My system is not decent

Chapter 1191
There is never a shortage of beautiful porcelain in China, but it is really rare to see beautiful dreamlike porcelain in black glaze.

In addition to the well-known yaobianzhan of Jian Kiln, there is also the persimmon red glazed porcelain of Ding Kiln, right?

Persimmon red glaze is a typical glaze color in Song Dynasty, also known as sauce glaze and purple gold glaze.

Of course, this kind of glaze color is still different from the modern sauce glaze and purple gold glaze, and it can only be said to be similar.

In terms of quality, the ancient persimmon red glaze is definitely not as good as the current sauce glaze and purple gold glaze.

However, this is already a very precious glaze color effect in ancient times.

This kind of glaze is fired with iron-based crystals as the main molecule.

During the Song Dynasty, both the Jianyang area in the south and the Cizhou kiln, Ding kiln (Ziding), and Dangyangyu kiln in the north were all fired, and their hair color was as clear as persimmon red.

Our countrymen like to be popular, which is well known in the world.

Red represents auspiciousness and auspiciousness, and people can always think of rich and happy things.

Persimmon red, as the name suggests, is the color of persimmons when they are ripe.

Persimmon red makes people feel subtle and elegant because of its hair color, giving people a taste of ancient charm.

People in the Song Dynasty believed that "the rhyme is extremely beautiful", this kind of color has historical accumulation, and this is what gives us more nostalgic emotions.

In the Song Dynasty thousands of years ago, red glaze was difficult to fire.

And Heiding kiln transformation, with persimmon red glaze, what kind of miracle is this?

Ding kiln, which is called "persimmon red glaze" by neon people, is already very rare.

As for the Ding kiln porcelain with persimmon red glaze changed from black Ding kiln, it is estimated that there is only the above-mentioned one in the world.

The kiln change has an unconventional chance, and it is this chance that rewrites history and has a unique artistry.

Art itself is unique. If it can be produced repeatedly, or even mass-produced, how can there be art at all?
Looking at the few existing representative pieces, the different forms of cups and plates of Ding kiln black glaze in the Northern Song Dynasty are all unique.

Of course, the modeling works in that era were all accidental, not human-controllable.

Although some are artificial stippling, sprinkling, etc., they are also works of art that cannot be copied.

In that natural environment, whether it is a wood kiln or a coal kiln, the fluctuation of the air flow in the furnace will affect the effect of the utensils.

The thunderous meteor shower, the fireball falling from the meteorite, the spots on the partridge's feathers, and the golden patterns painted on the black and shiny surface all shine with the wisdom and rich creativity of ancient craftsmen.

The representative ones are the few pieces discovered so far, the most representative Ding kiln black glazed cup.

Especially Dingyao persimmon red glaze has different ring feet.

The ring feet vary according to the type of vessel, the age, and the techniques handed down by the masters of the respective workshops.

Why do you say that?Because this persimmon red glaze product is not put into mass production.

Therefore, there is no unified process requirement, and the master-teacher relationship, techniques and processes of each workshop are slightly different.

Moreover, this kind of persimmon red glaze works may be produced irregularly and without scale.

For Dingyao white glaze, mass production requires a relatively uniform framework to limit the success rate and uniformity of products.

Chen Wenzhe deliberately magnifies the pieces of Ding kiln wares inside the Suihou Pearl, allowing him to see them in more detail.

Usually we seldom pay attention to the microscopic world of colored glazes in Ding Kiln.

By chance, use a 100 times magnifying glass to take a picture of the microcosmic world of black glaze and persimmon red glaze, and we will find that it is simply incredible?
How did that happen?Contrast this with the space world.

What does the distant and unreachable space look like?

Are the pictures of the starry sky captured by the most professional space telescopes very similar to the dark microscopic pictures in front of you?

Chen Wenzhe deliberately found several sets of space pictures and carefully compared them.

He discovered that the space world is really like Heiding's microcosm.

This point is not inferior to Jianzhan's Universe in a Bowl!
The big planets in the universe are far bigger than our human earth.

If we notice the microcosm of Ding Kiln black glaze, we can easily think of the space world.

The fall of the meteorite, the meteor shower.
The scattered spots are exactly the same as the irregular impurities in Heiding's microscopic world.

In the age of backward handwork in ancient times, it was the most common thing that there were different impurities in the glaze.

Those impurities may not be able to melt into the glaze under high temperature, and some can resist the high temperature and remain. This is the limitation of technology endowed by the times.

In addition to Ding kiln, black glazes such as Dangyangyu kiln, Lushan kiln, and Yaozhou kiln have different microscopic worlds.

The porcelain works of these kilns all have their own uniqueness, and of course some of them also have certain universality.

If you zoom in, you can see many bubbles, impurities and surface scratches of different sizes and colors.

In fact, all ancient black glazes have this situation.

Generally, the color is different under different light, and the inside of their glaze is not pure black.

Rather, it is a lot of brown, brown, black, yellow, etc., intertwined together, and contains crystals and impurities of different substances.

These porcelains look black from a distance, but they are not necessarily pitch black when viewed up close under the sun.

It is mixed variegated colors, which is the characteristic of ancient black glazes.

If we move a high-power magnifying glass to the red iron spots on the black glaze, we find that the microscopic world presented in front of us has a texture like snake skin, which is very strange.

How can you imagine it?Can snake skin match this iron spot?Very weird!

With curiosity, let's take a look at the scene presented to us under the microscope of persimmon red glaze!
It was a world completely different from the persimmon red glaze, with scattered crystals on the light lotus-colored surface, and nitrate-like fragments of various sizes adhering to the surface everywhere.

These should all be crystals, and some of the large crystals are like small butterflies, which are extremely wonderful.

This is called "creating nature", and it is not something that can be done by human beings.

The magic in the microscopic world of Dingyao persimmon red glaze is a miracle that people can't imagine.

In fact, the microscopic world of all ancient glazed porcelain is also very magical.

Although they have different crystal structure points and different distributions, they all have many commonalities for reference.

And this phenomenon is not only discovered by modern people, there are also many literati in ancient times who discovered this.

The best proof is still a poem.

Zuihuayin--Double-sided kiln-changing glazed bamboo hat of Yongding kiln!
If you watch the meteor fall through the sky, you will be the best in your life.

The long night is hard to sleep, the dream is Xuan Qing, and a glass of wine can make you slightly drunk.

The camel is dark and the bottom is strange.The world is scarce for thousands of years.

Thousands of miles away, there is no chance, the gods descend suddenly, and the heavy snow shows grace.

(End of this chapter)