My system is not decent

Chapter 1200 I copied it all over
Chemical gold is also called chemical nickel gold, immersion nickel gold or electroless nickel gold.

Electroless nickel-gold is chemically plated a layer of nickel-phosphorus alloy on the palladium on the copper surface through a chemical reaction, and then plated a layer of gold on the surface of the nickel through a displacement reaction.

Needless to say, this chemical gold is a favorite of modern counterfeiters.

Chen Wenzhe didn't need to cheat, so naturally he didn't need to learn this method.

Besides, Chen Wenzhe would definitely not make more porcelains with Jincai craft. He studied this part of crafts only to imitate porcelain from Ding Kiln.

By this time, Chen Wenzhe had roughly understood all the production techniques of Ding Kiln.

At the very least, in the process of making Ding kiln porcelain, he will definitely not make some low-level mistakes.

"There is one last step. It seems to be signing. This is rare in the Song Dynasty!"

We must know that there are not many inscribed porcelains in the Song Dynasty, whether they are official kilns or private kilns.

At that time, it can only be said that inscriptions were left behind.

In fact, this is at the bottom of the Ding kiln, so the words are engraved.

Among them are "Official", "New Official", "Shangshi Bureau", "Shangyao Bureau", "Five Princes' Mansion", "Food Official Bureau Zhengqizi", "Yiding" and so on.

The above-mentioned inscriptions were all engraved on the tire before firing. Among them, "Official", "Shangshi Bureau" and "Five Kings' Mansion" were all unearthed from the kiln site.

In addition, among the handed down products of Ding Kiln, there are also those carved by court jade craftsmen.

Its inscriptions are all related to palace buildings, such as "Fenghua", "Fenghua", "Cifu", "Juxiu", "Forbidden Garden", "Deshou" and so on.

Its purpose is very obvious, it should be used as a mark assigned to each hall in the palace.

Because it was engraved by court jade craftsmen, its font is very neat.

In addition to these, there is nothing special about the reservations of the Song Dynasty.

On the contrary, in the process of making Ding kiln wares, we must pay attention to avoid some imitation production techniques.

Ding kiln is a famous kiln, and there are many imitations in later generations.

Just like the current Chen Wenzhe, the imitations he makes are republican imitations, and there were also imitations in the Yuan, Ming and Qing Dynasties before.

This is the burden of fame. For example, the previous porcelain tripod was imitated by a master who imitated Ding Kiln in Ming Dynasty.

For this porcelain tripod, Chen Wenzhe has given up.

He planned to send the location of the treasure, that is, the location information of a place in the Qiantang River, to Professor Tao in China, asking him to send someone over to have a look.

If there is, there will be joy, and if there is no, there will be no loss.

If there is, even the imitation of the Ming Dynasty, the value will not be too low.

In addition, in fact, not only the Ding kiln produced porcelain tripods, but all five famous kilns in the Song Dynasty produced this type of vessel.

Even in the Ming Dynasty, when making Xuande stoves, porcelain tripods from the five famous kilns were specially found for imitation.

Since the Ming Dynasty had such top imitations, the Qing Dynasty must have them too.

In fact, the earliest imitation Ding kiln should have begun in the Yuan Dynasty.

Xishan Huo Kiln is famous for imitating Ding Kiln.

According to the records of Wanli in the Ming Dynasty, some pottery artists were able to imitate Ding kiln porcelain.

Such as Zhou Danquan, etc., but its handed down products cannot be confirmed at present.

Even the previous imitation Ding kiln porcelain tripod is just a legend, after all, no one has seen the fake he made until now.

However, in the Forbidden City, there are still imitations of Ding kiln products from the Ming Dynasty, including plates, bowls, and pillows, but the exact age is difficult to confirm.

After Emperor Kangxi of the Qing Dynasty, Jingzhen produced imitation Ding kiln products, with yellowish glaze, many printings, no bamboo brush pattern and tear marks, which are very easy to distinguish from the real ones.

In the 80s, Quyang, Beihe, resumed the production of Ding kiln. The imitation of Ding kiln products was very successful, mainly white glaze engraved and printed products.

There is a certain difference between imitation products and genuine products, mainly because many imitations are formed by modern technology.

The shapes, such as plates, bowls, bottles, etc., are too neat compared with the real ones, without the simple and simple style of ancient handmade.

Although there is no difference in the carcass, the glaze color is too frivolous with yellow flashing in white.

Now on the market, there are already new imitations of Quyang products that have been made old and then passed off as antiques. Such works must also be carefully identified.

In recent years, Quyang has used a raw material for making industrial porcelain to imitate the products of custom-made kilns, and it is still quite good.

This kind of porcelain is off-white in color, and some of them also have tear stains.

The glaze is semi-devitrified, much like a Ding kiln product.

But the real product is yellowish in white porcelain, while the imitation product is grayish white.

There are also self-employed individuals in the Northeast. In recent years, the products imitating the Ding kiln are also handmade, and they all have the main features such as "tear marks", which are very realistic.

To carefully identify its traces of oldness and minor changes in shape, it needs to be compared with the real thing to see the slight difference.

Therefore, if we really want to say that the imitation of the kiln is made by the modern people.

Of course, this kind of imitation is worthless in the eyes of modern people.

On the contrary, some old imitations and official imitations are more valuable.

There are many imitations of Ding kiln in the past dynasties. As one of the five famous kilns in the Song Dynasty, it must be imitated by future generations.

However, the situation of imitating Ding kiln is still different from that of imitating other famous kilns.

On the one hand, there were many handed down and unearthed products of Ding Kiln at that time.

On the other hand, Ding kiln products are not so beautiful.

Therefore, the quality of many thin-bodied white porcelain products of later generations should exceed it.

This antique, the craftsmanship is retrograde, and the workmanship is worse. It seems to be more difficult, because it is difficult for you to achieve the ancient porcelain-making environment.

Therefore, there are not so many imitations of Ding kilns in later generations.

Chen Wenzhe likes to make antique porcelain the most, but imitation is not the goal.

While imitating, we also need to innovate.

He is imitating Ding kiln wares now, and he will definitely imitate a series of Ding kilns.

As before, when he imitated Ding kilns, he must imitate all Ding kilns from the Tang, Song, Yuan, Ming and Qing Dynasties.

Because the Ding kiln wares produced in each dynasty are different.

For example, imitation Ding kiln in Ming Dynasty has its own unique characteristics.

Because the egg white glaze appeared in the Yuan Dynasty, and in the Yongle period of the Ming Dynasty, the sweet white glaze appeared again, and the production level was still very high.

Therefore, most of the imitation white glaze products in the Ming Dynasty were mainly egg white glaze and sweet white glaze.

The official kilns of the Ming Dynasty never imitated the Ding kiln, and some of the folk kilns imitated the Ding kiln.

The imitation Ding kilns are mainly concentrated in Jingzhen and Pengcheng, basically in the middle and late Ming Dynasty.

Zhu Yan said in "Tao Shuo": "Rao Town imitates the Ding ware, and uses Qingjia stone powder as the bone. The quality is rough and loose, not very good."

Rao Town here is the old name of Jing Town.

From the physical point of view, the imitation Ding kiln in the Ming Dynasty mainly included water Cheng, basins, bowls, plates, and baby pillows.

Some bowls and plates have awn mouths, and some don't.

The glaze decoration is not like the ivory color of Song Ding kiln, but yellowish white.

The glaze surface is smooth, unlike the Song Ding kiln with tear marks.

Although there are also decorations on the utensils, they are basically dark flowers and printings, and there are no engraved flowers like Song Ding Kiln.

In the Qing Dynasty, the imitation Ding kilns of that period were different.

Both Qing official kilns and folk kilns imitated Ding kilns.

The works are also relatively broad, and the main varieties include boxes, water bowls, basins, bowls, plates, washing, bottles, statues, jars, and jars.

It can be said that the Qing Dynasty imitated everything that could be imitated!
(End of this chapter)