My system is not decent

Chapter 1276 Masterpiece
Just like filling wire, pay attention to the uniformity, smoothness and smoothness of the coded wire when making it.

Moreover, the filled silk surface should be flat, not uneven in height, and the files should be uniform in density.

This requires everything to go smoothly, otherwise it will not be done well at all.

In addition, there are many types of silk filling, such as silk filling, filling head, filling petals, filling various brocade grounds and so on.

After filigreeing and stuffing, it is saving.

Saving is assembly. The saving here is mainly filigree saving, and the saving of filigree is divided into flat saving, stacking saving and component saving.

Pingzhuan is to connect flat filigree patterns together.

The accumulation of components means that the components are connected.

When saving work, first of all, according to the drawings and design requirements, prepare all the parts needed for a piece of work and put them together.

The master of Zanhuo craftsmen must first understand the overall structure of the drawings and deeply understand the requirements of the design.

Then according to the drawing structure and design requirements, arrange the order of saving activities.

What to install first, what to install, and finally ready to weld.

The basics of welding when assembling live, the craftsman must consider comprehensively when assembling live, have room for imagination, and have a strong sense of structure.

The assembly sequence should be scientific and reasonable, and the spare parts should be complete, and there should be no phenomenon of incorrect welding or missing parts.

Once some works appear repeatedly, all previous efforts will be wasted.

After laying the foundation, it is welding.

Welding is a skill with high technical difficulty in filigree inlay works.

Different from general mechanical engineering welding, this welding is a special process welding.

Because of the special process, the welding objects are not batch-oriented, and the material changes greatly.

Therefore, when welding, generally rely on the experience of the skilled craftsman to determine the type, proportion and amount of welding powder, the position and quantity of solder joints, the size of the fire, and the time of blowing.

Welding flux is also divided into yellow flux and red flux, and different fluxes can be selected and used according to the different subjects to be welded.

Yellow flux is used to weld the carcass, and red flux is used to weld filaments. The fluidity of red flux is better than that of yellow flux.

Especially when welding high-content gold works, in order to ensure the gold content of the work, the craftsman should make the welding flux ratio reach "97 materials".

That is, 97% of the solder is gold, and 3% is other materials.

Moreover, welding flux cannot be used more, which requires a skilled master with high welding skills.

It can be said that among these crafts, each step is a unique skill, as long as one step is not done well, it is impossible to produce a good work.

Of course, after the welding is completed, it must continue, that is, pile and base.

This can also be regarded as a craft, because it is carried out quickly.

The pile of filaments is essentially two steps to make a filament form.

It is generally used to make non-planar filaments, such as gourd-shaped bottles, pots and other three-dimensional filaments with curved surfaces.

There are two kinds of stacked filaments: planar filaments and three-dimensional filaments.

The flat base silk is different from the flat filling silk. The flat base silk is more than two layers of filigree patterns superimposed together to express the three-dimensional effect of the work.

The three-dimensional base wire can be welded on the real tire or charcoal ash with superimposed filigree patterns.

To make three-dimensional piles of filigree, one must first understand the work according to the drawings and design requirements.

Then, according to the three-dimensional structure and size, the charcoal is ground into powder, and bletilla striata and water are added to make it into a noodle shape, and kneaded by hand into the shape designed on the drawing.

This is also a shaping process, after shaping and waiting to dry, this process is stacking.

After the molding is dry, winding the yarding wire is also a process of laying the thread. When laying the thread, it must be the same as filling the thread.

Only in this way can the welding be tight and seamless.

After welding, burn the piled charcoal mold with a torch, and it will become a three-dimensional hollow and exquisitely carved finished product.

A good finished product makes it difficult for outsiders to find out the ins and outs of silk.

At this point, one piece of work has not been finished yet, and there are still two crafts to be completed, followed by weaving and weaving.

Weaving is the same as straw weaving and bamboo weaving that we are usually familiar with, but the materials used are different.

It is much more difficult to use gold, silver, copper and other metal materials to make various silks for weaving.

Therefore, a skilled craftsman with certain experience must be able to weave well with even hand strength.

The silk used for weaving includes round plain silk, round filament, flat silk and so on.

First select the required silk according to the requirements of the drawing, and then usually weave it by hand to make different flower silk patterns.

Commonly used filigree patterns include pigtails, cross threads, screws, mat patterns, and foamed threads.

The weaving is completed, and the simpler works are completed. Of course, the inlay technology has not been used here.

However, as long as you can master these skills proficiently, you can already complete some simple works.

For example, filigree handbags, the required craftsmanship is relatively simple.

Handbags originally originated in the West, and the integration of handbag works into the traditional Chinese filigree inlay technology is a perfect combination of tradition and modernity, my country and the West, as well as luxury and light luxury craftsmanship.

The handbag bears the complicated and exquisite filigree inlay technology, with flourishing patterns of flowers and clusters, inlaid with bright royal blue jewels, which makes the whole handbag full of royal wealth and glory.

Condensing this kind of extravagance into the handbag highlights the ornamental and practical value of the filigree handbag, so it is favored by more and more arts and crafts lovers and ladies who love beauty.

If you want to go further and make more complex works, there are many such works.

Like the famous "December Flower" filigree brooch set, the design inspiration of this work comes from the traditional Chinese "Song of Flowers".

In the first month, the plum blossoms are proud of the snow and frost; in February, they welcome the spring and open at the beginning of spring; in March, the peach blossoms are ten miles red; in April, the peonies are beautiful and fragrant; in May, pomegranates are red like fire; in June, lotus flowers are reflected in the pond;
In July, jasmine is like snow; in August, osmanthus is full of yellow trees; in September, chrysanthemums are in various forms; in October, hibiscus is putting on makeup; in November, narcissus is as clean as jade; in December, wintersweet is fragrant.

It displays works in the form of brooches, and each work corresponds to a famous flower month.

The work adopts filigree inlay technology, and gemstones of various colors are dotted on the flowers, highlighting the charm of the work.

The whole set of works is complicated in craftsmanship, which embodies the highest skill of Chinese intangible cultural heritage - filigree inlay. The use of gold as the material shows the elegance and luxury of the works.

Similar to this one, there is also the filigree fan series.

The main elements of the work are peonies, magnolias, plum blossoms, chrysanthemums, butterflies and swallows, which are traditional auspicious flowers in my country.

Orchids imply "gentlemen", peonies imply "wealth", butterflies imply "good news" and swallows imply "banquet".

The base is decorated with chrysanthemum patterns and the back is decorated with double dragon patterns, which constitute a classic arts and crafts full of spring, wealth and auspiciousness.

It is made of filigree inlay technology, supplemented by traditional blue-burning technology, which can perfectly reproduce the exquisite filigree display of the palace during the Qianlong period of Qing Dynasty.

Of course, the masterpiece of this kind of craft must be the Dashui method of gold and jade in Yuanmingyuan, which is carved with filigree and chiseled with treasures.

(End of this chapter)