My system is not decent

Chapter 1188 The Mystery of True and False
Looking at the two treasured tripods in front of him, Tang Xin'an was taken aback.

The tripod that Zhou Danquan brought was exactly the same as the real tripod.

If you don't look carefully, you can't tell the difference at all.

It's just that the real tripod has more charm, and the workmanship is more exquisite.

Tang Yi'an asked him where he got the tripod, and Zhou Danquan said, have you forgotten that my father is a famous porcelain worker?
I also liked imitating ancient utensils since I was a child, and I have learned the art from famous teachers.

Tang Xin'an suddenly realized, and admired Zhou Danquan's memory and craftsmanship.

Immediately, he bought this imitation tripod with forty taels of silver and put it away.

After that, he kept the real tripod secret and never showed it to others. If someone came to watch it, he would use the fake tripod to deal with it.

In the last years of Chongzhen, Li Zicheng invaded the capital of God, and the Ming Dynasty was in danger.

According to legend, this Ding kiln porcelain tripod was broken during the family inheritance competition.

However, if it really broke, Chen Wenzhe didn't care about it, and nothing happened later.

Just because there are genuine and fake tripods, it is said that the broken ones are counterfeit and the real one was obtained by Lu Wang Zhu Changluo.

Later, when the Qing army invaded Hangzhou, King Lu's attendants sank the tripod into the Qiantang River in desperation.

To this day, the true and false porcelain tripods have disappeared.

And this has become an eternal mystery in archaeology, but now this mystery seems to be unraveled by Chen Wenzhe.

Because he seems to have seen the final destination of a porcelain tripod, but he doesn't know if this porcelain tripod is the authentic one from the Ding Kiln, because it is still possible that it is a fake imitated from the Ming Dynasty.

Therefore, things were not as simple as Chen Wenzhe thought.

The picture he saw now was indeed an imitation bronze porcelain tripod.

Looking at the picture of the porcelain tripod inside the Pearl of Suihou, Chen Wenzhe was really amazed.

The five-color Taotie-shaped porcelain tripod imitating three generations of bronzes, especially the five-color, really makes people look like a dream!
Of course, the colorful porcelain here is definitely not the colorful porcelain of later generations.

It should be a kind of kiln transformation phenomenon, so looking at the Taotie on it, it can emit colorful light.

This is the visual effect created for Chen Wenzhe through pictures.

It was as if there was a beam of light shining on the porcelain tripod, reflecting the colorful light.

"By the way, this is a kind of reflected light, not the real five colors, and it's not all kiln changes, but there are indeed kiln changes inside!"

Seeing this, Chen Wenzhe thought of the description of this porcelain tripod in ancient books.

The colorful gluttony swallows clouds and mist, and the white glaze is as bright and clean as jade, shining brightly!

Porcelain tripods in the Northern Song Dynasty were rare, and in the Southern Song Dynasty, there were not a few official kiln porcelain tripods.

It's just that the porcelain tripods of the official kilns of the Southern Song Dynasty also imitated the bronze wares of the Shang and Zhou Dynasties in appearance.

Then, why did the Song and Yuan porcelain borrow the shape of the bronze ware?

Or the Northern Song Dynasty, during the Northern Song Dynasty, the rulers encouraged Confucian classics.

In order to consolidate the rule, advocate the restoration of the three-generation etiquette system.

Therefore, the government at that time issued an edict to let craftsmen cast new temple sacrificial vessels in imitation of the bronze ritual vessels of the Shang and Zhou Dynasties, and asked the people for a large number of bronze ritual vessels.

At this time, looking at the antique porcelain tripod through the pictures, Chen Wenzhe really didn't know whether it was a Song tripod or a Ming imitation Ding kiln porcelain tripod.

In the late Ming and early Qing Dynasties, one should have been broken.

But who said that it must be a fake?What if it was the authentic porcelain tripod from Ding Kiln in the Northern Song Dynasty?
Seeing this situation, Chen Wenzhe was not only not depressed, but rather excited.

He likes Taobao the most, and the three-dimensional image of this porcelain is right in front of him.

Although it is not as real as the real thing in front of your eyes, but to identify the authenticity, just relying on this picture should be enough.

Whether this is an imitation or the authentic Ding kiln of the Northern Song Dynasty, it is better to first identify it.

If it's real, that's even better. Even if it's an imitation, it was imitated by a celebrity in the Ming Dynasty, and there are written records. Such an ancient imitation is not low in value.

What's more, even if this imitation was in the Ming Dynasty, it is a real boutique.

Chen Wenzhe looked at the pictures inside the Suihou Pearl, and he planned to study it carefully.

If you want to identify Ding kiln porcelain, you must have a deep understanding of Ding kiln craftsmanship, otherwise it will definitely not work.

To identify the white porcelain of Ding Kiln, one must first look at the enamel of the glaze.

Porcelain making in the Song Dynasty pursued the effect of jade quality, and those with jade texture were the top grade.

Especially as a porcelain product fired by the court, it must be fired with a jade texture.

Therefore, a real piece of Ding porcelain should be glazed and moist, full of agility, just like white jade.

If it is an imitation product, it is difficult to obtain a jade texture due to the difficulty in mastering the raw materials of the glaze and the firing temperature.

Generally, the charm is sluggish, the glaze color is pale, and there is no jade texture at all.

Some of them can burn out the texture of jade, but the common color is new and has a hot feeling.

This is definitely not obvious, because the previous imitation is a true-level imitation.

The enamel can't see anything, just look at the glaze color.

The glaze color of Ding kiln white glaze must be as white as ivory at best.

After the Five Dynasties, the Ding kiln wares did not apply makeup soil before glaze application.

The glaze water of the applied white glaze is white with flashing yellow, so the color of the glaze surface is the so-called "ivory white" color, and a few poor quality glazes are white with slight grayish yellow.

The glaze surface of Baiding is translucent, because the glaze is thin, so the fetal color can be vaguely seen in the thin part.

On the bent waist of some utensils, it can be seen that the accumulated glaze is light yellow-green, and the air bubbles in the accumulated glaze are sparse and transparent, with different sizes. This is also a key point to pay attention to when identifying.

It is difficult for imitation products to obtain the "ivory white" glaze color because they cannot grasp the specific firing atmosphere of Ding kiln.

The glaze color is often either white or yellow, and it is difficult to see light yellow-green at the waist of the utensils.

However, since it is a genuine imitation, the simplest feature of this Ding kiln can definitely be imitated with the best effect.

"It's no wonder that in the Ming Dynasty, fakes can be confused with real ones. Even if this is an imitation, the imitation is really good!"

Seeing this, Chen Wenzhe was really impressed.

Regardless of whether it is true or not, this piece of porcelain is really well made, and only when you see this level of porcelain can you truly appreciate the elegance of Ding Kiln white porcelain.

It is no wonder that an ordinary Ding kiln white porcelain bowl can easily sell for millions of yuan.

"It would be even better if the picture could be enlarged!"

Looking at the rotating three-dimensional picture, Chen Wenzhe couldn't help but stare longingly at Shu.

Unexpectedly, when he thought this way, Suihou Zhizhu immediately reacted.

I saw the picture of the porcelain tripod and zoomed in immediately.

Looking at this porcelain tripod now, it doesn't look like a picture, isn't this just a white porcelain tripod from Ding Kiln floating in front of my eyes?
At this moment, not to mention the colorful taotie patterns, even the light white patterns without decorations are so clear.

"Is this the brush marks of bamboo silk?" Looking at the real picture in front of him, Chen Wenzhe was surprised and didn't know what to say.

Originally, he was just looking at the pictures, but he was afraid that he would not be able to identify any results.

Well now, the picture in front of me is more convenient than the real thing.

(End of this chapter)