My system is not decent

Chapter 1266

Collecting is a rich man's game. Things that are expensive in the eyes of ordinary people are ordinary in the eyes of rich people!
It can be seen that different people have different views on different things.

Therefore, different porcelain has different prices.

Even the enamel colors of the Qianlong period can't easily cost hundreds of millions, and the most works are actually tens of millions.

And this is already beyond people's imagination.

You must know that over the past dynasties, the number of porcelains in the same period was as many as one million, but very few were tens of millions.

In particular, small bowls and wine cups with simple shapes can be sold for tens of millions, which is unique in all ages.

Or a small bowl, Qing Qianlong blue ground enamel bowl with double dragon lotus pattern.

The size is 16.1 cm in diameter, the estimated price is 10 ~ 000 Hong Kong dollars, and the final transaction is 000 million Hong Kong dollars.

This is not a special phenomenon. For example, there is this small bowl auctioned in 2013, which is a pair of bowls with enamel color switch flower and bird patterns in the Qianlong period.

The transaction price at that time was about ninety-two million.

In 2015, the enamel color of the Qianlong period and the small ear bottle for ladies and infants were auctioned, and the price at that time was around [-] million.

In fact, from the following prices, it can be judged that this type of porcelain at that time was very valuable for collection.

Because most of the prices are in the millions or even tens of millions, even some undamaged works still have a certain collection value, because what Xiaojia values ​​is its artistic value.

It means that the rare raw materials, just crafts and pictures, are enough to make people pay at a low price.

Of course, enamel colored porcelain is also very suitable for modern people's aesthetic point of view.

Modern people see it and think it is beautiful, so they can buy it at a low price.

It is actually hard to see that under Ding Kiln and Ru Kiln.

Because it is a knowledgeable person who has seen the white porcelain of the Ding Kiln. It is also a special plate, so how can it be worth several million?
The pastels, fighting colors and enamel colors of Kangxi, Yongzheng and Qianlong Eight Dynasties are the same!
It doesn't matter who it is, they all think it's a good thing when they see it, and they all think it should be worth money.

What's more, it's just that the people of the country, even the people of the Li country, are recognized.

After all, those porcelains have borrowed some western aesthetic things, and we feel beautiful and good when we look at them!
And as long as there are few people who hate it, the price will still be pushed to the top of the world?
Therefore, at this time, Chen Wenzhe also speeded up the pace, carefully imitating in the work.

After all, no emperor in the eighth dynasties of the Qing Dynasty had classic porcelain, usually enamel.

After a busy month, Duan Penghua's imitation came to an end again.

Although there were few imitations that time, the craftsmanship was in progress.

On top of that, I also made some copperware during the period.

To be more wrong, it should be a copper tire!

Now that I have made enamel colored porcelain, I can naturally forget about the copper-bodied cloisonné enamel works. After all, I don’t have a top-level national treasure small pot in my hand!

For example, making my small pot with cloud and dragon patterns, if I were asked to do it now, it would definitely be easy, but it should be more difficult to make some large pieces of cloisonné enamel now.

Besides, Chen Wenzhe is not proficient in copperware, and I still don't have a solid foundation to start cloisonné enamel works.

It turns out that Chen Wenzhe never thought about making that kind of artwork, because I know that craftsmanship is very difficult.

Making enamel under porcelain is relatively easy compared to that. The most difficult thing is to make copper francs.

That is, cloisonne, which is called "copper tire filigree enamel".

Due to its exquisite craftsmanship, it was listed as the first batch of intangible cultural heritage by the country in 2006.

Cloisonné cloisonné enamel painting has broken through the limitation that it could only be attached to copper tires in the past, and has less "possibility".

The production subjects are also more extensive, including landscapes, flowers and birds, Thangka and so on.

It not only presents the artistic conception of traditional Chinese painting, but also shows surprising three-dimensional artistic effects.

Select pictures, draw, filigree, indigo, process, glue...

There are more than ten pure manual processes in the whole process. Before all of them are completed, a beautiful cloisonné enamel painting is considered complete.

Among them, filigree and dot blue are the most important links, which also constitute the soul, bones and flesh of the filigree enamel painting.

Now Duan Penghua has lost some self-confidence, but I will definitely make the cloisonné in the very end, but I want to make some jewelry first.

I saw that I was holding the aluminum wire in my right hand, and the tweezers and scissors in my left hand were switching smoothly.

Between bends and turns, a delicate and delicate flower prototype appeared.

That is filigree, and filigree is to bend gold-plated aluminum wire according to the pattern.

Under the plane, it forms a pattern with smooth lines and no three-dimensional effect.

The paintings that have gone through the "filigree" process are full of dense lines, which neither have the beauty of traditional Chinese patterns, but are full of the charm of abstract lines.

Before "filigree", it was "point blue".

The most amazing thing about Dot Blue is that there is no marked color in the design pattern.

In the works, what color is the flower, what color is the bird, whether the background is painted blue or painted green, whether the contrast is severe or weak...

Those are all outside the creator's heart.

Chen Wenzhe relies on experience and imagination to select colors and match tones.

Almost instantly, the works in my hands became dazzling and shining.

That is the most complicated cloisonné enamel painting, that large picture is a piece of jewelry.

Cloisonné enamel paintings like that are difficult to say and easy to say.

To make cloisonné enamel painting, in addition to painting skills, you also need to have a certain sensitivity to color.

If you want to make a beautiful work, you need to have no certain art skills.

Recently, Duan Penghua can be said to be trying to improve his painting skills.

In the work, when making Yongzheng official kiln, if the calligraphy and painting skills are good, you can make good things, that is to say, you can make low imitation and fine imitation Yongzheng official kiln porcelain.

Only those who do not have poor art skills can make some large cloisonné enamel vessels.

It is the works of the same size and the simplicity of the pattern that determine how much time is spent.

Large and complex paintings can be completed within 3 days at the slowest.

For huge and small works, it is impossible to spend several months.

After that, I devoted a small part of my time to making cloisonné enamel paintings.

When a beautiful work is finished, my heart is empty and joyful.

What the work brings me is not only a sense of accomplishment, but also a sense of pride in the inheritance of culture.

Intangible cultural heritage must be learned and understood, and it must be inherited and carried forward.

Chen Wenzhe hopes that if there is a chance in the future, I can go back to school and pass on those crafts.

It would be even better if it could be promoted a step further.

It would be even better if an interest class for filigree enamel painting can be added at the university level, so that children can understand traditional culture, love traditional skills, and strive to cultivate a new generation of intangible cultural heritage craftsmen.

(End of this chapter)