My system is not decent

Chapter 1289
Among the national treasure reconstruction projects, the first one to be reproduced is the Qing Kangxi blue-and-white flower-and-bird fishtail vase.

Its prototype is a national first-class cultural relic in the collection of the Forbidden City.

National first-class cultural relics are naturally not easy.

It has a sloppy mouth, thick and long neck, a curved belly that is retracted downwards, circled feet and a double platform.

This kind of shape is a typical utensil of Kangxi, called "fish tail".

The body is decorated with blue and white flowers, the neck is painted with "Golden Pheasant and Hibiscus", and the belly is painted with "Golden Pheasant and Peach".

Song Huizong once painted the golden pheasant and hibiscus, saying that the golden pheasant has all the "five virtues".

Matched with flowers of the four seasons, it means that the flowers bloom, wealth and prosperity, and a bright future.

As long as you know this treasure, you must know why Chen Wenzhe copied this bottle in the first place.

The first one is a bottle with flower and bird patterns, and now Chen Wenzhe is full of confidence in his flower and bird painting skills.

What's more, on this bottle, there are not only flowers of the four seasons, but also golden pheasant, which is really suitable for Chen Wenzhe to imitate now.

Another one is that this is a piece of emerald blue.

It can be said that this piece of work perfectly reproduces the unique "green hair blue" of Kangxi blue and white, creating the crown of blue and white art in all dynasties!
Each of these ten treasures is not simple, this one is the crown of blue and white art, and of course the second one is not simple.

The second piece is Yongzheng's work, which is a plum vase with a pattern of picking branches and fighting colors.

Looking at Yongzheng clearly, this is not just talking casually.

This plum bottle from the Yongzheng period is also a national first-class cultural relic.

This device is a perfect interpretation of the Yongzheng fighting color, which breaks through the combination of underglaze blue and white and overglaze five colors.

It introduces pastel carmine, etc. into the picture at that time, forming a unique artistic effect.

This is an outstanding representative of Yongzheng Dynasty ceramic art and innovation!
Due to the extremely complicated formula of the overglaze glaze used, the fired flowers appear extraordinarily gorgeous and gorgeous.

However, because the chemical composition of the glaze is too complex, the requirements for temperature control are too high, resulting in an extremely low firing rate.

Beautiful, difficult to make, so extremely collectible.

It can be said that it is the first work in history that breaks through underglaze blue and white and overglaze multicolored craftsmanship, and has a very high historical status!

However, it is extremely difficult to imitate this work. First of all, the glaze formula is the most complicated!

But because of the complexity of the glaze, it is very difficult to control the firing temperature.

However, this was not difficult for Chen Wenzhe at all.

As long as he knows the glaze formula, he can perfectly control the firing temperature and directly fire the finished product.

Even if he fails a few times, he will definitely be able to burn out perfectly in the end.

With Sui Hou's Pearl, he can use backtracking to get the glaze formula, and even through an immersive experience, he can directly learn the experience and techniques of ancient craftsmen firing this treasure.

This allows him to copy these complicated crafts, and it can even be said to be treasures obtained by accident, with unparalleled advantages.

During the Yongzheng period, there were extremely high achievements in the craftsmanship and level of porcelain firing.

Therefore, among the ten national treasures recreated this time, there are several pieces from Yongzheng.

For example, the Qing Yongzheng enamel-colored landscape pattern bottle, the whole body of this bottle is painted with enamel-colored landscape figures.

In other words, this is an enamel color, and Chen Wenzhe happens to be familiar with it now.

After all, he has made a lot of enamel colored porcelain recently!

And this one must have unique characteristics, such as the composition is full but without losing the sense of ethereal and hearty.

So the effect achieved is very good, for example, Jiu Guan seems to be in a fairyland.

Also, the use of elegant colors contributes to the unique beauty of this treasure.

Therefore, if you want to imitate it, the artist's skill level is extremely high!
Of course, controlling the deployment of glazes is also very harsh!

Therefore, in the National Treasure Reconstruction Project that year, this is a work with the highest scrap rate, the most difficult reproduction, and the highest cost among the National Treasure Reconstruction Projects, and its collection value is also unique!

When it comes to collection value, this piece can be called the No. [-] Chinese enamel color freehand brushwork landscape porcelain, because it uses elegant colors, is difficult to paint and burns, and saves one by discarding a hundred!

Yongzheng has been in power for thirteen years, but his achievements in porcelain are really hard to write down.

For example, among the ten recreated national treasures, the first is the first work that breaks through the craftsmanship of underglaze blue and white and overglaze five colors, and has a very high historical status.

The second piece is even more powerful, known as the number one Chinese enamel colored freehand landscape porcelain.

There is also a third one, and this one is not much less, because he is even better, claiming to only look at this bottle of millennium blue and white!
This bottle is the Qing Yongzheng Blue and White Peach Bat Pattern Olive Vase.

The mouth of this bottle is turned outward, the neck is tied, the shoulders are sloping, the belly is gradually retracted, the feet are slightly turned outward, and it is olive-shaped.

A thick peach tree is painted on the abdomen, bearing eight huge flat peaches.

It is lined with peach blossoms, bamboo leaves, rocks, and Ganoderma lucidum.

Five bats fly up and down, implying the meaning of "five bats holding longevity".

During the Yongzheng period, the firing level of blue and white reached its peak, and there has been no surpassing since then!
Elegant and elegant, this peach bat vase is exquisitely painted, and is the highest-quality representative work of blue-and-white porcelain used by the Qing Dynasty.

It is a masterpiece of Chinese blue-and-white porcelain at its peak stage. Only one bottle of thousand-year-old blue-and-white porcelain can challenge the highest level of blue-and-white craftsmanship!
This is blue and white porcelain, even if Kangxi has the achievement of emerald blue and white porcelain, it can't cover up the brilliance of Yongzheng's blue and white porcelain.

The highest level of blue and white craftsmanship has never been achieved since then.

This is the collection value of this bottle, and in addition to this one, Yongzheng period, on top of other painted porcelain, has a very high achievement.

The fourth re-burned national treasure is the Qing Yongzheng·Mo Cai Landscape Wood Grain Brush Holder.

Emperor Yongzheng not only had extremely high requirements for porcelain tasting, but also created many unique varieties of porcelain.

Ink color is the most distinctive original work among them.

It uses domestic color materials, and imitates the artistic effect of fired ink enamel, just like painting with ink pens on rice paper. The combination of wood grain glaze and ink color is rare in the world.

The carcass of this device is white and dense, the pattern and composition are sparse and dense, with distinct layers, and the scenery is patchwork and well organized.

The brushstrokes are natural and flexible, and the rendering is rough and rubbed, just like a Chinese ink painting with strong appeal. It has a fresh style and unique artistic charm. It is a rare masterpiece in the Yongzheng period.

This is a rare original porcelain in the Yongzheng Dynasty. During the re-firing process, the master of traditional Chinese painting in the Forbidden City personally instructed and copied it. The artistic level is extremely high!

Among the top ten re-burned treasures, one is from Kangxi, four from Yongzheng, and the remaining five are all from Qianlong.

In fact, this is not surprising, because Emperor Qianlong's conduct in the world is well known to the world, isn't it just a great success?
Besides, Yongzheng left too much wealth to Qianlong, didn't he just make it hard?

It is not surprising that people with money, or the so-called prosperous Qianlong period, naturally had high artistic achievements.

Therefore, the next five treasures are also very extraordinary.

Of course, these five treasures are definitely not the piles of gorgeous craftsmanship, but some unique national treasures.

(End of this chapter)