My system is not decent

Chapter 1213
If you want to imitate ancient beauty pillows, at least you need to know what the beauties on the beauty pillows should look like?

Is it a side sleeper or a back sleeper?What kind of posture is suitable for an adult beauty?
In any case, it is definitely not lying on your back like a child.

If side lying, why?How should the hands and feet be placed?

These are all questions, even knowledge.

Then there is the opening of the face when carving, which cannot be opened like a Buddha statue.

Buddha statues focus on divinity, such as richness, kindness, and great compassion.

But, a secular beauty, if you want to show her such a face, what does it look like?
Do you want to hug a beauty with a face of great compassion to sleep every day?

Don't talk about blasphemy, do you think you can sleep with such a beauty pillow in your arms?
Finally, there is another question, and that is the question of science.

Don't think that the knowledge made by the ancients is untrustworthy, just like the making of porcelain pillows.

The size of the porcelain pillow must conform to the characteristics of the age, and the most important thing is to conform to the living habits of human beings, and the pillow should not be uncomfortable.

All of these are the key to imitating beauty pillows.

Chen Wenzhe didn't want to make some low-level mistakes, so as not to make jokes for those who know how to do it.

In fact, these things are not difficult for those who are difficult, and not difficult for those who are able to.

As long as you understand it, it's really not that difficult to do.

As expected, it must be useful to learn so much ancient Ding kiln knowledge in the early stage.

For Chen Wenzhe, after every study, he will have some breakthroughs more or less.

This will make his memory more exquisite, so his technique of making Ding kiln porcelain will become more and more powerful.

Just like the current Dingyao factory, he also practiced in Dingyao's baby pillow and beauty pillow.

At his current level, it is no problem to make other types of porcelain from Ding Kiln!
I feel that the craftsmanship of making Ding kiln is already very good, and Chen Wenzhe is about to start the next challenge.

You know, Ding Kiln has more than just baby pillows.

Therefore, after making a batch of Ding kiln beauty pillows, Chen Wenzhe began to imitate other strange porcelains from Jingzhi Temple step by step.

For example, among the treasures collected in the underground palace of Jingzhi Temple, there are many special porcelains, such as the white-glazed five-legged incense burner of Ding Kiln.

This piece of porcelain is very peculiar, it is in the shape of imitating gold and silverware.

It is not big in size, with a diameter of 10.6 cm, a base diameter of 11.2 cm, and a height of 17.9 cm.

It's just that the smaller the size of this type of device, the more difficult the craftsmanship.

If you just imagine, it is naturally more difficult to build crafts on top of very small utensils.

Therefore, the craftsmanship of this smoker is even more rare.

It adopts the technique of stacking and scratching. The general's helmet-shaped cover has a top with a flower-shaped orb, and there are six staggered peach-shaped smoke holes arranged in a staggered manner on the cover. The edge of the cover is protruding, flat and wide.

The mouth of the furnace body is oblique and straight, and the bottom is folded into a flat bottom. The belly has string patterns for two weeks, and the bottom is concave.

There are five animal-faced ring-shaped hoof feet under the furnace body, the head is attached to the furnace belly, and the foot is on a ring-shaped flat support.

Its white body is fine and firm, the glaze color is bright and transparent, slightly yellowish and has vertical glaze marks, and the inside of the cover, the edge of the mouth, and the bottom are unglazed and exposed.

There should not be many such porcelain incense burners even in the Song Dynasty, when incense was popular.

The reason why the batch of cultural relics unearthed from the underground palace of Jingzhi Temple caused a sensation is because there are really many heavy objects like this white-glazed five-beast-legged incense burner inside.

There are many Ding kiln porcelains discovered, and most of them are high-quality goods. Such a batch of ancient porcelains naturally attracts attention.

Among them is the mimic porcelain like the French conch, which is a white-glazed porcelain turtle.

This white-glazed porcelain turtle is 3.8 cm high and 8.8 cm long.

The head of the tortoise is raised, the neck is retracted, the abdomen is hollow, the back is protruding, the tail is short and curly, the limbs are flaky toes, and the eyes are miliary.

The mouth of the tortoise has air holes required for firing. The abdomen is unglazed and decorated with wavy patterns.

Tortoise can land and water, which is the "life" and "nirvana" in Buddhism.

The body of this porcelain tortoise is white and fine, and the glaze is thick, shiny and slightly yellowish.

The porcelain tortoise has a vivid image and was identified as a masterpiece of Ding kiln craft porcelain in the early Northern Song Dynasty.

The most important thing is that it can float on the water as a whole, which is not easy to do.

Just this point, it can get a different status like that conch.

In fact, these are not the most peculiar works unearthed from the underground palace of Jingzhi Temple.

The most special work among them should be the black and white glazed porcelain sedan chair unearthed in the underground palace.

This black and white glazed porcelain sedan chair from the Northern Song Dynasty is 15.8 centimeters high and the side of the square seat is 10 centimeters long.

The body of the sedan chair is square, and there is a square flat support underneath.

The roof of the car is hexagonal and pointed, decorated with flower orbs, and six curved top eaves are raised.

A short half-covered curtain is hung on the sedan door, and a young woman kneels inside. There is a hollow window with hanging leaves on the back curtain.

Four sedan chairmen carry the sedan chair, one of them wears a corolla on his head, the other three wear Futou, wear wide belts, and hold the sedan chair pole with one hand.Arms on hips.

The porcelain body is fine and white, and the car roof is covered with black glaze, which is partially yellowed.

White glaze is applied to the remaining parts, the glaze is thick and transparent, with vertical glaze marks.

The car body and the bearers are partly colored in black.

The color contrast of the entire porcelain sedan chair is sharp, and the characters are concise and vivid.

This Ding Kiln white-glazed and brown-colored sedan chair was unearthed in 1969 in the Pagoda Base Palace of Jingzhi Temple in Dingzhou. It is a national first-class cultural relic and is now in the Dingzhou Museum.

The four bearers are vivid, they carry the poles on their shoulders, three of them wear square scarves, and the other bearer is different.

He wears a flower crown on his head (the body below the head was incomplete when unearthed), and all four of them wear short clothes and long trousers, with sweat scarves tied around their waists.

They are all holding the bar with one hand bent and one hand akimbo, with vivid and natural images.

There is a sedan chair door in front, the door curtain is half hung, and there are colorful ribbons on it.

Through the sedan door, one can see a woman kneeling inside, which is a typical Ding kiln kneading sculpture.

Facial expressions and postures are portrayed vividly.

She shyly hides it, so it is difficult to show it in the form of pictures on the Internet for people to view.

It's just that Chen Wenzhe's Suihou Pearl's internal breakthrough can be zoomed in, zoomed out, or even adjusted in angle.

This is definitely a high-tech three-dimensional projection technology, so he can see clearly.

After careful study, he found that the whole porcelain sedan chair was divided into two parts, the roof and the body.

In order to avoid the monotony of the color and make the color more varied, brown glaze is applied on the roof of the car, and the body of the car is mainly white glaze and decorated with dots of brown color.

The roof of the sedan chair and the eyebrows of the bearers are glazed with dark brown, and most of the others are glazed with white glaze, which makes the porcelain sedan chair more three-dimensional and the bearing bearers look more vivid.

In the era when the color glaze of the Ding kiln was relatively monotonous in the Song Dynasty, in order to highlight the theme of the sedan chair, it did its best to make it gorgeous, reflecting the luxury of noble travel at that time from the side.

The craftsman also used his brains to make the brown color play a finishing touch on the white tone.

Looking at the bearers' attire, the color of one of them is obviously different from that of the other three, the whole body is yellowish brown, and the headgear is also obviously different.

Not to mention other values, but this point is of great significance to the study of the etiquette system and clothing culture of the Song Dynasty.

(End of this chapter)