My system is not decent

Chapter 1168 Originated from the totem and much higher than the totem
Looking at the pictures of fine porcelain inside the Suihou Pearl, Chen Wenzhe almost drooled.

I am not envious of the price of the porcelain on it, but the owners of these rare porcelains.

Chen Wenzhe would hate himself for being born late at this time, that is, hate being born late!
No way, when these porcelains were auctioned, he didn't have much money, so naturally he couldn't go over and grab them.

Especially those things that are obviously from the royal family, once they enter the market, they will definitely be rushed for collection.

If it wasn't for bankruptcy, who would sell such a family heirloom?

There is no way, if you can’t collect the real ones, you can only make a few of them yourself for chatting and masturbating!
Collecting has missed the era, but Chen Wenzhe thinks he still has a few brushes for antiques!
As long as he is serious, it is not easy to make some dragon pattern bottles with the help of Sui Hou's internal inheritance at this time?
Chen Wenzhe carefully looked at the internal inheritance of Suihou's Pearl. To make a dragon pattern bottle, the most important thing is the dragon pattern.

However, the dragon pattern in the Qing Dynasty still has its unique characteristics.

The dragon pattern in the Qing Dynasty is majestic and majestic, with a plump head and back spoon, and a strong body.

The specific characteristics are also obvious. The dragon head has changed greatly, and the pig's mouth has shrunk, showing that the lower jaw is longer than the upper jaw.

As long as Qing Dynasty porcelain with this dragon pattern feature, the price is generally not low.

And the price represents the quality, at least in the current market, the more expensive the Qing Dynasty dragon pattern bottle, the higher the craftsmanship and quality.

Looking at the Yongzheng blue and white long-necked bile bottle with dragon pattern and dragon pattern in front of me, it is 38.6cm high, not small in size, and has a high value. It sold for 7580 million yuan in one or five years.

There are many dragon pattern bottles like this worth tens of millions.

For example, the Qianlong blue and white long-necked bile bottle with lotus piercing and dragon pattern, measuring 46cm, was estimated at 3500-4500 million yuan in 49, but the transaction price was 037 yuan.

There is also a Qianlong blue and white alum red color sea water dragon pattern Ruyi ear flat pot, the size is 25.5cm, it is not big, so it sold for 29 yuan.

Kangxi blue and white dragon pattern bottle, not too big, 24.1cm high, estimated price 5-500, final transaction price RMB 000.

This was auctioned in [-]. How much would it sell for now?
In the past sixteen years, the price can't be said to have doubled to [-] million, so there should be no problem at all.

These dragon pattern bottles are worth tens of millions at every turn, and all of them are more than [-] to [-] million. The most expensive ones can almost be bought for [-] million.

There are other small and poorly crafted Wanqing dragon pattern wares, ranging from seven to eight million yuan, two to three million yuan can be found everywhere.

For such an expensive price, it is definitely impossible to say that it is a price purely based on hype.

Even if you want to hype, you need a little foundation, so the craftsmanship of this batch of Qing Dynasty dragon pattern bottles is really good.

However, Chen Wenzhe still has a lot of research on the cloud and dragon patterns in the Qing Dynasty.

However, he originally paid more attention to the cloud dragon pattern of the third Qing Dynasty.

This time it was different, because the dragon pattern vases in the late Qing Dynasty were very valuable, so naturally he couldn't let them go.

After careful calculation, there are a large number of such dragon-pattern artifacts, and it is also a well-deserved top category among antiques.

Now Chen Wenzhe feels that his research on glaze color is pretty good, so naturally he has to find another way.

Therefore, he thought of the production of dragon pattern bottles, or the production of dragon pattern wares.

A simple bottle with dragon pattern, can he use different techniques to make it?

He has made Qinglong Chushui's mobile phone case before, can he get it on the bottle appreciation now?
The red dragon in the glaze on the white ground is also available.

Can there be a blue-glazed white dragon?It is certainly possible.

Since the late Qing Dynasty was made, what about the early Qing Dynasty?What about the Ming Dynasty?What about the Yuan Dynasty?

You must know that the dragons in these three historical periods are all very distinctive.

Of course, it is also possible to make gall bottles. After all, bottles of the same quality, gall bottles are definitely more expensive than appreciative bottles.

If it can be made into big plum vases and large jars, the price will definitely be higher.

This needs to definitely need to look at the craftsmanship and the glaze color, and finally the value can be paid.

In fact, speaking of the value of dragon vases, the dragon vases of the Ming Dynasty must be the most classic and the most valuable!

Of course, since the Yuan Dynasty, there have been three major changes in the dragon pattern since then, which is considered the most classic.

There are so many things to research here.

Now that we are making dragon-pattern wares, we cannot avoid the Yuan, Ming and Qing dynasties.

Dragon, as a symbol of the Chinese nation, has been deeply rooted in the hearts of all Chinese people for thousands of years, forming a strong cohesive dragon culture.

The sons and daughters of the Chinese people are called the descendants of the dragon. The artistic shape of the dragon is complex and changeable, and it can be reflected in almost every field.

Such as poems and songs, carving murals, seal calligraphy, and various decorations.

Chinese dragons mostly exist in myths and legends, and dragon culture originates from totems and is much higher than totems.

The legendary dragon has a tiger beard and a hyena tail, and is as long as a snake.

He has scales like a fish, horns like a deer, and claws like a dragon eagle.

Can walk, fly, and pour water!

It can be big or small, hidden or visible!
It can turn rivers and seas, swallow wind and spit fog, and make clouds rain!

He is the head of all beasts and a symbol of the ruler of the feudal dynasty.

When it comes to porcelain, the dragon patterns in the Yuan, Ming and Qing Dynasties have obvious differences in each dynasty.

Generally speaking, the dragon patterns on the porcelain decorations of the past dynasties are generally very domineering in the early stage, while the dragon pattern decorations in the middle and late stages are relatively weak.

Dragon ornaments on porcelain, a unique theme in China, after thousands of years of development, have become powerful, vivid and flexible, and have a superb image, which has long been the keynote of dragon patterns of all generations.

However, on the blue-and-white porcelain of the Yuan, Ming and Qing dynasties, due to different painting techniques and aesthetic concepts, potters of different generations still endowed dragon patterns with many different changes.

The dragon pattern on the porcelain of the Yuan, Ming and Qing dynasties is mainly manifested in the four parts of the hair, eyelashes, whiskers and claws.

Let’s talk about the hair first. In the Yuan Dynasty, there were bald heads with no hair or 1-3 long locks of hair floating around the head and neck. This was the most obvious and easy to recognize.

In the Ming Dynasty, it became a clear and countable long vertical hair, shaped like a torch.

In the Qing Dynasty, it was long hair, or more short hair.

Then there are eyelashes, the phenomenon of eyelashes in the Yuan Dynasty was not obvious.

Dragons from Hongwu to Zhengde in the Ming Dynasty often have long eyelashes like algae on the top of their eyelids.

From the Jiajing Dynasty onwards, the eyelashes of dragons are more realistic, and the upper edge of the eyelids is generally represented by several short vertical lines.

In the Qing Dynasty, the shape of the dragon's eyelashes was diversified, and many of them were painted in the shape of bamboo leaves.

Besides beards, the upper jaw of dragons in the Yuan Dynasty rarely had double beards.

In the Ming Dynasty, the double beards were thick, stretched and powerful, shaped like a harpoon, straight but not bent.

In the Qing Dynasty, the beard was long and curved like a horoscope, and most of the beard tips were curled.

Finally there are the claws, which are easier to identify because there are different numbers of claws.

Dragons of the Yuan, Ming and Qing Dynasties have different numbers of claws. If you can’t remember other characteristics, as long as you remember these characteristics, you can sometimes distinguish the authenticity of the dragon pattern wares of the three generations.

(End of this chapter)