My system is not decent

Chapter 1149 Carved Hongfu Qitian Covered Bowl on Red Ground
Like Fahua colored porcelain, as long as it is done well, it is not worse than enamel colored porcelain.

Of course, enamel is more precious, but enamel is glazed pottery, similar to glazed tiles, and more refined.

Enamel Huacai, also known as "Fa Hua Cai" and "Enamel Hua Cai".

Originally refers to the color applied on the enamel ware, and later the method of applying the color on the porcelain with the enamel ware, also known as "enamel color".

It is characterized by fine workmanship, bright colors, decorative patterns protruding from the surface of the porcelain body, strong three-dimensional effect and strong decorative effect.

Fahua color is not just porcelain body enamelware, but a new decoration method of porcelain.

This kind of enamel color was founded in the Yuan Dynasty, using the "standing powder" technique in color painting.

It uses a special mud pipe to extrude the slurry containing nitrate as a flux, and evenly draws a convex line on the surface of the porcelain body.

Fill in the decorative colors with plain red, peacock green, yellow, light pink and other color materials, and then go into the kiln for the second time and fire at low temperature.

Before and after Jiajing in the Ming Dynasty, Jingzhen imitated the craftsmanship of enamel wares by engraving patterns and patterns on the repaired blanks.

Then use the same mud as the blank tire to pile up uniform convex lines on the contour line.

It is fired in the kiln to form a rough tire, and then filled with various colors of enamel glaze according to the requirements of the pattern, and then fired in the kiln for the second time.

It is characterized by fine workmanship, bright colors, decorative patterns protruding from the surface of the porcelain body, strong three-dimensional effect and strong decorative effect.

It can be said that these crafts are very classic and worth learning.

Generally, if you can learn one of them, you can live your life without worrying about eating and drinking.

This kind of craftsmanship and technology, no matter who it is, as long as they have the opportunity, they will learn it, right?

And Chen Wenzhe has better conditions, he can learn more.

Of course, he didn't just learn for the sake of learning. The main thing is that what he needs to learn is useful and will be useful in the subsequent process of making porcelain.

For example, fahuacai, when using this technique, does it only show one glaze color?
Certainly not, as mentioned above, Fahuacai is a decorative color filled with plain red, peacock green, yellow, light pink and other color materials.

So many colored materials are concentrated on one piece of porcelain, or a craft, if you don't understand anything, you may fail to fire it.

Therefore, it is still necessary to learn all the skills that can be learned.

It’s okay to put it there, but if you don’t know how to use it when you need it, then you won’t be able to produce some top-level craftsmanship.

Chen Wenzhe is now deeply touched by the phrase "live to old and learn old".

It's just that time is tight now, so he usually learns what he uses.

After accumulating for such a period of time, Chen Wenzhe feels that the production of peak red glazed porcelain should also be put on the agenda.

This time, he made monochrome copper-red glazed porcelain.

Therefore, a batch of ordinary copper red glaze was fired, and finally Chen Wenzhe focused his energy on the bright red Zhonghuahong.

After all, this is the prosperous Chinese red that has been fired for five thousand years.

Chen Wenzhe has completed firing three times in a row after several trial firings.

Up to now, there are still a few kilns that have not completed the procedures. After all, each kiln of Chinese Red requires multiple entry and opening of the kiln.

To the present level, Chen Wenzhe has been able to accurately grasp the firing process of the entire Chinese Red Porcelain.

That's why he has the confidence to make some peak Chinese red porcelain wares with complex craftsmanship and high technical difficulty.

Ever since he saw the treasures in the Suihou Zhizhu's internal database, Chen Wenzhe has been itching for a long time!

Especially after seeing the astonishing colors of the Xuande gemstone red-glazed monk hat pot and the jade pot spring vase, he had long wanted to imitate all the rare porcelains preserved inside the Pearl of the Sui Dynasty.

For example, this time, the first thing he wanted to bake was a red ground carved Hongfu Qitian tureen.

Don't look at this one as a small bowl, the craftsmanship is really complicated and the firing is even more difficult.

And it can be regarded as the final work of China Red Porcelain!
Continue to make red porcelain, which is still the most classic red porcelain. It can be said that this is another top-level handicraft work known as the eternal masterpiece.

This is a kind of utensil with the typical beauty of Dongfanghong, and its name is Hongdi Carved Hongfu Qitian Covered Bowl.

The top skill in it is the red picking process.

Red is an auspicious and mysterious color in Chinese traditional culture.

The Chinese nation's love for it has been recorded in the long history, and it can be traced back to the red lacquer wooden bowl more than [-] years ago.

Later, in the cloud of history, red runs through every bit of life in our country.

Whether it is myths or legends or real life, red has become a well-deserved symbol of our country.

Carved lacquer is a treasure of the traditional Chinese craft.

Starting from lacquerware, it is a work of art that uses lacquer as a raw material, which is applied layer by layer on the carcass to an appropriate thickness, and then processed and carved.

When carved lacquer appeared on the stage of history, the collision with China Red gave rise to an eternal swan song of craftsmanship, that is "picking red".

Bright but not gaudy, warm and full-bodied but moist, simple and solemn but quiet inside, the red instantly shocked everyone and became the Chinese red that best represents the Chinese nation.

Of course, this tureen is not wood or lacquer ware, but porcelain. The full name is Hongdi Carved Hongfu Qitian Gaiwan.

The whole body is made of engraving technology, and the body of the bowl is engraved with swastika patterns.

The unique color of red is rich in texture, and the picture is carved into three parts of the wood, which is extremely three-dimensional.

And Chen Wenzhe learned the painting of gold before, and now he uses it.

The gold-painting technique on this tureen, matched with the red ground glaze color, shows its warm and quiet luxurious temperament.

The auspicious cloud heart pattern surrounds the rim of the bowl, with blue embellishments, the Wanfu gate is opened at the foot of the bowl, and the base is surrounded by dragon patterns.

The whole tureen is exquisitely decorated, bright in color, luxurious and solemn as a whole.

The outer wall of the bowl is carved with gold-painted bats, and the vivid bats spread their wings and fly high on it, which is smart and interesting, symbolizing freedom.

The entire tureen is dominated by red, with a golden backdrop, implying prosperity and brilliance.

Among the porcelain decorations, bats have the homonym of "Ban Fu", which symbolizes the continuous longevity and happiness.

The mouth of the covered bowl is open, the body is round, the lines are soft and smooth, the mouth is high, and it is easy to hold, which helps to dissipate heat and is not easy to burn hands. It is suitable for tea drinkers at different stages.

This tureen is purely hand-carved. The noble and elegant glaze color has an unrepeatable mystery. Each piece is unique and can only be encountered but not sought after.

In order to pursue clarity in texture, JDZ high-grade white clay is selected as raw material to carve graceful lines, with gold and red glaze colors, showing the mysterious charm of oriental beauty.

Such a piece of porcelain has a very simple shape, just a tureen.

However, the craftsmanship is really complicated, not to mention those patterns, it is just a carving process, which is not something ordinary people can complete.

(End of this chapter)