.

In recent years, building a collection of lamps has shown a trend of gradually heating up, and even once became a new favorite in the investment and collection industry, and is deeply loved by collectors.

In addition, the market value of Jianzhan has continued to rise in recent years, and the value of many old and famous Song Dynasty lamps has doubled several times.

At this time, many collectors became rich overnight by virtue of Jianzhan.

There are many types of Jianzhan, and modern people collect more.

For example, Chen Wenzhe knew of a king of Chinese lamps, who had more than [-] Jianzhans in his collection.

Its collection of silver-faced cups, persimmon red glaze, green hair, Jun red glaze, golden ganoderma, glass, colorful, partridge spot, silver hair, and Lange kiln are all high-quality products.

Among them, there are many masterpieces of famous masters, such as "Ten Thousand Mountains Can be Dyeing", "A Thousand Miles of Rivers and Mountains", "Golden Golden Hair", "Persimmon Red Chrysanthemum", which can be said to be of great value.

The Jianzhan work "Wanshan Can Dye" made by master Li Ximei alone sold for 2017 million yuan at the special auction of works of representative inheritors of Huaxia Jianyao Jianzhan firing skills held in September 9. shot out.

It became the item with the highest transaction price on the day, setting a new high in the auction transaction price of modern Jianzhan works.

Look clearly, this is a modern Jianzhan, not an antique.

Li Ximei · "Wan Shan Can Dye" It is not easy to build a kiln and a lamp.

The pattern of this Jianzhan work is made of rabbit hair kiln. The glazed pattern has undulating mountains and surging clouds, just like a beautiful ink painting scroll.

It is a rare large and heavy vessel in terms of shape, and its difficulty in firing is self-evident.

The firing of this vessel is rare. Although the master tried to fire it many times in the later period, it can no longer be copied, which shows its collection value.

Therefore, in addition to the great collection value of the old lamps of the Song Dynasty, the value of the Jianzhan of modern famous masters is not low, and there are many collectors.

And Chen Wenzhe thought of making Jianzhan at the first time, mainly because although Jianzhan has a simple shape, there are many varieties, and there are more varieties with rare and rare glazes.

In fact, in real terms, Jianzhan is divided into six types.

There are black marigold, rabbit hair, oil drop, partridge spot, obsidian, and variegated glaze.

If you want to make Jianzhan, you must first know these rare varieties.

Let me talk about Wujin first, which is a typical glaze color of Jian kiln.

The surface of Wujin glaze is as black as lacquer;

Some are black and blue, which is the so-called "green black";
Some are dark brown, or sauce black;

The glaze layer of Wujin glaze in the mature period is generally thicker, "black and moist", and the best ones are bright and shining, showing the beauty of solemnity and elegance.

(End of this chapter)